WORTH (wert): Review - Throughout history there has always been a stigma attached to a woman’s period. The topic of a woman bleeding monthly is still largely taboo, so much so that many women are too ashamed to talk about it, thus the invention of the relatively new phrase “period
Like Boogie Nights before it, the 2019 Sundance Film Festival feature Mope takes a decidedly murky look at the adult film industry. In its efforts to examine a harrowing true story, writer/director Lucas Heyne bites off more than he can chew in a shallow condemnation of the industry's crooked standards.
Old-school action hallmarks are widely celebrated staples of the 1980s, with swaggering action heroes like Arnold Schwarzenegger and Sylvester Stallone ushering in a new era of dopey, yet outlandishly compelling thrill rides. While the genre still thrives today (Extraction was a standout), some of its tendencies, including troubling racial dynamics
Sometimes Always Never: Review - Alan (Bill Nighy) and Peter (Sam Reily) are father and son, looking for Peter’s long-lost brother, Michael who stormed out one day after a game of Scrabble and never returned. After getting a tip off on a body, they go to the police station to
The Beach House is a close-quarter, Lovecraftian horror project set amidst its tranquil ocean-side setting. The film follows Emily (Liana Liberato) and Randall (Noah Le Gros), a dysfunctional young couple looking to escape their daily doldrums with a romantic getaway. Their plans are upended when they discover two unexpected guests
