Author: BRWC

  • The Best Rom-Coms To Watch On Valentine’s Day

    The Best Rom-Coms To Watch On Valentine’s Day

    By Paul Sisolak.

    If art imitates life, do the love stories we see on the big screen reflect reality? Throw in some comedy for effect, and you might come close to the sometimes messy, often poignant, but always heartfelt genre that is the romantic comedy.

    Commonly referred to as rom-coms, these films make you laugh, cry and keep faith that your soulmate is out there somewhere. To identify the best rom-coms to enjoy on Valentine’s Day — or really any time of year — PrettyFamous looked for romantic comedies with over 50,000 IMDb votes. We then ranked the films by Smart Rating from high to low. Our Smart Rating (out of 100) is a weighted average of the following:

    • Rotten Tomatoes‘ Tomatometer
    • Rotten Tomatoes’ Audience Score
    • IMDb Rating
    • Metacritic’s Metascore
    • Data provider Gracenote’s Proprietary Rating, which is based on ratings from top critics at Variety, Newsday, Chicago Tribune, Rotten Tomatoes, and Metacritic.
    • Inflation-adjusted cumulative box office gross

    Whether you’re watching a rom-com to celebrate Valentine’s Day or any time of year, this list has your must-sees.

    Note: Ratings in the Smart Rating are all given equal weight, whereas box office gross has a lesser weight.

    #30. My Big Fat Greek Wedding

    Smart Rating: 83.70
    Release Year: 2002

    For Toula, marrying a non-Greek man won’t be as easy as it might seem, since she needs to contend with the overbearing — and often hilarious — protests of her very Greek family without driving him away in the process.

    #29. Warm Bodies

    Smart Rating: 84.00
    Release Year: 2013

    It’s about time they made a movie about a zombie who falls in love. When R (a member of the walking dead) meets a girl named Julie, he starts to remember what it’s like to be human, to feel and to love.

    #28. About Time

    Smart Rating: 84.17
    Release Year: 2013

    If you had the gift of time travel, would you change your past to alter the outcome of your future? A twentysomething named Time does just that when he traverses the space-time continuum to get the girl of his destiny.

    #27. Antz

    Smart Rating: 84.30
    Release Year: 1998

    Even ants need love. Z (voiced by the ever-neurotic Woody Allen) seeks to escape his oppressive colony, all the while trying to win over the heart of a princess (played by Sharon Stone), who in turn seeks to remove herself from an equally stifling kingdom.

    #26. While You Were Sleeping

    Smart Rating: 85.33
    Release Year: 1995

    When Lucy (played by Sandra Bullock) saves a man’s life, she pretends she’s engaged to him. She’ll need to do more than that, though, to convince the man’s brother (played by Bill Pullman) that her heart really belongs where she claims it does.

    #25. Trainwreck

    Smart Rating: 85.43
    Release Year: 2015

    In this newest installment from director Judd Apatow, the eponymous trainwreck of the film, Amy (played by Amy Schumer), must reconsider her hard-partying ways when she meets a nice, well-meaning guy (portrayed by Bill Hader).

    #24. Bridget Jones’s Diary

    Smart Rating: 85.53
    Release Year: 2001

    Bridget Jones, a single, lonely British woman, keeps a diary for one full year, chronicling her attempts to date, get in shape and avoid accidents. Based on the best-selling novel (which in turn was based on “Pride and Prejudice”), it put Renée Zellweger on the map.

    #23. Crazy, Stupid, Love.

    Smart Rating: 85.75
    Release Year: 2011

    Plenty of divorced men going through a midlife crisis have tried picking up girls at bars to compensate, but in “Crazy, Stupid, Love,” it proves hapless and memorable for Cal (Steve Carell), who might just get a second lease on love.

    #22. Notting Hill

    Smart Rating: 85.95
    Release Year: 1999

    Is it really possible for the Hollywood elite to make a relationship work with an average, non-famous person? Modest bookstore owner Will (Hugh Grant) finds out firsthand when he bumps into Los Angeles starlet Anna Scott (Julia Roberts) in London’s Notting Hill.

