Within the opening seconds of Decade of Fire, we are told: ‘We did not burn the South Bronx. In fact, we were the ones who saved it.’ This singular statement tells us exactly what kind of documentary we are about to see, laying the foundations for what is essentially a
The road movie has been one of cinema’s most loved formulas since the dawning of the big screen, each one more momentous than the last. We can’t get enough of living vicariously through the characters as they escape their mundane lives and travel to lands unknown. What is more uncharted
“So help me god, this is the last one.” These lines, spoken by Clint Eastwood in the trailer for The Mule, feel very ominous. At age 88, when the film was released, the film’s director and star may have been feeling that the time had finally come to bring his
The third film in Legendary Pictures’ Monarch Cinematic Universe (after Gareth Edward’s 2014 Godzilla and Jordan Vogt-Roberts’ Kong: Skull Island), Godzilla: King of the Monsters course-corrects the lack of the titular beast in the first movie but also expands on the elements that weren’t so popular. There’s a glut of
GAME GIRLS (Alina Skrzeszewska) follows Teri Rogers, a woman on a mission for a better life. With a non-judgmental camera lens and a frank portrayal of life on Skid Row, GAME GIRLS shows dreams, dissolution and desire. It opens a window in to the systemic problem of life on the streets
