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film reviews | movies | features | BRWC Review: A Peace Of Autumn

Review: A Peace Of Autumn

30th January 2014
REVIEWS
Alton Williams
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By Liz Tobin. A Peace of Autumn is a simmering tale of cause and effect which is anything but one dimensional, as the doublespeak film title might also imply. Created, directed and starring the American filmmaker Joseph Arnone this 17 min short film implicates two strangers who seem fated to collide

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film reviews | movies | features | BRWC Big Screen To Phone Screen: Movie Buffs Are Starstruck With Google Play Movies & TV App

Big Screen To Phone Screen: Movie Buffs Are Starstruck With Google Play Movies & TV App

30th January 2014
ETCETERA FEATURES
Alton Williams
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Have you ever been stuck in the waiting room or on a long bus ride and thought, "why am I not catching up on my 2014 Oscar nominees right now?" Movie buffs know this feeling all too well, whether your current list focuses on the films of Stanley Kubrick or

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film reviews | movies | features | BRWC 12 Years A Slave: Review

Oscars – Best Actor

29th January 2014
ETCETERA FEATURES
Alton Williams
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Five nominations for the award for Best Actor, and as usual they fall out of the movies that are in the running for Best Picture. The favourite with Unibet for Best Picture is 12-Years a Slave and so it should come as no surprise to learn that Chiwetel Ejiofor is one of the favourites for

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film reviews | movies | features | BRWC Review: North Sea Texas

Review: North Sea Texas

27th January 2014
REVIEWS
Alton Williams
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By Alex Cole. North Sea Texas is a fragile and gentle affair. Its protagonist, its setting, and even Gino, the film’s most colourful character are withheld, distant and understated. It tells the story of Pim, an introverted young man with a neglectful accordion playing mother Yvette and no father to speak

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film reviews | movies | features | BRWC The Vault: Unearthing Forgotten Films (…So You Don’t Have To!)

The Vault: Unearthing Forgotten Films (…So You Don’t Have To!)

26th January 2014
FEATURES REVIEWS
Alton Williams
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By Sebastian Skelton. Shadow of the Vampire (2000) Here's the basic premise to E. Elias Merhige’s Shadow of the Vampire: what if the seminal 1922 F.W Murnau masterpiece Nosferatu was actually filmed using a real vampire? As far as concepts go, it’s an interesting one as it essentially plays as a dramatised ‘making of’

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