    #21. Forgetting Sarah Marshall

    Smart Rating: 86.07
    Release Year: 2008

    “Wrong place, wrong time” could never be more apropros in “Forgetting Sarah Marshall,” at least not for TV show producer Peter (Jason Segel), who, after jetting off to Hawaii to get over a breakup with his girlfriend Sarah (Kristen Bell), ends up running into her at the same resort. Only this time, she’s got her new boyfriend (Russell Brand) in tow.

    #20. Pitch Perfect

    Smart Rating: 86.42
    Release Year: 2012

    When college freshman Beca joins her school’s all-female a capella group, they’re tasked with competing against their male singing rivals, the Treblemakers, with one complication — the affections of one member named Jesse.

    #19. Punch-Drunk Love

    Smart Rating: 86.83
    Release Year: 2002

    How do phone-harrassing mattress salesmen, seven crazy sisters and copious amounts of pudding help down-and-out toilet plunger salesman Barry (Adam Sandler) meet the woman of his dreams? Watch “Punch-Drunk Love” and you’ll find out how it all makes sense.

    #18. Scott Pilgrim vs. the World

    Smart Rating: 87.07
    Release Year: 2010

    There are times when a guy needs to go to battle with his new girlfriend’s seven evil ex-boyfriends to secure her love. In this adaptation of the popular graphic novel series, that’s exactly what the title character (played by Michael Cera) must do with wit, music and cunning.

    #17. Sleepless in Seattle

    Smart Rating: 87.61
    Release Year: 1993

    When widower Sam (Tom Hanks) relocates to Seattle, he’s still grieving over the death of his wife, so his son calls into a radio talk show to express the loss his father feels. Intrigued and touched, it connects Sam with a reporter named Annie (played by Meg Ryan) in a way he never imagined.

    #16. The 40-Year-Old Virgin

    Smart Rating: 87.76
    Release Year: 2005

    Andy’s reached the age of 40 without ever having sex, and his nerdy, action-figure-collecting ways certainly hinder his chances of meeting the right woman. But a chance meeting with an attractive single mom and some good-hearted encouragement from his coworkers might just be what he needs to break the cycle of unintended celibacy.

    #15. Chasing Amy

    Smart Rating: 87.86
    Release Year: 1997

    Holden (Ben Affleck) and Banky are best friends until Holden’s interest in Alyssa — who happens to be a lesbian — threatens their friendship and ability to work together.

    #14. Grosse Pointe Blank

    Smart Rating: 87.88
    Release Year: 1997

    The name of the film is a reference to the town of Gross Pointe, where Martin (John Cusack) is attending his upcoming high school reunion. The Pointe Blank part? Martin grew up to become a hitman, and now his heart is burdened not just with the “job,” but rekindled feelings for his old girlfriend Debi (Minnie Driver). Like “High Fidelity,” Cusack proves he’s the king of the late ’90s indie rom-com.

    #13. Enchanted

    Smart Rating: 88.35
    Release Year: 2007

    There are fish-out-of-water stories, and then there are fish-out-of-water movies done Disney-style.

    When a princess named Giselle (Amy Adams) gets on the bad side of a wicked queen, she’s exiled from her kingdom to modern-day Manhattan, where she ends up falling for none other than a divorce lawyer (Patrick Dempsey). Can he compete with a time-traveling prince sent to bring her back?

    #12. (500) Days of Summer

    Smart Rating: 88.80
    Release Year: 2009

    A love story that’s not a love story at all, “(500) Days of Summer” is told from the perspective of Tom (Joseph Gordon-Levitt), as he recalls his up-and-down relationship with manic pixie dream girl Summer (Zooey Deschanel). The only problem? The nonlinear narrative is meant to show us what Tom perceives as the highs and lows of his time dating Summer — and not, perhaps, how the relationship really unfolds.

    #11. High Fidelity

    Smart Rating: 90.19
    Release Year: 2000

    John Cusack portrays record store clerk Rob, who can’t seem to figure out why his relationships keep going sour — so his encyclopedic knowledge of music and all things “top five” give him pause to reflect on his last five breakups. Through a musical — and personal — journey, he discovers a bit more about himself, and learns a critical lesson drawing him back to someone he once lost.

