As the conclusion to his uber-bright, uber-gory Teen Destruction trilogy, Nowhere is a feast for the eyes. The highly stylized sets, trippy characters and theatrical gore are even more hyperbolised th...
By Gordon Foote. When asked to review a film about a woman who slowly comes out of herself with the assistance of the man here to fix the pipes, I’ll be honest; I made certain assumptions about the ki...
A Christmas Carol with no muppets and a lot of pain. Leonard Cohen’s ‘A Thousand Kisses’ deep will always hold a place close to my heart. Whilst watching the fedora wearing troubadou...
“I had to rearrange their faces And give them all another name” a freeform analysis of Paul Schrader’s THE CANYONS by Pablo D’Stair A Brief Introductory Note: I was a Kickstarter contributor to this f...
The Birth of a Nation begins with a title card reading, ‘A PLEA FOR THE ART OF THE MOTION PICTURE’, a statement arguably apt for a film that, despite pioneering huge advancements in the hi...
