It's hard to hate The Fox and the Child; the film's heart is in exactly the right place and it boasts some truly gorgeous photography, but all its intention and beauty is not matched by the narrative. While sweet, the story is sparse and most of the time treading water,

The Last Emperor: Review. By Joe Muldoon. Of all the films of Bernardo Bertolucci's illustrious career, The Last Emperor marks his most maximalist and ambitious work, and one I personally believe to be his finest. An adaptation of the autobiography ‘From Emperor To Citizen’ by ex-emperor Aisin-Gioro Pu Yi, The

Broker: Review. by Joe Muldoon. Affectionately dubbed by Roger Ebert as the possible heir of Yasujiro Ozu (though he personally prefers to be likened to Mikio Naruse and Ken Loach), Hirokazu Kore-eda's filmography consists of many of the finest family dramas available. Largely inspired by the famous Jusarang Community Church

Bunker: Review. By Rudie Obias From Star Wars to From Dusk Till Dawn, mashing up movie genres isn’t new. You can get a lot of great concepts by blindfolding yourself, walking into a video store (hey, remember those), picking two random titles from the different shelves, and letting your imagination

You People: Another Review. By Jake Peffer. It seems like every few years we get a new movie about two people falling in love from different backgrounds. When it's time to meet their family's chaos and comedy is supposed to ensue. You People is the latest attempt to try and