Someone once told me that every generation has the impression that it is living in end times. I could have done without their patronising tone—after all, the apocalypse can feel disconcertingly close ...
Opus Zero: Review. Discussing the worlds big questions of life and death in film is no easy feat. It is so easy to ramble your answers into an echo chamber, only to realise you didn’t have anything to...
Scary Stories To Tell In The Dark: The BRWC Review. It’s 1968 in America. Change is blowing in the wind…but seemingly far removed from the unrest in the cities is the small town of Mill Va...
Benjamin: The BRWC Review ‘What’s your film about?’ ‘How I’m unable to love.’ So Benjamin blurts to a French singer with whom he may be falling in love – and the fumbling exchange is a neatly se...
Tomorrow, Maybe. By Fergus Henderson. Independent films are usually tightly budgeted affairs, often a new director’s first real stab at long form cinema. Sometimes this means that they can look so ama...
