By Fergus Henderson. In the opening moments of Marilyn Edmond’s directorial debut Connect, an unidentified man wills himself off the side of a cliff in North Berwick. For anyone familiar with the tragic suicide of east coaster Scott Hutchison (of Frightened Rabbit) this image will cast a haunting pall

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I often find myself using the term melodrama as a dirty word, particularly when critiquing low budget independent films. I acknowledge that I shouldn’t do that, melodrama as a genre doesn’t mean bad, Magnolia is in every essence melodramatic, and it’s a masterpiece. However, there is something about the genre

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