Home / REVIEWS

REVIEWS

The Return begins in the dark. This is after all a film noir and so Oliver Nias chooses to reinforce that by shooting the entire film in atmospheric black and white, highly stylised, telling the audie...

film reviews | movies | features | BRWC Review: Macbeth

Macbeth is all style over substance that pushes the meaning of adaptation too far that would leave even Shakespeare questioning what the premise of the film is. Not even the majestic and mesmeric perf...

film reviews | movies | features | BRWC Review: Polyester (1981)

Join John Waters as he makes his sure-footed first foray into mainstream cinema with glue sniffing, foot stomping, abortions, alcoholism and a dash of murder for good measure. The BFI is currently scr...