Author: Alton Williams

  • Four-Week Feature

    Two filmmakers from NY are working on their next film adventure.

    The project is called the Four-Week Feature, and it’s the latest in a series of speed-filmmaking experiments that Keith Boynton and Mike Lavoie have been carrying out over the last year and a half.


    The basic pitch is this: they and a few of their favorite collaborators will spend the first four weeks of August writing, shooting, and editing a feature film.

    They’ve found that this type of extreme deadline pressure can lead to the creation of really interesting work; if you’d like to check out their previous project in this vein, you can go to www.12films12weeks.com.

    © BRWC 2010.

  • Indie Movies Online


    The excitement that comes with the summer blockbusters is often met with disappointment when the flaccid remake or superficially plotted material plays out. At the same time we all know there are hundreds of brilliant smaller films around that will blow us away if we find them. Some examples of these brilliant, lesser know films can be found on the excellent, and legal, free movies site – Indie Movies Online.



    Brothers aka Brødre (Drama 2004)

    “Do you like foreign films?” “Oh, I love foreign films… Amelie (with the crème brulee) and La Vita e Bella (how sad!) Oh, and La Haine is kick ass!” Elevate yourself above the viewing habits of the average filmgoer and watch this quality Danish film… it’s so Danish it even has one of those ‘ø’ letters. In fact, Brødre is one of the most powerful modern war films you will see. It focuses on the emotional and psychological effects of war and the return to civilian life rather than Hollywood’s all-action, G.I. Joe approach. You might also recognise the talented lead actress, Connie Nelson (Gladiator, The Ice Harvest), who is Norweigan despite her American career. Director Jim Sheridan has already remade this incredible film with Natalie Portman, Jake Gyllenhaal and Tobey Maguire – once you watch it, you’ll understand why he couldn’t resist.


    Choking Man (Drama 2006)

    The Indie credentials for this film are unbelievable. It won the 2006 Gotham award for ‘Best Film Not Playing at a Theatre Near You’ whilst Steven Soderbergh (Ocean’s Eleven, Erin Brockovich) said, “Choking Man is everything an indie should be”. Impressive praise for this gritty socio-political drama. Choking Man analyses the effects of immigration on American society in a moving and, at points, magical way. If this all sounds a bit heavy, remember, it is directed by Steve Barron who also shot Aha’s classic partially animated music video for ‘Take on Me’. Classic!


    Funny Ha Ha (Comedy 2002)

    Funny Ha Ha is a genuinely under-rated gem of a film. It could also be included in lists like ‘Best Actors You’ve Never Heard of’ and ‘Best Genres You Didn’t No Existed’ etc. Ostensibly a classic coming-of-age relationship drama (think The Graduate or Juno) with all the necessary hipster-indie touches (lazy performances, shot on 16mm film). Funny Ha Ha’s strength is the bumbling, self-effacing and utterly heart-melting performance by female lead Kate Dollenmayer. Kate is a beautiful and very talented actress who has basically made no films since. The mastermind behind the film (not to mention writer, director and actor) is Andrew Bujalski, a Harvard graduate also known as ‘The Godfather of Mumblecore’. Mumblecore is genre that needs Wikipediaring to get to grips with but it essentially if you like funny, subtle, unconventional and smart films, then this one is for you.


    Love is the Devil (Drama, 1998)

    There have been a number of films over the years focusing on painters and their art. The Mystery of Picasso stared Picasso himself, showing the genius at work on transparent canvases, whilst Destino was a collaboration between Walt Disney and Dali – putting the artist’s Surrealist landscapes into a moving animation. And, of course, there is the first Mr Bean film, where the priceless Whistler’s Mother is sneezed upon and ruined. John Maybury’s directorial debut is probably most similar to the latter. It is a biopic of Francis Bacon, who, like Bean, was a troublesome, selfish hell raiser. Indeed, on a serious note, the reason Maybury’s film differs from most films on visual artists is that he never shows Bacon’s painting but, instead, appears to try film in the style of Bacon. The actors (Derek Jacobi and Daniel Craig – who?) are heavily made up with distorted faces and scenes are shot through the glass of a light bulb or the reflection of a crack mirror, evincing Bacon’s style without replicating it. As well as being beautifully shot, the plot is gripping, detailing Bacon’s turbulent sadomasochistic relationship with his lover. Love is the Devil is a genuine must see!


    Old Joy (Drama 2006)

    Old Joy was actually a pretty big hit with the hipster set but it is well deserving of a watch by any film fan. Lead actor is the somewhat legendary New York folk singer Will Oldham (a.k.a. Bonnie ‘Prince’ Billy) and the soundtrack was provided by indie rock darlings Yo La Tengo. The plot is quite simple – two old friends reunite for a camping trip in honour of their friend who passed away – and the dialogue is minimal. But the believable performances and gorgeous woodland scenery really give this film a special atmosphere. Oldham is joined by Daniel London, and their on screen connection is palpable. The subtle drama is made all the more effective by the screenwriter’s intelligent restraint. Old Joy is beautiful and powerful film-making that is sure to resonate with you.


