The director you might remember from Old Henry (2021) and one of my favorites, Greedy People (2024), Potsy Ponciroli, has a film with a cinematography so sterile it reminds you of Apple TV ads, the ma...
Spider-Man: Brand New Day questions what it truly means to be a superhero—exploring sacrifice, responsibility, and what a hero represents in the eyes of the public. But more than anything, it felt lik...
New Queer Cinema’s one of the most important figures and someone who has signed many significant works in this field in the past, Gregg Araki is returning after a twelve-year break with I Want Your Se...
Australian director Adrian Chiarella‘s feature debut, Leviticus, tells the story of LGBTQIA+ youth who are forced to confront religious and social oppression through a horror narrative infused w...
Making films out of fairy-tale characters that have entered the public domain and no longer hold copyright is a commercially quite successful move. Especially if you are a lesser-known director, you c...