    #10. Jerry Maguire

    Smart Rating: 90.75
    Release Year: 1996

    It’s not “Show me the money!” that makes people remember this mid-1990s Tom Cruise vehicle — It’s “You had me at hello.” When disgraced sports agent Jerry Maguire puts all his cards on one hot-shot football player, he also has to test his commitment to Dorothy (played by Renée Zellweger). Break out the Kleenex for the airport reunion scene.

    #9. Four Weddings and a Funeral

    Smart Rating: 91.38
    Release Year: 1994

    You might want to watch “Four Weddings and a Funeral” back to back with “Groundhog Day,” not only because they both feature ’90s rom-com queen Andie MacDowell, but for the keep-trying-until-you-find-love motif throughout both films.

    The movie that put Hugh Grant on the map in the U.S., Grant plays Charles, who decides to dash his bachelor ways after crossing paths — and falling for — the same woman he meets at five separate social events.

    #8. When Harry Met Sally…

    Smart Rating: 92.41
    Release Year: 1989

    Can men and women just be friends without sex getting in the middle of it? It’s one of many relationship questions raised in Rob Reiner’s “When Harry Met Sally,” a story about Harry (Billy Crystal) and Sally (Meg Ryan), longtime platonic friends who flirt with romance over the course of 12 years. Connecting, losing touch, and reconnecting again, do Harry and Sally finally end up together in the end?

    #7. Breakfast at Tiffany’s

    Smart Rating: 92.56
    Release Year: 1961

    Blake Edwards’ adaptation of the famous Truman Capote romance does the novella justice as Audrey Hepburn‘s most recognizable, iconic and much-imitated character of Holly Golightly, a New York socialite whose affair with her new neighbor, Paul (played by George Peppard), doesn’t happen without some comedic complication — and a happy ending, at that.

    #6. Shakespeare in Love

    Smart Rating: 92.61
    Release Year: 1998

    Sometimes, it’s perfectly appropriate to take artistic liberty when rewriting the love lives of real people in history, which is why “Shakespeare in Love” stands the test of time as one of the greatest romance films.

    While writing “Romeo and Juliet” (in itself a tragedy), William Shakespeare (portrayed by Joseph Fiennes) woos a wealthy businessman’s daughter (Gwyneth Paltrow), helping him overcome his writer’s block — but not without some cross-dressing hijinks and a stern judging from Elizabeth I herself.

    #5. Midnight in Paris

    Smart Rating: 92.75
    Release Year: 2011

    Surrealistic and starry eyed in a literal sense, Woody Allen’s 2011 comedy-fantasy follows Gil (Owen Wilson) as he travels back in time each night at midnight on the streets of Paris, meeting various famous artists, poets and musicians — think Salvador Dali, Vincent Van Gogh, Ernest Hemingway, and Pablo Picasso.

    Through their wisdom and unique artistic perspective on life, Gil will never look at love the same way again.

    #4. Groundhog Day

    Smart Rating: 93.16
    Release Year: 1993

    Bill Murray‘s Phil Connors is lucky, in a sense. He gets the girl on Feb. 3, only after being cursed to repeat Groundhog Day over, and over, and over, and over again — all while kidnapping Punxsutawney Phil in the process.

    If you’ve never received a second chance at love, this modern classic directed by the late, great Harold Ramis will show you how a third, fourth, fifth and sixth try can come with comedic consequences.

    #3. Roman Holiday

    Smart Rating: 94.52
    Release Year: 1953

    With the new biopic “Trumbo” up for accolades, it’s hard to deny the genius of Dalton Trumbo’s screenwriting in films like “Roman Holiday.” Directed by William Wyler, its plot has been copied but never bettered.

    In their random encounter, opposites Ann (played by Audrey Hepburn) and Joe (portrayed by Gregory Peck), enter a whirlwind romance in Rome between princess and American journalist. The locale gives the film’s 1950s Italian locations a sweeping, picturesque beauty indicative of the era.