    Allegro (Sci-fi 2005)

    This Danish film is a subtle science fiction that uses only the barest minimum of special effects to tell a powerful story. Zetterstrom (well played by Ulrich Thomsen) is a concert pianist who has never been able to find true happiness in his life, even after he’s met and formed a relationship with his dream woman Andrea (Helena Christensen). She decides to up and leave him Zetterstrom imposes a form of amnesia on himself that wipes out all memory of his life prior to her departure. At the same time the section of Copenhagen where he was born and raised undergoes a bizarre transformation , suddenly becoming cut off from the rest of the world by some inexplicable supernatural force.
    Needless to say, this is not your average science fiction movie, nor is it your average tale of lost love. But by combining these two usually distinct genres into a single story, director and co-writer Christopher Boe delivered a quality movie that is both thought-provoking and haunting in its otherworldly strangeness.


    www.indiemoviesonline.com/

    © BRWC 2010.

  • Quote of the Week : The Texas Chain Saw Massacre (1974)

    “Maybe I’ve seen something like that up that way. Well now look, you boys don’t want to go messin’ around some old house. Those things is dangerous. You’re liable to get hurt. You don’t want to go fooling around other folks’ property. Some folks don’t like it and they don’t mine showing you.”

    The Father (Jim Siedow) of a crazed family of cannibals warns the group of travelers prior to their horrific showdown. Tobe Hooper’s claustrophobic and unrelenting horror film is a true classic and still influential to this day.
    The famous words from narrator John Larroquette (who does the same job for the very impressive 2003 remake) quite simply says it all : ‘the events of that day were to lead to the discovery of one of the most bizarre crimes in the annals of American history; The Texas Chain Saw Massacre.’

    © BRWC 2010.

  • The Man Who Married Himself – EMILIA FOX INTERVIEW


    Emilia Fox (Sarah)

    How would you describe your character?

    I play Sarah, who carries a bit of a torch for Oliver. She is a very bookish girl and rather desperate I think when he chooses to marry himself. He’s then rather relieved when he asks her over to relieve his boredom of being married to himself.

    How would you describe Richard’s character Oliver?

    Fox: Well he’s quite simply a man who is in love with himself. Richard plays him brilliantly, his comic timing, and just everything, the costume, the look and the moustache is just fantastic.

    What appealed to you about appearing in The Man Who Married Himself?

    Fox: I read the script and it has a charm that makes you fall in love with Oliver even though he’s in love with himself and doesn’t need anybody else to fall in love with him. And it’s a very witty, clever idea, so I was thrilled to be a part of it.

    Do you feel the film has an underlying message?

    Fox: I suppose there is a message in what Oliver says about examining whether you yourself would be a good spouse for anyone else. So self examination I suppose is the message

    How was the experience of working with director Garrick Hamm?

    Fox: He’s brilliant; he’s just got such a great vision, and you know is very clear about what he wants, especially with a short film there isn’t 90 minutes to sort of take your time developing what someone should look like or how they should sound, Garry is very clear and knows exactly what he wants. I think it’s harder to get that balance of comedy but also get across the message of the film.

    Could you marry yourself?

    Fox: No. God, it’s hard enough to live with oneself, let alone marry and commit to oneself. I could happily divorce myself.


    © BRWC 2010.

  • The Man Who Married Himself – RICHARD E GRANT INTERVIEW


    Richard E Grant (Oliver)

    How would you describe your character, Oliver?

    Grant: My character is very lonely and isolated. He can’t find love, a modern dilemma! Because he can’t find a suitable woman to marry he decides to marry himself.

    What’s your relationship with Emilia Fox in the short?

    Grant: He’s a man who’s a complete narcissist so finds a woman who worships at the altar of himself – ideal wife – for him, not mine!

    Why did you chose to appear in the film?

    Grant: The title – you know it’s going to unusual. And Charlie Fish had written such an off the wall story. It has an internal logic that just appealed to me. I thought it was a wonderful idea.

    Where there any scenes you looked forward to shooting?

    Grant: My wedding night scene and to be seen post-pleasuring myself with the entire range of Ann Summers around me.

    What will audiences take away from it?

    Grant: I hope they laugh! It’s been very stylishly costumed and the sets and all of that adds to it. With this level of professionalism I’m sure it has a good chance. It’s an original story and idea, so that’s always going to attract people.

    Could you marry yourself?

    Grant: Having been married 23 years myself… being married to yourself is tragic!

    The Man Who Married Himself plays at Rhodes Island International Film Festival August 10-15th and more to follow…

    © BRWC 2010.