Mitsuko Delivers is a wacky Japanese comedy starring Riisa Naka as a pregnant woman finding her way in life. Mitsuko, in the final month of her pregnancy, is very direct when dealing with people, indeed verging on insultingly blunt, but has a fantastic outlook on life which allows her to float free as the clouds from one calamitous situation to the next enriching the lives of all around her as she goes.
Lying to her parents about being in California (she was there, got pregnant and returned to Japan in secret), Mitsuko is forced to move out of her Tokyo apartment and into a set of ramshackle tenements where she briefly lived as a child. Imposing on her old bedridden landlady she explains it is “Okay. I will impose on you, and you can impose on me”. This is very much her philosophy throughout, willingly giving away the last of her change to a jobless man and then demanding taxi fare from her former landlady. “Nevermind the details” she says, go with the wind. Moving back into the tenements reunites her with Yoichi, played by Aio Nakamura, who had declared that he loved her 15 years previous and vowed to marry her. Yoichi has been waiting all this time for Mitsuko to return and so commits to take care of her child regardless of the situation – even Mitsuko is light on the details of her pregnancy, barely elaborating beyond “I don’t really know, but he was kinda big and really black”.
It’s in Mitsuko’s, to the point, one liners that the real charm of the comedy lies. That and the continually bizarre web of characters that she weaves around her as she tries to help everyone she meets. Once she puts her mind to something it gets done, merely resolutely stating “Okay” and shouldering the burdens of others – whether they like it or not. As a character she’s marvellously slapstick, ambling around on the verge of giving birth at any minute, but as she says “don’t underestimate me because I’m kinda having a baby”. Don’t be disheartened if you find her a bit rude or annoying to begin with, it just seems that’s her way, and by the end its difficult not to love her.
As the story layers begin to increase so does the overall insanity, building up into a climax that is gloriously mental. Mitsuko is charming in her blithe disregard for social norms and in her unfailing will to help all around regardless of herself. Mitsuko Delivers starts off slow with few laughs, but once it gets going the madness is delightfully entertaining.
Mitsuko Delivers is in select theatres May 11 and will be available on DVD July 9.
We hope you're enjoying BRWC. You should check us out on our social channels, subscribe to our newsletter, and tell your friends. BRWC is short for battleroyalewithcheese.
Trending on BRWC:
All The Men I Met But Never Dated: Review
Sunflower Girl: Review
Last Party: Review
Super/Man: The Christopher Reeve Story – The BRWC Review
Lady Vengeance 16th May 2012
Watched “Mitsuko Delivers” yesterday at the cinema and during its first half I found it a good film based on a good idea, plus the photography and the light are so nice.
But I changed my mind as time was passing and now I wonder if it was necessary to make it so histrionic during the last forty minutes? Honestly, didn’t they realise that it could be as funny anyway, and even funnier and more enjoyable, without all the yelling and the messing and the running around stuff? Really? What started in a nice way ended up irritating and annoying, and the worse part of it is, there was no need at all to do that in order to tell the same story.