    #2. The Artist

    Smart Rating: 95.15
    Release Year: 2011

    Though it looks and plays out like a film from the Golden Age of Hollywood, “The Artist” is one of those newer period pieces that stays true to the integrity, honesty and realism of the era it portrays. This poignant film is a romance between a silent-film actor whose star is fading — and the young actress whose fame is rising.

    #1. It Happened One Night

    Smart Rating: 95.68
    Release Year: 1934

    Arguably the very first rom-com ever made, this Frank Capra-directed classic of the silver screen stars Clark Gable and Claudette Colbert (as a maverick newsman and spoiled socialite, respectively). The film shows how, despite some early misgivings, love has a chance. “It Happened One Night” went on to win five Oscars and define a whole genre.

    Overview

    Compare Movies on PrettyFamous

  • The Lobster & Thirteen Other Anti-Valentine’s Day Films

    The Lobster & Thirteen Other Anti-Valentine’s Day Films

     

    With Valentine’s Day around the corner, for some of us it’s not all about roses and romance. If you’re fed up of all the schmaltz, pour yourself a glass of red wine, order your favourite takeaway and pop one of the below films in your DVD player with this list of the ultimate Anti-Valentine’s Day movies…

    The Lobster

    Closer

    Fatal Attraction

    Eternal Sunshine of the Spotless Mind

    Gone Girl

    The Skin I Live In

    Sightseers

     

    Natural Born Killers

     

    Blue Velvet

     

    Shame

     

    (500) Days of Summer

    Antichrist

     

    Kill Bill Vol 1 & 2

     

    Leaving Las Vegas

    https://www.youtube.com/watch?v=Ke6kU0rD8Jg

    THE LOBSTER is available on Blu-ray, DVD and Digital now, courtesy of Picturehouse Entertainment.

  • Sheba, Baby (Girdler, 1975) – Blu-Ray Review

    Sheba, Baby (Girdler, 1975) – Blu-Ray Review

    By Last Caress.

    (She’s a dangerous lady)
    And she’s well put together,
    (She’s a dangerous lady)
    Who can change like the weather,
    (She’s a dangerous lady)
    You don’t wanna know her better,
    (She’s a dangerous lady)
    Sheba!
    Sheba, Baby
    Sheba!
    Sheba, Baby

    Andy Shayne (Rudy Challenger) and Brick Williams (Austin Stoker) run Shayne Loan Co., the last honest loan company in downtown Louisville, KY. All the others have been either run out of business or bought up by local villain Pilot (D’Urville Martin), and Pilot’s been squeezing Andy and Brick, to take their business away too. Brick’s scared and wants to talk to Pilot, see if there’s a way he and Andy can at least escape with their lives. Andy wants no part of that, but after the Shayne Loan is broken into and Andy beaten up, Brick sends an urgent telegram to Andy’s daughter Sheba (Pam Grier), a former Louisville cop now working as a P.I. in Chicago, pleading with her to ask her daddy to see sense before he’s really hurt, or worse. Sheba travels down to Kentucky and talks to Andy but, just as it looks as though he might parlay with the bad guys, a bomb in Andy’s car convinces Sheba that things have gone too far for talking, and it’s now time for her to start kickin’ ass and takin’ names as she works her way up the crime ladder to Pilot and his boss, Shark (Dick Merrifield).

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    In 1972 Lawrence Gordon, head of development at exploitation cinema specialists American International Pictures, was looking for a project which would present as something akin to Cleopatra Jones (Starrett, 1973), a movie being made at that point by Warner Bros and upon which Gordon had erroneously passed. What he had immediately to hand was an early treatment called Honor by David Sheldon which he kicked to director Jack Hill, to see what he could do with it. Hill thought he had an actress to compete with Cleopatra Jones‘ Tamara Dobson – a woman he’d worked with a couple of times previously in the last year by the name of Pam Grier – but he wanted to run with a script of his own. The movie he made in the end – Coffy (1973) – was more edgy and violent than Cleopatra Jones but it made more money with a fraction of the budget, and made a genuine leading lady out of Ms. Grier. Honor was shelved for the time being.

