Tabloid Vivant Wins At The Edge

film reviews | movies | features | BRWC Tabloid Vivant Wins At The Edge

​he 4th Annual Cinema at the Edge Film Festival, presented by the Edgemar Center for the Arts, concluded its 4­day run with its official closing night film, T​abloid Vivant. W​riter/Director​K​yle Broom​w​as in attendance to help introduce the film and participated in a Q&A following the sold­out screening. The film then took home the Audience Award for Best Feature Film.

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M​ax is an artist seduced by the allure of fame. Sara is an art critic whose obsessions exceed even his. When she lands a writing gig at a major art magazine, the pair retreats to a cabin in the woods, where Max reveals his strange new painting method. Convinced of its potential, she agrees to collaborate on a piece sure to revolutionize the art world. While both original and mesmerizing, the project reveals something dark and disturbing about their relationship. Like two digital­age Frankensteins, they manage to make a painting come to life – though the unsettling consequences of their success may be more fit for the pages of a blood­soaked tabloid than the chronicles of art history.



Tabloid Vivant ​is the first feature film by Kyle Broom, whose previous work Werner Herzog has commended as “subversive and highly accomplished.” It was produced by Alexandra Spector of Poly­ Blue, the production company that also made Broom’s short film “Prevention of Injury (POI)”. T​abloid Vivant​stars Jesse Woodrow (C​harmed,​ Beyond the Lights)​and Tamzin Brown (T​he Adderall Diaries,​R​ebel)​.


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Alton loves film. He is founder and Editor In Chief of BRWC.  Some of the films he loves are Rear Window, Superman 2, The Man With The Two Brains, Clockwise, Eternal Sunshine Of The Spotless Mind, Trading Places, Stir Crazy and Punch-Drunk Love.

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