Demonstrating that when faced with our own emotions certainty can never exist 2012 Ocscar winner Ashgar Farhadi, director of the internationally acclaimed A Separation, presents us with an intensely complex web of lies, truths and family life that makes us question if we can ever truly understand the people we

Roller derby teams end up in some supernatural gubbins. It looked b-movie schlocky enough to be a good giggle. Bit of over the top blood and guts. A few one liners thrown in and this had the makings of being an enjoyable low-budget romp. The overall feeling I had from it was

Teenage drama of acceptance morphs into Audition-like horror. When first presented with the disc that read simply 'Shady' I had some grim premonition of sitting through some British faux-gangster flick set in the Midlands (where the phrase "shady" is used to mean something bad is going down). Firstly I was surprised to

Barren landscapes mined to exhaustion, metropolises suffering from overpopulation, species wiped out and a society that believes in taking what it wants with no concern for the consequences.  Sound familiar?  This is the story of Noah, the latest film from Darren Aronofsky that uses the Old Testament text to hold