    By 1975, Pam Grier had become reluctant to make any more pictures which involved baring her flesh unnecessarily, something which had been a prevalent feature of her movies up to that point. There was still a deal in place for her to make one more picture for AIP but thanks to the success of Coffy and Foxy Brown (Hill, 1974) in particular, Ms. Grier was now calling the shots. What could they give her? Well, David Sheldon still had his Honor treatment and, along with Kentucky filmmaker William Girdler with whom he’d wanted to work, set about re-jigging Honor into something specifically for Pam Grier; an action-filled Blaxploitation pic as one would expect, but a considerably more tasteful one in its approach. One late late name-change later, and the result was Sheba, Baby, directed by William Girdler in his hometown of Louisville, released to cinemas in 1975 and released on blu-ray by Arrow Video this week. 

    So, is it any good? Well, yes, it is. For this reviewer’s tastes it’s not quite as essential as either Coffy or Foxy Brown but it’s an easier piece of Blaxploitation cinema than either of those. Action-packed but light and friendly for the most part, and often funny without ever being silly, Sheba, Baby‘s simple-as-you-like revenge plot – ne’er-do-wells try to bully the little guy until an unlikely hero stands up to them – wouldn’t look entirely out of place in an episode of The A-Team or The Equalizer. Pam Grier is a good actress, a dynamite action star and you’d have to be blind, insane or both not to find her easy on the eye, and whilst the rest of the ensemble here – mostly locally-sourced Kentucky actors – simply aren’t in her league, they all do enough to keep things jogging along briskly (interestingly, one of the smaller “henchman” roles was filled by Maurice Downs, a Kentucky gangster who was killed several years later in Los Angeles).

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    As usual, Arrow Video have done a fantastic job with Sheba, Baby as they continue their quest to bring Ms. Grier’s greatest hits to blu-ray, having already released Coffy and Foxy Brown in fine blu-ray packages. The picture is as sharp as a tack, and the original mono soundtrack came through my sound bar with crystal clarity, particularly highlighting the rare groove score. The extras include two commentaries, the first by writer David Sheldon and the second by Patty Breen, webmaster at WilliamGirdler.com. Both are light, enjoyable and informative although Mr. Sheldon’s is more anecdotal and less concerned with what’s happening on-screen at the time; a couple of featurettes: “Sheldon, Baby”, a 15-minute interview with Mr. Sheldon about his work on Sheba, Baby, with AIP in general and with director William Girdler with whom he collaborated several times prior to Mr. Girdler’s untimely death in 1978, and “Pam Grier: The AIP Years”, a 12-minute look by film historian Chris Poggiali at Ms. Grier’s movies for AIP; a trailer for the movie; and a small gallery of stills and posters. The whole thing is packaged inside one of Arrow’s now-customary reversible sleeves featuring classic and original artwork.

    All in all then, Sheba, Baby is not as wild as many of its peers but Arrow Video’s Blu-ray comes recommended to fans of the movie and to fans of Blaxploitation cinema in general.

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    [big_title2]Arrow Video’s blu-ray presentation of Sheba, Baby is out now.[/big_title2]

  • The Best Of Benicio Del Toro

    The Best Of Benicio Del Toro

    In the mid-90s Benecio Del Toro emerged as one of the most charismatic actors on the big screen. After stealing scenes from the likes of Kevin Spacey and Stephen Baldwin in 1994’s The Usual Suspects, Del Toro’s memorable and unique performance made him a big name on the lips of casting agents all over Hollywood and secured him roles alongside world-renowned directors such as Guy Ritchie, Steven Soderbergh, Terry Gilliam and Denis Villeneuve. The 48 year-old Puerto Rican has picked up a number of awards along the way, including an Academy Award, BAFTA Award, Golden Globe Award, and Screen Actors Guild Award for his portrayal of Javier Rodríguez in the film Traffic (2000). His latest performance as the shady Columbian operative known only as Alejandro in SICARIO (out on Blu-ray, DVD and digital platforms NOW) is nominated for a Supporting Actor BAFTA, yet controversially snubbed by the Academy this year amongst a number of non-white omissions. Never mind the Academy, let’s take a look at some of Del Toro’s most impressive performances to date…

