Review: Noor

film reviews | movies | features | BRWC Review: Noor

By Daryl Bär

Taking place at a pivotal time in a man’s life, Noor makes the choice to assign himself to the male gender and find a woman who will love him for the person he has become, having spent a portion of his life among the Khusras following chemical castration.

This is a road movie with a purpose, a journey of discovery where the destination is merely hope. Here cultural diversity and seemingly candid conversation alleviate the burden of plot contrivance and unnatural sounding interaction. The performances have a sincerity which works well with the realistic and almost documentary feel from Guillaume Giovanetti and Cagla Zencirci.



As the picture progresses, Noor’s truck journey across Pakistan drinks in a great many serene landscapes that are a great contrast to the life he leaves behind. My one concern is that despite the intriguing story of a man’s search for belonging Noor is a little simplistic in its resolution. Or perhaps it’s just that I wanted to spend more time with this character and see what lay further down the road.


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Alton loves film. He is founder and Editor In Chief of BRWC.  Some of the films he loves are Rear Window, Superman 2, The Man With The Two Brains, Clockwise, Eternal Sunshine Of The Spotless Mind, Trading Places, Stir Crazy and Punch-Drunk Love.

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