So Kristian A. Söderström, who are you, where do you come from and what’s your creative arts background? I grew up in Gothenburg Sweden and was a film fanatic from the start. I got me an education in film directing from UCLA in Los Angeles, but I’ve studied film theory and
Marvel has done it again. From them we have got ourselves another serviceably fun film. One that’s got some very good ideas and some terrific performances, but feels lacking in the creative department. I’m not going to say that Ant-Man was a masterpiece, it wasn’t, but it did hit all
Let's get down to it. What was it about Gavin Williams’s script for AWAIT FURTHER INSTRUCTIONS you liked so much, and what did you add to make it more personal to you? Well, when I first read the script I thought: “How the hell am I going to make this!” It was
This Turkish arthouse drama from writer-director Pelin Esmer follows two disparate people attempting to escape their pasts, and finding each other. Originally made in 2012 and premiering at that year’s Toronto International Film Festival, The Watchtower now gets a belated UK home release through Network Releasing. Haunted by a tragic incident from
Promise opens with Hajar (Lara Sawalha), a young middle-eastern woman, arriving at the house of Sarah (Rebecca Callard) and Abe (Nabil Elouahabi), a couple seemingly on the rocks. It’s not made explicitly clear what’s happening to start with, but after glimpses of a pregnancy pamphlet, Hajar’s early-morning vomiting and Sarah’s
