The groundbreaking, Alfred P. Sloan Prize-winning, and fiercely independent “artificially intelligent” comedy from Andrew Bujalski (Funny Ha Ha, Mutual Appreciation, Beeswax), which continues to collect raves on the festival circuit, is slated for a national UK theatrical release from Eureka! Entertainment and a home-video release as part of Eureka!’s The Masters of Cinema Series.
Eureka! Entertainment are thrilled to announce that they have acquired all UK/Eire rights to Andrew Bujalski’s Computer Chess, which had its debut in January at the Sundance Film Festival. Computer Chess is the fourth feature film from the brilliant and maverick American filmmaker Andrew Bujalski, whose previous works include Funny Ha Ha (the early ‘00s film that arguably kicked-off the so-called “mumblecore” movement of American independent cinema), Mutual Appreciation (an acclaimed comic portrait of love and longing in the milieu of the Brooklyn indie music scene), and Beeswax (which among its principals starred Alex Karpovsky, the indie filmmaker and actor who has gone on to great renown for his role in Lena Dunham’s cultural-phenomenon and hit TV series Girls). Prior to final completion of Computer Chess, Bujalski was awarded a Tribeca Film Institute Sloan grant in 2012. Directly following Bujalski’s newest and long-anticipated film’s Sundance premiere, Computer Chess was given the prestigious Alfred P. Sloan Award, which honours a film based around the theme of science and/or technology. The film went on to have its International Premiere at the latest Berlin Film Festival, and will be presented as part of the distinguished BAMcinémafest this June in Brooklyn for its New York premiere, before moving on to a major UK festival debut in anticipation of a UK theatrical run coordinated by Eureka! Entertainment in late autumn, and an early-2014 Blu-ray and DVD release as part of the highly esteemed and awarded-winning Masters of Cinema Series.
A boldly intelligent ensemble comedy with a feel and atmosphere that surpass easy comparison, Computer Chess takes place in the early-1980s over the course of a weekend conference where a group of obsessive software programmers have convened to pit their latest refinements in machine-chess and the still-developing field of artificial intelligence (AI) against an assembly of human chess masters. Computer Chess is a portrait not only of the crazy and surreal relationships that come to pass between the abundance of characters who participate in the weekend event (and among whose ranks include Wiley Wiggins, the revered indie-game developer and star of Richard Linklater’s classic Dazed and Confused), but of the very era of early computing itself – and of the first, rudimentary video games – and (if that weren’t enough) of the hopes and insecurities that persisted through the film’s “retro” digital age into the present-day — that semi-virtual, hyper-social, maybe-kind-of-dehumanised landscape that, let’s face it, is our very own 2013. If that still weren’t enough: it’s also one of the wittiest, most shift-and-cringe-in-your-seat, and entirely LOL-hilarious movies of recent times.
“The UK has been great to me and my films in the past,” states Computer Chess director Andrew Bujalski, “and I couldn’t be more delighted to be bringing Computer Chess there with the (intimidatingly named!) Masters of Cinema Series. I hope that means that THEY’VE mastered cinema — I’m still, uh, working on that… And my education certainly wouldn’t be complete if I didn’t try to make at least one bizarre, left-field, mindbender movie — Computer Chess is that. I’m eager to get it to British audiences.”
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