Stephen King films are like buses. You wait ages for one, and then two come at once. After the lacklustre reception to The Dark Tower, it comes down to the other to prove that King still has it in him...

By Last Caress. Red begins early in the morning. So early, it’s really still late the previous night. A man awakes with a start, as if from a nightmare, seconds before his alarm sounds. He quick...

Orla Smith. Nazo Dharejo’s story is extraordinary. It’s standard for films based on true stories to end with title cards that tell the audience what happened next. I was more moved reading...