Author: Alton Williams

  • Tommy Baker: Facing East Interview

    Tommy Baker: Facing East Interview

    On the eve of the film’s release in North America, Tommy Baker talks up his confronting new movie on Louisville’s Eastern Cemetery – which has been systemically re-using graves over and over.

    Let’s talk filmmaking, first. Why filmmaking?

    Tommy Baker: I’ve been asking myself this question for a long time! I think like all of us I just got the bug. A friend of mine asked me to help out on a short film he was shooting in his apartment way back in 2003 and I’ve been smitten ever since. I grew up watching movies and it never occurred to me I could make one until I saw it happen in real life.

    I had been writing short stories and little comic books from a young age and dabbled in writing and performing with a band in high school and for a few years after, but when I was introduced first hand to film making I felt I had finally found my art form. At first it was just a hobby or an outlet but now I pay my bills with videography and editing services and I am constantly involved with multiple film projects on all different types of levels.

    And did you start, as most of us do, shooting shorts and home movies just to hone the skills?

    Absolutely. Even present day with two feature films under my belt I work on short films, both mine and helping out friends all the time. There is no place I would rather be than on set, whether that’s my buddy’s living room with a couple of local actors or a large scale production.

    What was the first thing you ever shot professionally?

    Wow. Great question. I think the first time I ever actually received payment for filming something was a music video. Many of my first gigs were small local artist doing music videos and concert footage since I had a background as a musician and then I started getting into weddings. I still really enjoy shooting weddings and music videos to this day.

    And while getting films like Facing East going, have you had to hold down a day job too?

    Yes. Throughout most of working on Facing East, which was over the course of about six years, myself as well as most of my team had day jobs. We had literally no budget for the doc so everyone who worked on it did so because they believed in the film. I grew up with this movie.

    When I filmed at Eastern Cemetery for the first time in 2013 I was just an amateur film maker with a 5D. Over the course of working on it I quit my day job to start a Videography business with my brother, I had the opportunity to work on several feature films in various capacities and finally wrote and directed my first narrative feature last year which we are currently in post production on. After all that we are now finally able to release this documentary which goes all the way back to the beginning of my career in the film and video industry.

    How did you finance the film?

    In total we spent a little less than $5k to get the film done. We had a camera and a we would shoot what we could on nights and weekends, and then later edit what would could on nights and weekends. We did a couple of crowd funding campaigns and that definitely helped. Most of it was just pure determination and elbow grease though.

    And did it take a while to get it going? I imagine getting interviewees would’ve been the toughest part?

    Getting people on camera wasn’t easy. The Volunteer group were all the first interviews and they were pretty excited to help. It took a long time to track some of the people down and many of them never went on camera. There were several points that I thought we were done and we just needed to finish cutting it together and then someone would contact me or I would stumble on some new information and it would change everything. That was what made it exciting too. I had no idea starting off what I was getting myself into.

    How did you decide what to trim from the film? Anything juicy left on the cutting room floor that you now regret leaving out?

    Cutting this down to 90 minutes was really difficult. There were multiple whole sequences and stories that were left completely out. Countless interviews that didn’t make it in. At the end of the day I had to choose a direction and decide what story I wanted to tell and then figure out what was the most important elements of that story. Then we chose the footage and interviews that worked the best for that. My goal with this film was to tell the truth about what happened there and to hopefully provide some comfort for those people who have loved ones who were laid to rest in Eastern Cemetery. I also hope I can inspire other people to clean up and preserve other abandoned and run down cemeteries in their areas around the world.

    Can you tell us what kind of extras might be on the DVD?

    I’m not sure myself so we will have to find out together

    FACING EAST is available this Tuesday from Uncork’d Entertainment

  • The RTS Programme Awards Livestream

    The RTS Programme Awards Livestream

    The RTS regards the safety of everyone as its biggest priority.

    In light of the rapidly evolving situation with the COVID-19they have taken the decision that the live streamed RTS Programme Awards 2020, hosted by Paul Merton, will responsibly and respectfully crown the winners in absentia.

    They are doing this with the kind and continued support of the sponsors, Audio Network.

    While taking a safety first approach to the event, they would still like to recognise and congratulate the excellent work of so many over the last year, and also wish the community the absolute best in this challenging period ahead of us all.   

    With this in mind, we would still like to invite you to join us to watch the live streamed ceremony. Click on the link here.

    TWITTER (for live tweeting throughout the event)

    YOUTUBEhttps://www.youtube.com/channel/UCKXjTogXC2JoiPP56d1-q8A/videos

    The Royal Television Society is a British-based educational charity for the discussion, and analysis of television in all its forms, past, present and future. It is the oldest television society in the world. It currently has thirteen regional and national centres in the UK, as well as a branch in the Republic of Ireland.