    Sicario (2015)

    SICARIO is a searing, unflinching journey into the deadly, volatile and morally murky world of Mexican drug cartels from visionary director Denis Villeneuve (Incendies, Prisoners). When FBI agent Kate Macer (Emily Blunt) uncovers a Mexican cartel’s house of death, her shocking find causes shockwaves on a personal and global level. Kate is recruited to join a covert black ops mission headed by a mysterious Colombian operative known only as Alejandro (Del Toro) along with shadowy agent Matt Graver (Josh Brolin). Even as Kate tries to convince herself she’s on a hunt for justice, she is thrust into the dark heart of a secret battleground that has swept up ruthless cartels, kill-crazy assassins, clandestine American spies and thousands of innocents.  Del Toro’s captivating and eerie turn as the morally ambiguous Alejandro is a perfect representation of what happens when the pressing issues of drugs, terror, illegal immigration, corruption and an escalating swathe of violence are concentrated around one geographical border.

    Snatch

    Guy Ritchie’s British gangster flick, Snatch, follows a number of criminals in an intertwined web of conflict spurred on by a stolen diamond. Del Toro’s character, Frankie Four Fingers, is at the heart of a jewel heist and finds himself in a spot of bother whilst trying to distribute the rock to an American buyer.  Another plotline follows Turkish and Tommy, played by Jason Statham and Stephen Graham respectively, as they are sucked into the underground world of fixed boxing at the hands of Brick Top, a mobster played by Alan Ford. The array of amusing characters all cross paths and the separate stories merge into one in classic Guy Ritchie fashion that is very reminiscent of his debut feature Lock, Stock and Two Smoking Barrels.

    Usual Suspects

    Following the explosion of a cargo ship that killed several people, the police investigate one of the only survivors, Verbal Kint (Kevin Spacey). Kint reluctantly caves in and gives information on how the incident on the waterfront came about. He begins his story six weeks earlier when he and 4 other con-men, including Del Toro’s slurring character Fenster, are brought in on suspicion of committing a crime none of them were actually responsible for. To get back at the police the five men successfully plan and execute an operation to steal a valuable jewel. Following the heist, the men are contacted by a lawyer representing a highly feared criminal, Keyser Soze, who wants them for a job. The result of the job is the catastrophe at the shipyard and an uncertain feeling of who is really in charge.

    Traffic

    Soderbergh’s take on the war on drugs follows four separate stories that are all somehow connected. A conservative judge who was just appointed the new drug czar discovers his teenage daughter is a cocaine addict, a wife takes over her wealthy husband’s drug business after his arrest, and two DEA agents look after an informant with crucial knowledge on the spouse’s illegal commerce. The last story is Benecio Del Toro’s who plays Javier Rodriguez, a slightly corrupt cop whose biggest battle is with his own conscious after realising his new boss isn’t exactly who he thought he was.

    Fear and Loathing in Las Vegas

    Johnny Depp stars as the drug addled journalist, Raoul Duke, in the big screen adaptation of Hunter S. Thompson’s novel of the same name. Duke sets out on a quest in a red convertible with his psychotic Samoan lawyer, played by Del Toro, to discover the “American Dream”.  Funded by a magazine to cover a sporting event and accompanied by a trunk full of drugs, the two travel to Las Vegas. On their journey they encounter hitchhikers, girls, gamblers, policemen, giant lizards, and a whole lot of bats in an attempt to find the elusive ideology. Directed by Monty Python’s Terry Gilliam, this psychedelic film is a different, yet positive and welcomed, addition to Benecio Del Toro’s roster of roles.

    Escobar: Paradise Lost

    Nick (Josh Hutcherson) and his brother Dylan (Brady Corbet) leave their hometown in Canada to find a simpler life on the beaches of Colombia in actor Andrea Di Stefano’s first stab at directing. Nick’s easy surfer lifestyle takes a turn when he falls in love with the niece of the drug kingpin Pablo Escobar (Benecio Del Toro). Whilst pursuing his newfound love, Nick gets sucked into her uncle’s business and all the dangers that come with it. He quickly realises the power Escobar posses and begins to re-evaluate the decisions he has made and his place in the family.

