It All Comes With The Cold Water: Review. By Callum Ward.

Set against the truly stunning landscapes of Iceland, It All Comes With The Cold Water is an emotionally charged indie romance/drama that explores the complexities of love, trust and self-discovery in two young adults. Directed by Coz Greenop, the film follows Theo, a successful photographer, and Anna, his creative muse and often subject for his photos, through the highs and lows of their whirlwind romance amidst the natural grandeur of their stunning Icelandic surroundings. Split between the strength of their early connection and the unravelling further down the line, the film masterfully juxtaposes the promise of young love with darker, more complicated realities.

Jack McEvoy and Elín Hall are both exceptional as Theo and Anna respectively, bringing a layer of authenticity and depth to their roles. The pair’s chemistry throughout is without a doubt one of the high points, conveying a realistic and compelling portrayal of a young couple navigating the joys and challenges of a budding relationship while dealing with their own past traumas and hopes for the future. The dialogue between them feels natural and often witty, making their connection all the more believable. However, the film takes a darker turn as Theo’s behaviour takes an unexpected turn, and while his performance remains strong, the speed of this shift to controlling behaviour might catch viewers off-guard. Despite this, the cast handles these emotional pivots extremely well, making their character’s struggles both poignant and raw.

Look at the cinematography, It All Comes With The Cold Water is a triumph. The film captures the unadulterated beaty Icelandic landscapes with vivid, earthy shots throughout that lend the film a grand sense of scope. In the more intimate moments, the up-close camera work leaves the audience feeling like they themselves are in the midst of this complicated relationship, a testament to the direction from Greenop and the cinematography from the Director of Photography, George Burt. 

The script from Writer Lucinda Royden is another standout element in the film, weaving naturalistic dialogue with deeply introspective moments throughout the course of the film. The exploration of themes such as past trauma, toxic masculinity and the search for identity is handled expertly in the film’s most powerful moments with sensitivity and depth. The narrative’s central idea—how our pasts shape the way we connect with others—resonates powerfully, even as it veers into darker territory. A conversation in particular that really stuck with me touched on the significance of first impressions and the fleeting recognition of someone’s importance in your life—a moment that encapsulates the film’s melancholic yet hopeful tone.

The movie feels cinematic and intimate in equal measure, but the pacing occasionally falters, occasionally leaving the audience slightly disorientated during key moments. Despite these minor issues, the film’s ability to blend the vastness of its setting with the intimacy of its story is truly commendable.

In conclusion, It All Comes With The Cold Water is an indie gem that offers a raw and intimate exploration of love’s complexities. With stunning visuals, excellent performances and a thoughtful and powerful script, it is a film that lingers in the mind long after the credits roll and is most definitely worth a watch.

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