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Make My Ninetieth: Clint Eastwood's Pale Rider

Make My Ninetieth: Clint Eastwood’s Pale Rider

31st May 2020
FEATURES
Jack Ford
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May 31st 2020 marks the ninetieth birthday of Clint Eastwood. In recognition, I went back to re-visit one of the most overlooked and undervalued entries in his filmography, the elegiac Pale Rider, which he serves as star and director. Eastwood clearly has a lot of affection and fascination with this genre,

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Lucky Grandma: The BRWC Review

Lucky Grandma: The BRWC Review

31st May 2020
REVIEWS
Caillou Pettis
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In the heart of Chinatown, New York, an ornery, chain-smoking, newly widowed 80-year-old Grandma (Tsai Chin) is eager to live life as an independent woman, despite the worry of her family. When a local fortune teller (Wai Ching Ho) predicts a most auspicious day in her future, Grandma decides to

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A Night In '97

A Night In ’97: Review

31st May 2020
REVIEWS
Alex Cole
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It’s another chilli night in Scarborough & Whitby, as Labour Candidate Bertie Oldcross (Rodger Ringrose)and his trusted campaign manager Simon (Ryan Early) prepare for the final day of campaigning ahead of the 1997 general election.   On their way to a celebration party, in just one moment, their lives are changed

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Shoot To Marry: Review

Shoot To Marry: Review

30th May 2020
REVIEWS
Allie Loukas
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“Shoot to Marry” is a documentary style romantic comedy from filmmaker Steve Markle (“Camp Hollywood”) and winner of the 2020 Audience Award from the Slamdance Film Festival. The film follows Steve, who plays himself, on a journey to attain his heart’s true desire, a wife. After lamenting over a failed

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Blood Machines

Blood Machines: Review

30th May 2020
REVIEWS
Joel Fisher
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Corey (Elisa Lasowski) and Bald (Natasha Cashman) are space hunters who find a rather large ship piloted by Vascan (Anders Heinrichsen) and Lago (Christian Erickson), two overworked and underpaid men astonished to find two women alone on a planet and eager to get to their ship. However, once they get

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The independent and arthouse cinema that does not reach the public, which is born outside the rules of industry. The submerged treasure of Italian and international cinema. Personal, innovative, highly subjective works. Not to be missed.


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