Visual Acoustics: The Modernism Of Julius Shulman - Review. By Hugues Porquier. Total discovery for some, vibrant tribute for others, “Visual Acoustics, The Modernism of Julius Shulman” (2008) directed By Eric Bricker, retraces the history and career of Julius Shulman. Specialized in the modernism of the south of California and
Heist films rank among my personal favorite subgenres, with great filmmakers often juxtaposing the methodical initial planning stages with an equally unhinged and ferocious final climax (Den of Thieves and American Animals are some recent favorites). First-time writer/director Seth Savoy looks to strike a similar blend with his debut feature
Documentary “Fly Like a Girl” from filmmaker Katie McEntire Wiatt follows women who went against the patriarchy and pursued a career in aviation, a field where women were long considered taboo or just an anomaly. The film frames itself around an 11-year-old girl, Afton Kincade, whose dream is to have
Adam (Dylan Grunn) and Gus (Grant Schumacher) have been best friends for a long time. However, in every friendship there comes a time where one must move on with his life while the other one feels gets left behind. Adam is soon to get married to Amy (Ariella Mastroianni) and
The Lady In The Portrait: Review. By John Battiston. Its title isn't the only similarity The Lady in the Portrait bears to Céline Sciamma's widely celebrated 2019 film, Portrait of a Lady on Fire. Like Sciamma's movie, The Lady in the Portrait -- directed and co-written by French filmmaker Charles