    The society regularly holds meetings and seminars, attended by members of the public and professionals from various areas of the television industry, and it also publishes the monthly magazine Television, covering a broad range of television topics.

    Major events held by the RTS include the biennial RTS Cambridge Convention, a three-day event held at King’s College, Cambridge. The convention, chaired by one of the UK’s major broadcasters, brings together influential figures from the television industry for a series of stimulating talks.

  • Caprice Edition: Bits & Pieces

    Caprice Edition: Bits & Pieces

    HAGAZUSSA: A HEATHEN’S CURSE is a dark tale of a woman’s struggle with her own sanity. In a time when pagan beliefs of witches spread fear into the minds of the rural folk, the film aims to explore the thin line between ancient beliefs, magic and delusional psychosis.

    Eva Green gives a career best performance in this epic and emotionally charged new drama from acclaimed director Alice Winocour. Green plays Sarah, a French astronaut training at the European Space Agency in Cologne. The only woman in the arduous programme, she has been chosen to be part of the crew of a year-long space mission called ‘Proxima’. Putting enormous strain on her relationship with her daughter (played by outstanding newcomer Zélie Boulant-Lemesle), the training begins to take its toll on both as Sarah’s training progresses and the launch looms ever closer.  Featuring stunning performances from the entire cast which includes Matt Dillon, Lars Eidinger and Sandra Hüller, Winocour’s new film is an unmissable cinematic experience which will take audiences on a gripping, emotional and life-affirming journey.

    A struggling writer accepts a lucrative, but deadly offer to collaborate with a best-selling novelist at his remote Texas ranch. The psychological thriller Writer’s Block.  Last weekend, the film premiered at the Lake Travis Film Festival, where it was awarded the prize of Best Texas Film.

    https://vimeo.com/199817426

    A suicidal man in a remote cabin is suddenly faced with protecting a kidnapped woman from three killers and their sadistic games. Unable to contact the outside world and with night falling, he falls backs on creating traps to prevent the criminals from gaining entry. It’s a fight to the death where only the strongest will survive until dawn.

    Ex-boxer Douglas ‘Arm’ Armstrong (Cosmo Jarvis LADY MACBETH, PEAKY BLINDERS) is the faithful and violent right-hand-man to the drug-dealing Devers clan, ready to dole out beatings at the whim of his best friend, and the family’s unpredictable protégé, Dympna (Barry Keoghan DUNKIRK, AMERICAN ANIMALS).

    When a covert desert base is forced to divert World War III against a formidable adversary, a group of commandos and weaponized dinosaurs are hired to get the job done.

    When social outcast Jessica is accepted into a trio of teenage vampires, she finds herself thrust into a nocturnal world of murder, drugs and all-night parties as they stalk the patrons of local bars and clubs. Meanwhile, a mysterious, foreign vampire hunter searches the underworld in hopes of putting a stake right through their plan to party forever.

    Among the eccentrics and cult personalities in the stranger-than-fiction world of big cat owners, few stand out more than Joe Exotic, a mulleted, gun-toting polygamist and country western singer who presides over an Oklahoma roadside zoo. Charismatic but misguided, Joe and an unbelievable cast of characters including drug kingpins, conmen, and cult leaders all share a passion for big cats, and the status and attention their dangerous menageries garner.

    Dancing assassins, opera in uncharted canyons, armed children on dirt bikes, mines, hostages and mirages all form the wild whirlwind called Gold Dust. A rollicking western adventure for the whole family, Gold Dust arrives on DVD and Digital this April from High Octane Pictures.

    Beastie Boys Mike Diamond and Adam Horovitz tell you an intimate, personal story of their band and 40 years of friendship in this live documentary experience directed by their longtime friend and collaborator, and loud chewer, filmmaker Spike Jonze.

    The ground-breaking anthology of twenty-short films from twenty (very diverse!) directors offers a unique portrait of the nation today. Subjects explored include climate change, cultural identity, migration, disability, homelessness and sexuality.

    Chip Gutchel (Cornack), a bored IT Engineer, has an awakening after a routine prostate exam. What starts as a harmless rectal kink, soon grows into a dangerous addiction as he becomes responsible for a missing child. Chip eventually buries his desires in Alcoholics Anonymous and tries to move on with his life. 

  • Is Creature From The Black Lagoon Still In Line For A Reboot?

    Is Creature From The Black Lagoon Still In Line For A Reboot?

    Creature from the Black Lagoon is one of the classic Universal-International offerings which was set to be remade in Universal Pictures’ planned Dark Universe.

