Category: REVIEWS

Here is where you would find our film reviews on BRWC.  We look at on trailers, shorts, indies and mainstream.  We love movies!

  • Alien: Covenant – The BRWC Review

    Alien: Covenant – The BRWC Review

    In space, no one can hear you scream. That’s probably because nobody will be screaming. Not this time at least. Alien Covenant is the sixth instalment in the Alien Franchise, and the eighth Alien film in total. It also happens to be the sequel to Prometheus and a prequel to Alien. Already things are sounding pretty confusing, but roll with me here. I was really looking forward to this one. Already it sounded pretty cool. Prometheus, but with the Alien. It promised to answer questions, deliver horror and thrills in equal amount and fix Prometheus’ problems. Ridley Scott returns after wowing everyone with The Martian, and we have an all-star, talented cast. Sounds great, right?

    The story to Alien Covenant is about the crew of the ship, Covenant. Its purpose is to deliver the human race to a terraformed planet lightyears away from our own. The crew of this ship must care for a, well cargo I suppose, of 2000 people and 8000 embryos destined to live on said new world. But circumstance brings the crew to a planet half way along the journey. One that seems perfect for human colonisation. But investigation proves this world to be far from a paradise, as the crew come face-to-face with an alien threat, more deadly and vicious than any ever encountered before.

    What I will say about Alien Covenant is it looks great. Yes, I know it’s Ridley Scott and the man has always wowed with amazing visuals. But still give the man credit. The sets of this film and the sheer scale are amazing. The attention to detail is even more so. It’s probably the nicest looking film of the year. So, far at least. Not to mention the film has a great soundtrack. Mixing the operatic theme of Prometheus and the unnerving symphony of Alien was an oddly great mix. And, true to form for a Scott film, the acting is really good too.

    Michael Fassbender, in a duel role this time, works wonders with what he has. Being both dutiful and ego-maniacal, and constantly morally ambiguous. We also have Katherine Waterston (from Fantastic Beasts) as Ripley 0.2 – I mean Daniels! She does a pretty good job too, nothing outstanding but good. Billy Crudup plays the Covenant captain, and does an equally fine job. But the stand out to me was Danny McBride, of all people. Apparently, the usually comedic actor loves this series, and it shows. He tries, and succeeds to create a great character for us to root for. The rest of the cast, including cameos from Guy Pearce and James Franco oddly enough, are again fine. There’s not much for these actors to chew on, but they all do a good job.

    Sadly though, while I will call Alien Covenant a good film, I am very disappointed by it. Once again, the script isn’t that good. But that’s not really my issue with it. My issue is how messy the film is. I don’t mean gory, although it is certainly that at points, I mean how unfocussed the story is. What Alien Covenant tries to do is be Prometheus 2, and also Alien 0, and also its own thing. And when you tried to be everything, you end up as nothing. I will say that it is a better film than Prometheus. But give Prometheus this, it had structure. There was a story to tell, and it was told in three acts. Covenant has three to tell, and is told in five. It’s just a mess. A good looking and well filmed mess, but a mess. And, if you have seen Alien and Prometheus, then you have seen this film. It does nothing new, not really. Nothing was gained from this. Except a few answers as to where the alien came from.

    Speaking of which, let’s talk about the thing that everyone is coming for. The alien! There’s actually two different types in this film. For those who don’t know, the official name for the Alien series monster is xenomorph (it literally means alien lifeform). This film gives us the officially named neomorph, as well as the xenomorph. The neomorphs are a very strange and not particularly interesting creature. They do bring two of the films creepier moments (including the back-bursting bit from the trailer), but are mostly just kind of silly. There is a particular moment when they attack someone, and it was laughable. When the xenomorph finally does arrive, the film is nearly over. And, while it was great seeing alien do what alien does, it was also a let-down. It’s arrival actually messes with the pacing and the climax is underwhelming because of how quick it is. I actually think that the bit everyone was looking forward to, is the bit that hurts this film the most. Alien should have been saved for another film, in my opinion.

    What else is there to say? Alien Covenant let me down. It’s still good, and worth a watch. It’s better than Prometheus, and is far better than Alien Resurrection and the AVP movies. But it doesn’t reach the height of the original two, or even Alien 3. For those who read my list, I’d put this in place number 6, between Prometheus and Predators. There is a sequel on the way, I know because this film sets one up and it’s already been announced. But, this film has sobered me up I suppose. Before I would have been looking forward to it with gleeful anticipation. Now, I know I’m going to see it because I want to give it a chance, but I’m feeling very indifferent about it. I guess I now feel that we have hit the heights and are probably not going to reach them again. Maybe The Predator next year can prove me wrong. But until then, I’ll watch the first one again and wait for the DVD with this one.

