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film reviews | movies | features | BRWC Electronic Cigarettes In Film

Electronic Cigarettes In Film

19th August 2013
FEATURES
Alton Williams
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Electronic cigarettes are becoming increasingly popular, with an estimated 1.3 million people using them in the UK, this figure looks set to rise over the next couple of years. E-Cigarettes are battery operated devices, some of which are designed to look like conventional cigarettes. Like the traditional cigarette, some e-cigarettes contain

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film reviews | movies | features | BRWC Five Serious Actors With Ridiculous Early Roles

Top 10 Penn Moments

18th August 2013
FEATURES
Alton Williams
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By Kate Voss. Sean Penn is a remarkable actor, capable of portraying everyone from a mentally handicapped father, to a teenage stoner, to a homosexual politician. His versatility and ability to create distinct personas in each role is unmatched. To celebrate Mr. Penn’s 53rd birthday, we take a look at 10

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film reviews | movies | features | BRWC Tom Cruise Through The Years

Giving Up The Day Job: Actors With Surprising Career Beginnings

17th August 2013
FEATURES
Alton Williams
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Some actors are born into the business, often quite literally – often their families are already in Hollywood, or sometimes they land a gig early on in a diaper commercial and never left the industry. Quite often, those who aren’t blessed with such fortune are so driven that they stop

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film reviews | movies | features | BRWC A Freeform Analysis Of Paul Schrader’s THE CANYONS

A Freeform Analysis Of Paul Schrader’s THE CANYONS

17th August 2013
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BRWC
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“I had to rearrange their faces And give them all another name” a freeform analysis of Paul Schrader’s THE CANYONS by Pablo D’Stair A Brief Introductory Note: I was a Kickstarter contributor to this film, way back at the get-go—before any cast was on board, any frames were shot, and before the film came

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film reviews | movies | features | BRWC The Birth Of A Nation - Review

The Birth Of A Nation – Review

16th August 2013
REVIEWS
BRWC
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The Birth of a Nation begins with a title card reading, 'A PLEA FOR THE ART OF THE MOTION PICTURE', a statement arguably apt for a film that, despite pioneering huge advancements in the history of film, has long instead predominantly been associated with mass amounts of controversy over racial

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