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film reviews | movies | features | BRWC The Problemless Anonymous: Review

The Problemless Anonymous: Review

25th March 2017
REVIEWS
Callum Forbes
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Did you ever wonder if your aulersonal faults were manufactured? I hope not, as faults are far more complex than that, but it does make for a good story. There are a lot of good ideas living within such a concept, and I’m somewhat surprised that it hasn’t been explored

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film reviews | movies | features | BRWC GUEST POST: The Victorians

GUEST POST: The Victorians

24th March 2017
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BRWC
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By Dwight Gabbert. Sometimes you just get lucky and meet the right people. When you’ve got little to no money to shoot a feature film on the streets and in the hotels of Amsterdam, you’re going to need an amazing cast and crew who have your back. And, of course, you’re gonna

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The BRWC Review: The Eyes Of My Mother

23rd March 2017
REVIEWS
Rosalynn Try-Hane
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The Eyes Of My Mother is a very stylish and at times stylised film. It's a disturbing tale of a daughter's quest to replace the maternal love so brutally taken from her by a serial killer at a young age. The events that take place in the film are horrifying

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film reviews | movies | features | BRWC A Michelle Rodriguez Retrospective

A Michelle Rodriguez Retrospective

23rd March 2017
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When you think of a female action star in Hollywood, there’s one name that continues to pop up; Michelle Rodriguez. After bursting onto the scene at the turn of the century with her acclaimed indie film Girlfight, she has gone on to establish herself as one of the greats at

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film reviews | movies | features | BRWC Bethany: BRWC EXCLUSIVE Interview With Stefanie Estes

Bethany: BRWC EXCLUSIVE Interview With Stefanie Estes

23rd March 2017
INTERVIEWS
Alton Williams
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Up-and-comer Stefanie Estes has the lead in Bethany, a James Cullen Bressack spookfest about a woman whose imaginary friend from childhood begins haunting her memories. How did you get the gig in "Bethany"? I filmed an initial audition on my own and sent it to the casting director. They had me come

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