  • The BRWC Review: Tomcat

    The BRWC Review: Tomcat

    “Andreas and Stefan lead a happy and passionate life: Together with their beloved tomcat Moses, they live in a beautiful old house in Vienna’s vineyards. They work as a musician and as a scheduler in the same orchestra and they love their large circle of friends. An unexpected and inexplicable outburst of violence suddenly shakes up the relationship and calls everything into question – the blind spot that resides in all of us.”

    LGBT films have made slow progress, but progress nonetheless. They used to fall into one category: the coming-of-age/coming-out story, always with a tragic ending (see: Boys Don’t Cry, 1999; Brokeback Mountain, 2005). We’re moving away from that at a steady rate, as usual looking outside Hollywood to independent cinema, and tragedy is no longer a given. Still with some way to go, a welcome addition is the ‘relationship in crisis’ category (See: The Kids are All Right 2010; Concussion 2013). Middle-age or boredom, rather than homosexuality, are the dilemmas here.

    Tomcat is an engaging feature from Austrian director Händl Klaus. It will be shocking in different ways on either side of the Atlantic – I’d be curious to see what American censors make of the abundance of male full frontal nudity. It should also be approached with caution by cat lovers.

    Still waters run deep. At the outset, Andreas (Philipp Hochmair) and Stefan (Lukas Turtur) have a solid, kind, loving relationship. Friends and neighbours of the couple are kept in the dark about the troubling events in the home. Stefan’s erratic behaviour seems to be spurred on by dissatisfaction in his relationship, although this is only hinted at, and never really addressed. Tomcat is a portrait of domestic violence. It is notable in that it displays two significant points. Firstly, that domestic violence can manifest itself in many forms, and secondly, that it can occur in same-sex relationships. Two concepts which people often doubt. It is for these reasons that Tomcat is important – not just for the LGBT+ audience.

     

    There is not a huge amount of violence in Tomcat, but the outburst that is there is so jarring it will stay with you throughout the remainder of the film. The audience is with Andreas in his shock and disquietude. He asks the doctor ‘Will he hurt himself?’ but the unasked questions loom heavily: will he do it again? will he hurt me? The overarching theme of Tomcat is one of trust. One action, sudden and unexpected, can shake the foundations of a relationship, and once trust has been broken, can it ever be repaired?

    The original title, Kater, means both tomcat and hangover in German. Just as a hangover, Tomcat will be in your head the following day.

  • Spaceship: The BRWC Review

    Spaceship: The BRWC Review

    By Marti Dols Roca.

    It’s difficult to decide what to make out of Spaceship, the writer-director Alex Taylor debut which will be in UK cinemas on May the 19th; what is undeniable though, is that if Mr. Taylor keeps doing what he just did, he is a force to be reckoned with in the indie British film industry.

    The way the writer of this article humbly sees it, and I may be completely wrong, is that story wise this is a movie about teenagers, in the first place; and about teenagers and their relationship with adults, secondly. Therefore, it is told from a teenager POV, as daunting, confusing, exhilarating and changing as their mind and behavior can be. If cyber punk aesthetics; a blurry line between fantasy and reality dwelled by alien abductions, vampires wannabes, unicorns, black holes and reincarnations; and drug triggered psychedelic sequences under ultraviolet light and florescent body paint are added to the mix, the result is an extremely appealing visual piece, an interestingly puzzling story and, as far as I’m concerned, a really intriguing audiovisual poem.

    The movie follows a bunch of different characters and even though initially one would say that Lucidia (Alexa Davies) is the main one, her abduction more or less at the middle of the film, leaves the story orphan in that sense. The premise, if we follow a classic way of analyzing this movie (which we shouldn’t since this is all but a classic movie) would be something like: A teenage girl tries to cope with the disappearance/alien abduction of her mother while learning to relate with her environment (father, friends and landscape). Until the point she is the one abducted and now it is her environment that needs to find her.

    Lucidia aside, the movie follows: her father Gabriel (Antti Reini), an archeologist and Finish immigrant forced to reconnect with her daughter’s world through her friends and especially Tegan (Lara Peake), who looks exactly like his absent wife; an interesting in terms of concept but not really successful extra subplot portraying two squaddies making banal chit chat around the town while they train for their future and shining army careers; and last but not least, quite on the contrary, there’s Alice (Tallulah Haddon): in my opinion the best of the movie by far. The truth is that the casting is truly remarkable and pretty much all performances are excellent, but Tallulah takes it to another level with her mysterious, manipulative, flashy, extremely intelligent (rationally and emotionally) Alice impersonation. If there’s an actual alien in the movie, it’s her. And she’s AMAZING.

