The Artifice Girl: Review. By Joe Muldoon. What happens when artificial intelligence far exceeds the Turing Test? At what point do artificial beings become deserving of equal human rights? How can we ...
Ali: Fear Eats The Soul – Review. By Joe Muldoon. Set two years in the wake of the 1972 Munich massacre, Fassbinder’s Ali: Fear Eats The Soul (one of his finest works) is a bothersome and unsett...
I’m Fine (Thanks For Asking) – Review. By Joe Muldoon. Danny (Kelley Kali, a rapidly-rising star, who also co-wrote and co-directed the film) and her daughter Wes (Wesley Moss) are homeless, liv...
The Children’s Hour: Review. By Joe Muldoon. In the November of 1810, two teachers (Marianne Woods and Jane Pirie) of an Edinburgh all-girls’ boarding school were falsely accused of having been sexual...
The Last Emperor: Review. By Joe Muldoon. Of all the films of Bernardo Bertolucci’s illustrious career, The Last Emperor marks his most maximalist and ambitious work, and one I personally believ...