By Orla Smith. What is it like to be Terrence Malick? Along with ‘why did they make Cars 3 before The Incredibles 2?’, ‘how is… EIFF2017 Review: Song To Song

By Orla Smith. While at Cannes the Netflix logo that precedes Okja was met with boos, it’s difficult to imagine that this bizarre, absurdist super-pig… EIFF2017 Review: Okja

By Orla Smith. Particularly in this golden age of television, when it would be unfair to assume a TV show may have less cinematic value… EIFF2017 Review: Paris Can Wait

By Orla Smith. Not to be dramatic, but Modern Life is Rubbish is one of the worst films I’ve ever seen. Not that I seek… EIFF2017 Review: Modern Life Is Rubbish

By Orla Smith. The 71st Edinburgh Film Festival started with a simmer rather than a bang. Yorkshire set drama God’s Own Country opened this year’s… EIFF2017 Review: God’s Own Country