KONG: SKULL ISLAND
If the Seventies connection to Kong wasn’t clear to you by now, then prepare to have it well and truly hammered home by the latest addition to the franchise, Skull Island. The story takes place in 1973, just as the decade was starting to cook. Rugged yet dashing Brit military hero Tom Hiddleston signs up for an expedition to a truly mysterious land mass, under the command of John Goodman’s shadowy government paymaster.
Their mission is simple, both in a narrative and box office sense – get to Skull Island and obtain proof of the fantastic beasts said to dwell there. Cue the requisite payload of CGI wonders, headed by the baddest fruit-fancier of them all, Kong.
Judging by early reviews helmer Jordan Vogt-Roberts and his team have evoked the period to perfection, from the whining guitars on the soundtrack to the exotic powder keg of a script, which blends high adventure with a psychedelic vibe. That’s not forgetting the sight of Hiddleston, Brie Larson and Samuel L Jackson roaming around in khaki fashions. The last time Kong had a major release in the Seventies was via the De Laurentiis furfest, showcasing a King who was far than regal. There are no men in monkey suits here. Skull Island seems set to banish the memory of Lange’s enormous yet rubbery admirer forever.
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