Bourne of the Dead. A bedraggled and bewildered young man wakes up on the cold stones of Brighton beach. As he wanders the deserted streets of the city centre, he’s set upon by a bloodied and raging ‘infected’ (we’re still not using the z-word, ok?) before being saved by a young
By Maahin Akhlaque. Low-budget British films tend to more often than not be crime or gang films, and Reg Traviss’ latest is no exception, though it offers a little bit more than just a regular gang-war plotline, though it doesn’t make it better or more interesting than other films of its
Joss Whedon is something of a geek God. After the uphill struggle followed by a course of plate spinning that was "Avengers: Assemble" , we were satisfied, elated and not a little bit surprised that he could pull it off with such ease. On 2nd, 3rd, 4th viewings however, little
Joss Whedon's swan song for Marvel does an admirable job juggling an ever expanding cast of colourful characters, laying the foundation for future features without losing sight of the mission at hand. As with its predecessor AOU manages to dish out both meaty developments and zingy dialogue to each of the key
The "Grindhouse" team have a lot to answer for, obviously aimed at those that thought "Hobo With A Shotgun" was too "talky", this is another exercise from the "Ronseal" of cinema textbook, which gets extra marks for showing promo promise but manages to get the answer wrong. A barnstorming trailer
