Author: Alton Williams

  • Film Review with Robert Mann – Salt

    Salt ***½

    Isn’t it funny when reality reflects fiction? Not long ago, the idea of Russian agents living in secret in America would have seemed preposterous, the Cold War long being a thing of the past, yet the recent discovery of just that – Russian agents living undercover as American citizens – makes the whole premise of Salt all the more credible and poignant. It was certainly a convenient coincidence for the studio behind the film given that the timing of the real life discovery only slightly preceded its release and likely generated a whole new level of interest in it. Were it not for this coincidence I suspect that the film wouldn’t have proved quite as popular at the US box office as it has. This is certainly not for a lack of talent involved though. Originally intended as a star vehicle for Tom Cruise but rewritten for Angelina Jolie after Cruise opted to do Knight and Day instead, ‘Salt’ seems timed to fill the void left by the absence of a new Bourne or 007 movie although it is unlikely to be welcomed as completely as either. Director Phillip Noyce’s recent credits have all been very low key and little seen films although look further back and you will discover that he is the man behind spy thrillers such as Patriot Games and Clear and Present Danger, two films that demonstrate a clear knack for handling this kind of spy thriller. Writer Kurt Wimmer has a solid track record as well, his past writing credits including the likes of The Recruit, Law Abiding Citizen and Equilibrium. But does Salt fully deliver on the promise of its intriguing premise or does it prove too salty for its own good?

    Evelyn Salt (Angelina Jolie) is a CIA agent brought in to handle a routine interrogation of a Russian defector. Although the Agency are treating his claims with sceptical caution, he insists that a Russian spy is heading to New York to assassinate the Russian President. And then Salt is stopped in her tracks when he reveals the assassin’s name is…Evelyn Salt. Now Salt must go on the run, using all her skills and years of experience as a covert operative to elude capture by the pursuing forces of both her long time friend and colleague Ted Winter (Liev Schreiber) and the distrusting Peabody (Chiwetel Ejiofor). But even when she does get caught, breaking free from a fast-moving police car holds little challenge for an agent who is as deadly as any lethal weapon. But as Salt desperately fights to prove her innocence, her entire life story and her identity itself are called into question. Is she really who seems?

    In the light of recent real life events it is hard not to find some eerie parallels between the real world and the world portrayed in Salt and this gives the film a bit of an edge that it wouldn’t have had otherwise as it makes a lot of what happens in the film scarily believable at times. Believability certainly seems to be the desired goal for much what is seen in the film and to an extent the film does achieve this. The plot isn’t too fantastical to rule out the possibility of something like it happening in real life and much of the action is also grounded in reality, even if does stretch believability a bit at times. That said, the film’s plot hits a number of stumbling blocks that prevent it from being nearly as good as it could be. As the film progresses the plot begins to become somewhat illogical, making it hard to really keep track of what is going on, a lack of clarity about Salt’s motives make it hard to figure whether or not we are actually supposed to be rooting for her – although this could also be taken as a strength of the film, as we also find ourselves questioning whether she is who she seems – a scene where Salt disguises herself as a man stretches credibility a bit too far and a twist towards the end fails to be as surprising as it should be, not helped by the fact that a certain actor has gone this particular route before in another film. This isn’t to say the film isn’t a worthwhile watch, however, as the story takes a few unexpected turns and offers up a few surprises, the plot not playing out entirely as you might expect and, while more a thriller than an actioner, there are a few decent, well staged action sequences – mostly foot chases, etc. – that provide a few thrills, if not delivering anything that hasn’t really been seen before. The film also boasts solid performances from its cast, with the versatile Angelina Jolie being suitably intense in the lead role and strong support from fellow cast members Liev Schreiber and Chiwetel Ejiofor. Evelyn Salt is not in the same league as Jason Bourne or James Bond but this film has enough going for it to make it worth checking out and enough potential to make the sequel hinted at by the open ending a reasonably exciting proposition, particularly if can follow the example of the Bourne sequels. Salt is an enjoyable and intriguing thriller that could have been great with just a bit of pepper to spice things up but, as it is, proves decent but unremarkable.

