Category: REVIEWS

Here is where you would find our film reviews on BRWC.  We look at on trailers, shorts, indies and mainstream.  We love movies!

  • Review – Terminator 2: Judgement Day (Restored Blu-Ray Edition)

    Review – Terminator 2: Judgement Day (Restored Blu-Ray Edition)

    Terminator is undoubtedly one of the greatest films ever made. It’s sequel, Terminator 2: Judgement Day was in the eyes of many (including mine) even better. In the era of 4k restoration, and with Ridley Scott’s Blade Runner recently undergoing the same treatment it was only a matter of time before Terminator 2 took its turn. An epic sequel where a deadlier and more advanced cybernetic killer is sent back in time to end the life of John Connor before he can become the leader of the resistance, Terminator 2 had all the destruction and terror of Terminator with the added adversarial flavour pitting Robert Patrick‘s T-2000 against Arnold Swarzenegger’s (Predator, Total Recall) original Terminator.

    T2: Judgement Day
    T2: Judgement Day

    Restored in 4k and then into 3D under the supervision of James Cameron’s colourist and Stereo D, this new version does bring that little extra to Terminator 2 which has aged incredibly well. The stunning effects first displayed in 1991, thanks in part to this restoration, hold up incredibly well and at times you wouldn’t know this film is over 25 years old and a classic of cinema.

    Some films warrant this kind of treatment, and some don’t. Terminator 2 is one that does. If you’re not impressed with the improved graphics, one of the scariest running actions in Hollywood, or a badarse Sarah Connor, then you can enjoy this film simply for the heartwarming moment where an advanced killing machine falls victim to a high five he just isn’t quick enough to make.

    Terminator 2: Judgement Day (Restored Blu-Ray Edition)
    Terminator 2: Judgement Day (Restored Blu-Ray Edition)

    Well worth the money to add this blu-ray to your collection. Terminator 2: Judgement Day is out on Blu-Ray, in 4k and 3D on December the 4th. In case you’ve never seen it, the Terminator 2 trailer can be found below.

  • Beer & Seed: The Seedier Side Of Education

    Beer & Seed: The Seedier Side Of Education

    Beer & Seed is a dark comedy that tells the story of a Navy veteran who gives his life another shot by going back to college, but his plan derails and he is faced with some unexpected problems, including possible expulsion as he realises that things have changed a lot since he left school! The award-winning indie stoner movie by Bill Cox is definitely not one of the worst stoner movies ever made by any means, although it has its lows as well.

    Pros

    Quite simply put, Beer & Seed is a good watch that showcases the kind of college life which has become a part of the US education system in a lot of institutions nowadays, but with enough comic relief to keep things jovial. In addition to the movie’s healthy dose of smoking pot, it’s actually quite interesting to see how Beer aka Bill Cook and Seed use manipulation and other real-world tactics to deal with their problems at college. There’s a nice on-screen chemistry between the old and the new here and the shoestring budget and low-production values common to all indie movies are not allowed to affect the movie in any significant way. Camerawork by Seth Conway is very good, as he keeps everything from movements and angles to frame composition on point throughout the length of the film.

    Cons

    When it comes to indie movies, one has to have a liberal mindset because they just don’t have the financial backup or the resources that are usually available to big-budget Hollywood films. That being said, perhaps where Beer & Seed lacks the most is in the casting. Make no mistake, Bill Cox is very good in his role and so are a few of the other actors. Nevertheless, not every actor was given a role that they managed to adopt ideally and some of the characters themselves felt incomplete.

    The editing leaves some room for improvement, as a few scenes should have been cut short because they dragged on and it tampers with the general pace of the movie. The sound is another department which could have used some improvement in quality, but that is almost always the case with low-budget titles, so it would be unfair to call this a “con.” Aside from the technical aspects and casting, if we were to pick out any other fault in Beer & Seed, it would have to be the confusing sequence of events, which mostly gave us little to no clue to where the characters are in the timeline of the movie.

    Conclusion

    If you like stoner movies, there is no doubt that you will like Beer & Seed. While watching it, we felt bad for Bill and the treatment he was given by the authorities, solely on account of his age. It isn’t without its own set of faults, but those faults do not take away from the fact that it’s a good, indie stoner movie, which niche fans should not skip.

  • The Best Of Abertoir Festival

    The Best Of Abertoir Festival

    The 12th year of Aberystwyth’s International Horror Festival had a distinct Giallo hue, with screenings of some of the sub-genre’s finest from Dario Argento and Mario Bava, as well as a live Q&A with legendary Demons director Lamberto Bava.

