Wonder Boy: Theatre Review

Wonder Boy, written by Ross Willis at just 20, is bursting with energy and charm. Directed by the creative Sally Cookson, the show stands out for its use of clever projected captioning, making it accessible and inclusive without being heavy-handed. Packed with humour, it touches on deeper themes about the human need to communicate and the feelings of isolation that come from not being able to speak.

The set design adds a fun comic-book flair to the production, with a well lit, blank wall that looks like a comic panel come to life. This is the perfect backdrop for the story of Sonny, a 12-year-old boy with a severe stammer. He escapes into a world of his own creation, where his imaginary friend Captain Chatter—who speaks entirely through body language and gestures—becomes his superhero.

Sonny’s best friend, Roshi is a powerhouse of confidence. She’s certain Sonny can easily handle a small role in their school’s drama club production of Hamlet. Her rapid-fire, no-nonsense summary of the play, where she dismisses Hamlet’s mother as a “personality vacuum,” is a great standout moment.

In the drama club, we meet the compassionate Miss Wainwright, who is the kind of teacher kids dream of having—someone who truly “gets” them. Miss brings warmth and authenticity, and the connection she forms with Sonny is heartwarming. A simple, silent hug between them speaks volumes about the power of communication beyond words.

6-21 Sep

Written by Ross Willis | Directed by Sally Cookson – WONDER BOY

Times: 7.30pm/2.30pm (Thu & Sat mat). Tickets: from £10 (plus concessions)

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