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    Review by Robert Mann BA (Hons)

    © BRWC 2010.

  • Film Review with Robert Mann – The Boogeyman PLUS POSTER!

    Film Review with Robert Mann - The Boogeyman PLUS POSTER!

    The Boogeyman ****

    Earlier this year I reviewed a delightful short fantasy film titled
    The Stolen Wings by Irish writer and director Gerard Lough. For his next film The Boogeyman Lough has taken on the horror genre and aimed a bit bigger, making a film with a much longer (but still short at only 26 minutes) running time and that is not an original piece but rather an adaptation of a short story by Stephen King which was featured in his anthology book Night Shift.

    In a psychiatrist’s office, Andrew (Simon Fogarty) claims that his children have been murdered and that he is responsible but that no one will believe him. He recalls the events to the psychiatrist (Michael Parle). “The Boogeyman killed them”, he says, “The Boogeyman killed them all.”
    The Boogeyman is very clearly a film made on a low budget but it wears its low budget on it’s (suggestively but not literally) blood soaked sleeve, the low tech approach on display here being as much a charm as it is a hindrance. Sure, the digital video camera work does occasionally give the film a slightly amateurish look (something that is hard to avoid when filming in this particular medium) but it often gives the film a rather distinctive glow as well. Just as with The Stolen Wings there is some very beautiful cinematography on display here with simple camera techniques being utilized in place of the gimmickry that tends to be front and centre in the majority of Hollywood scare flicks. Additionally, sound is used to great effect, with sound effects and the score by Cian Furlong both creating a suitably eerie atmosphere. There are no jump scares to be found here and no gore either, a sense of menace being built up as the film progresses towards it chilling, if perhaps somewhat anticlimactic, finish. Lough wisely avoids actually showing The Boogeyman to us for the most part, the entities absence more chilling than his constant presence but when it does appear to us it is a well realised creature of fear even if it isn’t exactly one of the greatest horror creations ever. On the writing front, the film boasts a well structured plot with the approach of the protagonist recalling events proving very effective and the dialogue is also strong if not wholly remarkable. The performances are also quite decent, Michael Parle being suitably cold, uncaring and disbelieving and Simon Fogarty being competent as the guilt ridden father who’s lost his children, even though his despair isn’t as blatant as it could really do with being. All in all, The Boogeyman is perhaps not a horror film in the conventional sense, in that it doesn’t offer up a scare a minute, nor is it one of the scariest films you will ever see, but it is a film that may well linger with you and has more chills and visual flourishes than most of the horror dreck that Hollywood churns out. After seeing this film, you may not want to go near a closet again.
    The Boogeyman is currently going around the festival circuit. The trailer can be viewed here:

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    Review by Robert Mann BA (Hons)


    EDIT – Here is the poster – 

    Film Review with Robert Mann - The Boogeyman PLUS POSTER!



    EDIT – Dream sequence clip – 





    And….



    The Boogeyman and Deviant are both reviewed in the new issue of Diabolique – a US horror magazine. The critic does give a bit of a kicking on Boogeyman yet does praise certain aspects such as Simon’s performance and its faithfulness to Stephen King’s short story. 

    On the other hand, Deviant gets a glowing review and I can’t help but smile to read “The film is book ended by shots of the film’s bleak but beautiful county Donegal setting, hauntingly lensed by cinematographer Greg Rouladh.” 



    © BRWC 2010.

  • The Other Superheroes: Mystery Men

    It’s not difficult to find comedy relief in any superhero film out there. Movies like Kick Ass and Iron Man are full of it, and even very serious and dark films like Batman Begins had some laughs in it. Some of us who aren’t very familiar with the comics these movies are based off of believe that superheroes should be serious and professional, because when you’re fighting crime, you can’t be joking around. When you look at it from a more realistic point of view, you start to see that superheroes are just people like us, except they wear costumes. Comic books have more comedy than one not familiar with them would imagine.