    However, the franchise has experienced a number of setbacks recently and has reached a stage where the studio is drastically rethinking its strategy.

    The reboot of this 1954 classic from Jack Arnold is off the cards in the shared universe for now, but could still be worthy of a standalone film in the near future.

    After the success of the Marvel Cinematic Universe, Universal thought that it could create a similar cash cow with its Universal Monsters. The franchise began with Alex Kurtzman’s The Mummy in 2017 and, due to highly negative reviews and a poor box office run, it appears that this is also where the franchise ended. Indiewire.com described it as the worst Tom Cruise movie ever. Prior to the film’s release, Universal had plans for a number of other classic monster revivals including Creature From the Black Lagoon. But it was soon announced that these would be put on hold while the studio rethought its plan of action.

    Instead of sticking with the original idea of a shared universe in which these well-known monsters would cross over between films, it seems that Universal may now be planning on releasing some of the titles as standalone offerings. The Invisible Man, for instance, was released in February 2020, and director Leigh Whannel stated that it wasn’t part of a wider universe. This could pave the way for the Creature from the Black Lagoon to be made in a similar way.

    There is already huge franchise potential in place for a remake of Creature from the Black Lagoon. The creature, otherwise known as Gill-Man, has appeared in various other films. One of the most memorable showings was in the classic 1987 movie, The Monster Squad. At the top recommended online casino from CasinoWings.com, Casino Casino, there is a popular slot game based on the classic horror. A lot of modern films have slot games made for them after their release as a way to attract more viewers. With this slot already well-known, there could be a readymade audience for any silver screen offering. This will be helped by the notoriety of the classic 1954 picture as well, obviously, and the fact that it also inspired recent works such as Guillermo del Toro’s The Shape of Water in 2017 according to Screenrant.com.

    When it comes to legendary horror films like Creature from the Black Lagoon, viewers most likely want to see a modern retelling of the story with state of the art special effects. When it comes to characters like this, it wouldn’t make much sense to have them moving about between different films. Could you imagine if the Frankenstein Monster just turned up by the lagoon? The writers would have to come up with something truly amazing to make that viable.

    With the MCU being a comic book franchise, it is easy for the creators to explain how these characters cross into each other’s worlds. But with the monsters, it is a different story. It might be better for these reboots to remain as standalone films. If this happens, then viewers should be able to expect a Creature from the Black Lagoon reboot at some stage.

  • Terminator: Dark Fate Seizes Number 1

    Terminator: Dark Fate Seizes Number 1

    Terminator: Dark Fate shoots to Number 1 following its release on DVD, Blu-ray and 4K UHD. The sixth instalment of the franchise (and direct sequel to Terminator 2, bringing back series leads Linda Hamilton & Arnold Schwarzenegger) knocks last week’s chart-topper Joker to Number 3.

    The week’s highest new entry is Midway (2). Based on the events of the Battle of Midway, a clash between the Americans and Imperial Japanese Navy during World War 2, the film tells the story of the real leaders and soldiers caught in the conflict.

    The Addams Family (2019) joins the Top 10 for the first time this week; the animated interpretation of the creepy, kooky family climbs nine places to Number 4 on this week’s chart. The family moves to a bland suburb where Wednesday Addams (Chloë Grace Moritz) befriends the daughter of a hostile, conformist local woman set on removing the family from the community.

    Meanwhile, Maleficent: Mistress of Evil (5) drops three from last week, and the film adaptation of Downton Abbey is down one to Number 6. Zombieland: Double Tap lands at Number 7, Will Smith’s Gemini Man is at 8, and terrifying The Shining sequel Doctor Sleep slips to Number 9.

    Finally, magical DreamWorks flick Abominable holds on to Number 10 for a second week.

    This week’s online show features a clip of hotly anticipated sequel Frozen 2, available to Download & Keep from March 16.

    The Official Film Chart Top 10 – 11th March 2020

    LWPosTitleLabel
    41TERMINATOR: DARK FATE20TH CENTURY FOX HE
    NEW2MIDWAYLIONSGATE
    13JOKERWARNER HOME VIDEO
    134THE ADDAMS FAMILYUNIVERSAL PICTURES
    25MALEFICENT: MISTRESS OF EVILWALT DISNEY
    56DOWNTON ABBEY: THE MOVIEUNIVERSAL PICTURES
    37ZOMBIELAND: DOUBLE TAPSONY PICTURES HE
    78GEMINI MANPARAMOUNT
    69DOCTOR SLEEPWARNER HOME VIDEO
    1010ABOMINABLEDREAMWORKS ANIMATION

    © Official Charts Company 2020

    VIEW THE FULL TOP 40 – https://www.officialcharts.com/charts/film-chart/