    But amongst the black gloves and bloodied blades there featured a host of new horror films from across the globe. Here are BRWC’s five faves from the fest.

    The Endless

    Art-house horror auteurs Justin Benson & Aaron Moorhead (Spring) return to the roots they laid with their post-modern debut Resolution. After receiving a mysterious videotape from an old friend, two brothers (played by the writer-director duo themselves) revisit the cult they fled from years previously. But after reacquainting themselves with communal life, they suspect it might involve more than craft ale and Kumbaya round the campfire.

    It’s best to spoil as little as possible of the plot, but Messrs Benson & Moorhead once again demonstrate their flair for character-driven drama, muted beauty, and how even complex concepts need little exposition with deft writing. Fans of lo-fi sci-fi like Primer and Coherence will appreciate the creeping chills of an unravelling universe, but The Endless also melds the mind-melting metaphysics with earnest emotion, setting both the brain and the heart racing.

  • Review: Brakes

    Review: Brakes

    By Kit Ramsey.

    The core idea behind dark British improv comedy Brakes is a great one. Gather together a litany of the UK’s best alternative comedians and ask them to conjure for us a series of vignettes tied around the idea of break-ups and meet-cutes, all with the city of London as the backdrop. Sadly, said idea is hampered primarily by a too rough around the edges approach, eschewing formal clarity and presentation for a raw ‘one take is enough’ spontaneity.

    Indeed, the biggest crime is wasting such a cast on what does amount to, at times, a student film level of picture, sound and editing quality. This isn’t always present however, and when the film manages to get its act together and actually present us with some compelling visual prowess, there’s some nuggets of greatness to be found.

    The trouble with reviewing comedy is of course its subjectivity, and this is amplified even more by the improvisational nature of the film. While I would say that I’m a fan of most of the featured comedians’  previous work, most of the humour is extremely subdued, and at times, basically non-existent. Part of this may be due to the conflict between the subject and the genre. Most of the time, the break ups are far too shouty and filled with actual drama, with very few instances of actual humour being able to shine through, dark or not. On the total flip side, the best of the film is in the Part 2 occurring approximately three quarters of the way through, where we see the doomed relationships’ first beginnings.

    https://vimeo.com/164458037

    Here we have almost a completely different film, with a great range of sensitive and joyful sketches about people finding each other in unexpected places. Still not much comedy to speak of, but it’s admirable that the actors are able to fully improvise long drawn out scenes that follow graceful arcs and realistic conclusions.

    To summarise, fans of the cast should check it out to see how the fare at improvised drama, but maybe skip out if it’s humour that you’re looking for. For any undecideds, there’s a great many better films on the subject, with far better presentation to boot.

    1.5/5

  • Review: Watu Wote

    Review: Watu Wote

    By Marti Dols Roca.

    If you check its Facebook page you’ll lose count on the amount of awards it has won. Don’t let the cover photo fool you, those are just a few. Amongst the many prizes collected, surely the most remarkable is the Best Film at the Student Academy Awards; considering it only started its festival run on March this year, things are looking pretty good for WATU WOTE (All Of Us), Katja Benrath short film set on the Kenya and Somalia border and based on a true story of solidarity and love despite religious conflict.

    Watu Wote follows the bus journey of a Christian Kenyan woman who has recently lost her husband and child in a Muslim extremist terrorist attack. The tension between Christians and Muslims is constant and often deadly in the border region of the mentioned countries; and so this character needs to make it through on a bus populated by people of both religions. Her initial belligerence and suspicion towards a young Muslim teacher will soon become eternal gratitude. When a terrorist group stops the bus and threats to kill everyone if the Muslim passengers don’t point out the Christians, the former stand their ground and remain silent. The arrival of the police doesn’t avoid the bus driver getting killed and the teacher, who courageously confronted the terrorists, seriously wounded.

    He will die weeks after the incident, leaving five kids behind; she will make it to her destination safe and sound. Watu Wote’s story is as simple and as old as it gets.

    That doesn’t make it one ounce worse than any other super-original-full-of-surprising-twists’ short film. In the humble opinion of the writer of this article, it makes it better; for the simple reason that it tells a story about individuals who, under the most extreme circumstances, think as a race (the human race) and not as whatever identity-bias-denomination convenient at the time. Not to mention the superb filmmaking, sound design and success in creating the oppressive and gripping atmosphere this movie calls for.

    I surely won’t miss the director feature debut should she keep on with her already promising career.