    Mister Furious attempting to be… erm… Furious.
    Mystery Men, released in 1999, was one of the first films to be a full on comedy superhero film. Based on the Flaming Carrot Comics, Mystery Men was a flop at the box office but in later years it developed a cult following. This is a love-it-or-hate-it film for a lot of people and even those involved with the making of the film have said it’s not a good film. It was directed by Kinka Usher whose only other work involved directing commercials. The making of the film had some troubling issues such as arguments between actors and crew, multiple retakes and a dry script. In my opinion it still had a great visual style and art design, and the actors did a lot of improvisation on their part which gives the characters and lines better personality and flow. Mystery Men has a pretty large and well known cast and instead of just running through it in a paragraph, I thought I’d be a bit more detailed this time around.

    The Mystery Men
    Ben Stiller as Mister Furious: A seemingly powerless vigilante who has anger management issues. He’s easily annoyed but can never seem to harness his aggression properly.
    William H. Macy as The Shoveler: The man who holds the team together, sort of a father figure and also an actual father and husband in his daily life. He is amazingly skilled with a shovel and uses it as a weapon.
    Hank Azaria as The Blue Raja: An odd crimefighter to say the least, he uses a British accent and a variety of silverware. He flings forks like throwing knives, but refuses to actually use knives because he’s The Blue Raja and not “Stab Man”.
    Janeane Garofolo as The Bowler: A woman looking for revenge against the man who killed her father, Carmine The Bowler, murdered by Tony P. Her father’s skull is inside the bowling ball she uses, which possesses his spirit and also the ability to move around on its free will.
    Paul Reubens as The Spleen: A superhero who has the powers of flatulence ever since he was cursed by a passing gypsy for blaming her for passing gas when he was the one to blame.
    Kel Mitchell as The Invisible Boy: The youngest of the group and the first one to join the original trio. He has the power of invisibility, but only when nobody (including himself) is watching, which leads to much skepticism from the rest of the team.
    Wes Studi as The Sphinx: Thought to just be a mythical superhero, he later joins the team as a teacher to them. He has the power to cut guns in half, and is “terribly mysterious”.

    Greg Kinnear is Captain Amazing, a walking billboard of a superhero.
    Also aiding the Mystery Men is Tom Waits playing Dr. Heller, a supposed genius who invents 100 percent non-lethal weaponry. His inventions are an interesting addition to the movie and Tom Waits plays the role very entertainingly, making you want to see more of him. Also in the film is Greg Kinnear as Captain Amazing, the typical superhero of Champion City, with a high tech costume and a secret identity known as Lance Hunt, a cross between Bruce Wayne and Clark Kent. On the evil side is Geoffrey Rush playing Casanova Frankenstein, a recently released supervillain who’s main goal is to defeat Captain Amazing and then destroy Champion City. He’s backed up by the Disco Boys whose leader is Tony P, played by the delightful Eddie Izzard.

    Champion City
    The story takes place in the previously mentioned Champion City, which visually, is a cross between Joel Schumacher’s (terribly horrible) take on Gotham City and Blade Runner‘s version of Los Angeles. It follows our trio of wannabe superheroes (Mr. Furious, Blue Raja, and Shoveler) as they try to make it big as crimefighters, but ultimately fail multiple times. After Champion City’s great hero Captain Amazing mysteriously disappears right after Casanova Frankenstein is released, they decide to go searching for him but get defeated by the Disco Boys gang while trying. They soon get the idea of putting together a larger team and this is how we’re introduced to the rest of the squad. The story has lots of comedy and also makes some good points on the lives of superheroes. The Shoveler struggles with a wife who disapproves of his life as a costumed vigilante, and the whole subplot of it makes for a more emotionally driven character. It was the subplots and scenes like that that made me really enjoy this film.
    The visuals and art style of the film make it feel like it takes place in the same universe as Batman & Robin did (thankfully it doesn’t) but also lets itself feel like a real life city. It even uses the same type of text that the credits for Batman Forever and Batman & Robin uses.The Mystery Men themselves are all unique and colorful characters, who lend some great laughs but more importantly a feeling that most superhero films lack. As I said before, what I most enjoyed about the film is the feeling that these superheroes are real people, just like us. They’re the underdogs of society and when they succeed, you can’t help but feel happy for them. People may have hated the film, even the actors themselves, but I feel that it’s an important film for anyone who is a fan of superheroes. It gives possibly the most realistic look at what it’s like for a person to try to be recognized for doing good and fighting crime.