    Che: Part One (The Argentine) and Che: Part Two (Guerilla) (2008)

    This 4 hour biopic, directed by Steven Soderbergh, sees Benicio Del Toro star as Marxist revolutionary Ernesto “Che” Guevara. The film is actually a merged version of two films by Soderbergh: The Argentine and Guerrilla. The first part focuses on the Cuban revolution, from the moment Fidel Castro (Demián Bichir), Guevara and other revolutionaries landed on the Caribbean island, until they toppled the dictatorship of Fulgencio Batista two years later. The second part focuses on Che’s attempted revolution and eventual demise in Bolivia. Che was screened on May 21 at the 2008 Cannes Film Festival, where Del Toro won the Best Actor Award for his uncanny portrayal of Guevara in the film.

    SICARIO is out now on Blu-ray, DVD and digital platforms, courtesy of Lionsgate Home Entertainment

  • Which Film Franchise Is Set To Dominate The Markets?

    Which Film Franchise Is Set To Dominate The Markets?

    By Louise Wood.

    Franchises are definitely having their moment, as the likes of Marvel and DC schedule in sequel after sequel to appease eager fans and Star Wars is hot on their heels, as it dominated the market in December 2015, taking home nearly $2billion worldwide. In its seventh weekend it was still taking $10.8million domestically, beating Avatar by $125million.

    Senior market analyst Chris Beachamp believes Disney has definitely reaped the rewards of their investment and takeover of Lucas Films but when it comes to the stock market there hasn’t been a rush of investors, mainly because “despite Star Wars’ popularity, the film hasn’t picked up many Oscar nominations. Investors in Disney should look on the franchise as a steady earner, not a flash in the pan.”

    So now that the Star Wars rush is over, who is going to pick up the mantle in terms of franchises? Who will dominate the market for 2016 and beyond? Well, it has to be Marvel. Yet, another Disney investment – those guys sure know what they’re doing.

    This is because superhero movies are still hot property, people are invested in the franchises currently being put out with the Avengers and X-Men films stirring up excitement and interest around the world.

    The introduction of new heroes and villains are ensuring these franchises stay fresh, as well as adopting new approaches to the style of film; Deadpool is a good example of this as it moves away from the usual Marvel 12A rating and jumps straight to a 15, with bloody violence, bad language and nudity. In fact, it’s been banned in China so that should give you some indication of just how big a change Marvel has made.

    Let’s not forget Marvel has also stretched out to dominate the TV market as well, with shows on Netflix such as Jessica Jones and Daredevil receiving high ratings, as well as Agents of S.H.I.E.L.D.

    Jessica Jones is definitely leading the way when it comes to positive reviews and ratings as the tortured anti-hero’s show receives a whopping 93% on Rotten Tomatoes and it is estimated that an average 4.8 million adults in the 18-49 group tuned in to watch Jessica fight Kilgrave, between the months of September to December in 2015. The show has of course been renewed for a second season, although it’s unclear when this will be released.

    Jones is another example of Marvel moving away from the slightly cheesy, fun superhero concept and taking on a grittier, sexier approach to telling their superhero’s story. DC is attempting to do the same and while it’s Gotham series started of shaky but picked up more viewers over time it isn’t hitting the nail on the head quite like Marvel. It’s Flash series has a fair few viewers and Supergirl’s ratings have been struggling although it receives a higher rating on Rotten Tomatoes than Jessica Jones…

    However, let’s not forget it’s not just movies and TV Marvel is dominating, their merchandise sales are exceedingly high with everything from t-shirts to socks to action figures in the popular items section on most websites. Spider-Man is actually one of the most popular superheroes they have to offer, with the Avengers climbing up the ranks.

    It’s safe to say Marvel will continue dominating the markets and it will be exciting to see what they do next when a shake up is required, or if DC finally catches up to them.