Rich Ronat’s debut feature, The Clutterbucks, imagines a sharply divided America in 2075, decades after political tensions have escalated into a second depression and civil war. The nation has fractur...
The director you might remember from Old Henry (2021) and one of my favorites, Greedy People (2024), Potsy Ponciroli, has a film with a cinematography so sterile it reminds you of Apple TV ads, the ma...
The Turtle is a tender, late‑night portrait of a couple navigating the fragile space between closeness and emotional drift. In under ten minutes, the film captures how silence, longing, and unspoken t...
Spider-Man: Brand New Day questions what it truly means to be a superhero—exploring sacrifice, responsibility, and what a hero represents in the eyes of the public. But more than anything, it felt lik...
New Queer Cinema’s one of the most important figures and someone who has signed many significant works in this field in the past, Gregg Araki is returning after a twelve-year break with I Want Your Se...
