Writer-director Michael A MacRae’s debut feature is immediately reminiscent of a lot of recent TV dram-coms, mining comedy from the aspects of modernity that are either ludicrous or are ludicrously becoming standard. Think Netflix’s Love. Or Netflix’s Flaked. Or Netflix’s Master of None. You get the point. Most of this comedy

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Lucrecia Martel’s first film in nine years is a wonderfully weird, dreamlike voyage, but one that never really goes anywhere. Based on the novel by Antonio di Benedetto, it is in some ways a period drama. The costumes, wigs, hats and all would suggest a sincere portrayal of an 18th

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