British sci-fi film "The Machine" treads the well explored film territory of a not so distant future in a war torn world and how one side will try to win over the other, in the case of this feature AI Robots, that look like us, act like us, but can
In the West, we are all guilty of one thing. It may be that you don't even know you're guilty of it, but you are. We are all guilty of the persecution, or at least allowing the persecution, of gingers. If you are now saying you never made a ginger
In his film Epidemic, Lars von Trier (portraying himself) comments that “a film ought to be like a pebble in your shoe.” This has always been my philosophy, as well, both as a film-viewer and a film-maker, and it is a description entirely befitting of Ryan M. Kennedy’s debut feature
Brian De Palma’s satirical musical Phantom of the Paradise is a loose adaptation of the baroque classic, Phantom of the Opera. Unlike many of his other, let’s say more serious masterpieces, such as Scarface and The Untouchables, Phantom of the Paradise is outrageous theatrical chaos from start to close. While
Larry Cohen is B-movie royalty, and The Stuff (1985) epitomises why. It has everything a good B-movie should; a plot that doesn’t make sense and doesn’t need to, a multitude of stars well versed in the skill of over-acting and characters so exaggerated they literally explode. The Stuff tells the story