Thomas Cailley’s assured debut is a weirdly self-aware yet self defeating affair, seemingly looking to take on the tropes of the trite and tested Rom-Com’s and give it a Nihilstic Doomsday...
Pernicious fits comfortably into the low-budget schlock horror market, where the script and performances tend to count for a lot less than the buckets of blood thrown at the screen and whatever sort o...
Considering the scope of the story presented in Jessi Shuttleworth’s FEBRUARY, the short-form of the film—and its use within of brevity versus relative-elongation, incident versus time-between-inciden...
After being told about an “Iranian/Vampire/Romantic/Drama” movie doing the festival rounds, my interest was piqued, you don’t hear many of them knocking about . Adapted from a 2011 s...
Good horror is thin on the ground these days, a mate asked me to recommend a decent horror film to him and……..right, well first things first: There’s this teenage girl ( “The G...