One of the best things about Batman is that he’s the rare superhero for everyone. Whether it be dark and gritty, like Ben Affleck’s Batman in Zack Snyder’s Batman v Superman: Dawn of Justice and Justice League, or pensive and emo, like Robert Pattinson’s Batman in Matt Reeves’ latest big

Horror is one of the few movie genres that can take everyday situations and make them scary and frightening for those who aren’t experiencing it. The genre takes the smallest of details, anxieties, and flaws and magnifies to a scale that’s shocking and eerie. It’s a real empathy machine, especially

Kate (Kate Frampton) gets by in life working at a diner and in her spare time she loves nothing more than playing video games. She doesn’t really get out all that much, but that’s about to change when her father dies, leaving her their family home in his will. The

Filmmaking has had to adapt over the past few years. With the restrictions of covid, people turned to Zoom to make their stories a reality and they did the best with what they could do. Whilst mostly unsuccessful with a few exceptions, it soon became clear that people didn’t want

Saltburn: The BRWC Review Saltburn knows it looks good. It is lush, the cinematography deserves an A+ as does the lighting. It is a visual feast for the eyes. Shame that when you push the style aside, there's little substance. It simply doesn't know which story to tell: is it