    Spaceship
    Spaceship

    I know this article is getting confusing but that’s how the movie is, and it really is something else. Two more examples:

    When Lucidia wakes up in “the other side” she needs to find a kid raving in a cave in order to be able to come back, or something. Whatever it means, love it.

    Or, as a random teenager expresses in the following conversation with Gabriel:

    T: You want some MDMA? G: No, I’m good. T: Good? Good isn’t enough anymore.

    We could establish a parallelism between our current society and the teenager attitude; maybe another day. In any case, for a teenager, and especially a current one, happiness is not enough, euphoria is demanded! And that’s how it should be.

    Spaceship, go watch it. It won’t leave you indifferent and it’s surely going to be talked about. It definitely should.

  • I’ve Tried Out The Penclic Mouse R3

    I’ve been sent the Penclic Mouse R3 to play about with and straight off the bat I’m quite impressed.  It looks like a travel mouse with a stylus protruding out of it.  From the trendy packaging, included black velvet pouch and the device itself, you can tell this is the height of Swedish Design.

    It connects wirelessly via the included tiny USB dongle, and under the mouse it has a button to connect to the said dongle.  You would only need a AAA battery to power the device.  FUN FACT – If you use a re-chargable battery you can connect the mouse to your computer via the (snazzy and retractable) micro USB cable to charge.

    Penclic Mouse R3
    Penclic Mouse R3

    It is a little weird and difficult to use to begin with.  I wanted to push down on the pen/stylus bit and click down, but that doesn’t do anything.  The traditional mouse button are on the sides, near the bottom of the stylus bit, as is the scroll wheel.

    The Penclic Mouse R3 is light and glides well over most surfaces.  All the typical mouse functions worked, and there’s no problems connecting to a PC or a Mac.  I couldn’t tell you if it’s fine with Linux.  I assume it is.

    Penclic Mouse R3
    Penclic Mouse R3

    I can see big plus points for the Penclic Mouse R3, the main one being used for graphic design work with apps such as Adobe Illustrator and Adobe Photoshop.  You feel like you’re holding a brush or a pen.

    It also works for both left and right handed folk.   Great news.  If you suffer from RSI or other wrist pains this mouse will be for you, so you should hunt one down.

    Penclic Mouse R3
    Penclic Mouse R3

    It’s £60 in the UK, and I quite like the Penclic Mouse R3.

    Penclic Mouse R3
    Penclic Mouse R3

    With thanks to the folks at MediaPRUK for the hookup.  Nice people.

  • Another Take On Mindhorn

    Another Take On Mindhorn

    By Marti Dols Roca.

    Austin Powers, Johnny English and now Richard Thorncroft A.K.A Mindhorn. It is a very British tradition in the audiovisual world to come up with irreverent, politically incorrect and hilarious private investigators that get to “crack the case and get the girl” in the most unexpected, insane and quite usually fortunate way. We could add to this three-name list a couple of other characters like Sacha Baron Cohen’s Grimsby; or Colin Firth’s Harry Hart-Kingsman, but they are not exactly molded in the same pattern if we think about it thoroughly. In case we wanted to do that, of course.

    And, as Myers and Atkinson, his predecessors, did, Barratt’s character will be loved and loathed in equal measure. He is a chauvinist, tacky, kind of racist, selfish, narcissistic piece of work who, eventually, will learn about true love, generosity and respect. But before he gets there, lots of people will be offended by his jokes and modus operandi, to put it nicely.

    As far as the writer of this article is concerned, there are two possible ways of looking at it:

    One: in order to get another example of the worst kind of English man with all its prejudices, negative clichés and mentality, we don’t need to spend 12 pounds and go see a make believe character messing around, Nigel Farage is within reach for no charge.*

    Two: it is actually quite admirable to see that the same concept (Powers, English) can be redone and still feel fresh and funny. If you, as a reader of this article and respectable member of the audience, hate Mike Myers’ films, then you will hate this one too; there’s no way around it. On the other hand, if you laughed with Austin Powers and Johnny English (publicly or not) and feel like another portion of good ol’ politically incorrect British humour, you will love this film. **

    *But at least with Mindhorn you get to laugh.

    **In all honesty, Mindhorn’s tone is less hysterical than Power’s but more irreverent than English’s; so there’s that.