Matt Fifer’s feature debut (co-directed with Kieran Mulcare) is a deeply personal one; a semi-autobiographical story about a bisexual man who struggles with intimacy due to a traumatic childhood experience and is forced to confront his past in order to move on from it. In Cicada, Fifer plays Ben, a
A few years after the events of The Redwood Massacre, Max (Damien Puckler) has become obsessed with them, even influenced by them. So, when he meets Laura (Danielle Harris) and Tom Dempsey (Jon Campling), a family affected by the Redwood Murders, he sees his chance to take them on a
Shirley is a biopic of dubious intent. It is impeccably made – excellent performances, evocative camerawork and absorbing sound design, but to what end? It presents a fictionalised account of Shirley Jackson – the noted author of The Haunting of Hill House – and depicts not her talent but her
Scott (Colton Tapp) and Vincent (Aaron Jackson) work for a company called Cicero Market Technologies Corporation that makes technology that the world may never know about. Tasked with developing new technology and testing the boundaries of what’s possible, they take some of it home and it’s not long before Scott
YA adaptations used to be all the rave, yet the genre has descended towards an irrelevant pathway. These former franchise-starters are few and far between now, and the entries that do get released are often met with unceremonious reactions (The Darkest Minds and The Mortal Instruments went by without much