    “That little sucker… just saved your life”

    If you don’t want to watch it for its comedy, watch it for its message. It’s a good film that has some action, laughs, and family moments that are entertaining for anyone. I only wish that the people who made it and didn’t think it was good can look back at it and at least see that it wasn’t terrible or awful. It might have been an awful movie making experience, but it did something new for its time, something that every superhero and comic book movie is trying to do nowadays; feel real.

    © BRWC 2010.

  • SOUTH AFRICAN HORRORFEST 2010

    Holy mackerel! If the FIFA 2010 didn’t convince you to come over for a visit to sunny South Africa, then book your plane tickets and come on down to the Labia Theatre in Cape Town for some good horror fun!

    Since it’s inception in 2005, the “SA HORRORFEST FILM FESTIVAL” has been the Halloween event on the continent, showcasing horror, the macabre and the strange from around the world. The 6th instalment of this exciting week of horror will include new movies, classics, fan favourites, sneak previews and premieres from across the world, as well as several chapters of short films (international and local), Halloween dress-up prizes and awesome audience give-aways before each movie. If that wasn’t enough to get you giddy, then you can revel in the fact that there will again be a big Horror DVD collection (of several dozen movies) up for grabs for one lucky viewer! To make things even better, there will be a spectacular live movie soundtrack performance to the screening of a classic silent horror movie by “The Makabra Ensemble” (created by members of “Terminatryx”, collaborating with members of “Lark” and violin maestro Matthijs van Dijk).

    The final festival line-up will be released soon…
    Then, there is also something juicy for all you horror writers! The new literary leg, which was added in 2009, with the Lounge of Horror Fiction readings, has been expanded in 2010 to include “Bloody Parchments” short story competition: http://www.shadowrealminc.com/bloodyparchment/index.htm
    The closing date for short film-, feature film-, and short story entries is late August! (Extensions by request – see website for full info http://www.horrorfest.info)

    Is that enough to convince you yet? No? Well, maybe you’d like to hear about some other awesome features coming in the form of dark art & photography exhibitions… or maybe you’d like to hear about the limited edition 2009 HorrorFest/Provoyeur Wine Range that was very well received last year and that something similar is in the works for 2010? Maybe a prominent figure in horror movies that’ll be at the event will make you whet your curiosity more?

    28 OCTOBER 2010 – 5 NOVEMBER 2010
    @ LABIA THEATRE,
    ORANGE STREET, CAPE TOWN
    SOUTH AFRICA
    I’ll most probably be there and give you all some exclusive news, wriggle out some interviews and maybe even some gossip… Until then check out this AWESOME promo trailer…

    © BRWC 2010.

  • BRWC Is 2: Some Of Last Year (Part 2)

    BRWC Is 2: Some Of Last Year (Part 2)

    Here is part two of my handpicked selection of some of the best bits of BRWC’s last twelve months


    sledge
    x

    Some Of Last Year (Part 2)


    Damien’s Top 5 Things Films Have Inspired Him To Do.

    Lorna Introduces herself.

    Mike’s Kick Ass Review.

    Gaby & The Scouting Book For Boys.

    Film Review with Robert Mann – Cemetery Junction.

    Trevor’s Quote of the Week : The Pledge.

    Classic Scene : Heat.

    Damien has gone Gaga…

    The Reaper and THE BUTCHER BOY.

    Sledge Speaks To The Hit Squad‘s Chris Blundell

    Another Classic Scene : Zodiac.

    EXCLUSIVE REVIEW: 48 HOURS IN PURGATORY

    The Other Superheroes: The Phantom Review by The Young Liar.

    Sandra Bullock On Muppets Tonight – A Thesis By Damien Sage.

    There you have it, the last 12 months in two parts.

    © BRWC 2010.