When thinking of a short horror film, one might imagine the directors cramming as many in-your-face scares as possible into what little time they have. However, the most haunting stuff of all is the dread that slowly but surely creeps up on you, the tension that mounts until you’re gripping
By Grace Williams. I am usually quite dubious of biopics. Nothing makes me angry more than something ‘based on a true story’ and then when you read the facts, nothing adds up and some of the best bits are inputted for ‘dramatic effect’ (par example in The Other Boleyn Girl where
India is known for its rich, vibrant colours and stunning nature, so it is not surprising that a film shot there would be a feast for the eyes. The challenge, then, is finding a story as beautiful as to not rely on its natural splendour, and Sandhya Suri’s The Field
By Grace Williams. We've had Catherine Hardwicke’s Thirteen, Rob Brown’s Sixteen, Richard Bell’s Eighteen, and now we have Monja Art’s Seventeen. Naming your film after a person’s age is popular, it seems. Any-who, Seventeen [Siebzehn] is an LGBTQ coming-of-age story that follows Paula, an intelligent student who is in love with her
Both The Interview and Falsified are very different films, but both feature Ashley Tabatabai working in multiple capacities, both in front of the camera and behind the scenes. Written by Tabatabai and directed by Stefan Fairlamb, The Interview is described as “a dark comedy about a down on his luck man
