“Hey white boy, what you doing uptown? Hey white boy, you chasing our women around?” On Boris Wexler’s Roundabout American By Pablo D’Stair Being something equal parts cinema-lover and fatuous film-th...
“When you lose someone you love they never really leave you, they just move into a special place in your heart.” Mrs Frankenstein (Catherine O’Hara) Your resident Burtonite, sometime...
“I’m squinting my eyes and turning Off and on and on and off the lights” A Perspective on Gregory Frye’s Experimental Documentary ‘Muses are the Life Blood’ By Pablo D’Stair If more than a half-...
“Where do you come from? Where do you go? Sorry that’s nothin’ you would need to know.” A Response to Eva Stotz’s Global Home by Pablo D’Stair It didn’t take long to feel that Eva Stotz’s ...
The opening scene of Shinya Tsukamoto’s Kotoko very much sets you up for what to expect from the rest of the film, a placid, and almost beautiful beach scene and then sudden loud thundering scre...
