In his second official feature Norfolk, writer and director Martin Radich takes the viewer on an ominous pastoral journey, using the stereotypical rolling countryside and reclusive characters to portr...
Conceived as a companion piece to 2012’s The Act Of Killing, this picks up where Joshua Oppenheimer’s doc on the ’60’s Genocide under an anti-communist regime closed. The metap...
Thomas Cailley’s assured debut is a weirdly self-aware yet self defeating affair, seemingly looking to take on the tropes of the trite and tested Rom-Com’s and give it a Nihilstic Doomsday...
Pernicious fits comfortably into the low-budget schlock horror market, where the script and performances tend to count for a lot less than the buckets of blood thrown at the screen and whatever sort o...
Considering the scope of the story presented in Jessi Shuttleworth’s FEBRUARY, the short-form of the film—and its use within of brevity versus relative-elongation, incident versus time-between-inciden...