Author: Alton Williams

  • VIVARIUM: Homebuyer Beware!

    VIVARIUM: Homebuyer Beware!

    In the brilliantly original and quirky sci-fi mystery VIVARIUM, a young couple (The Social Network’s Jesse Eisenberg and Green Room’s Imogen Poots) take an eerie trip into a suburban Twilight Zone, while looking for a starter home.

    A peculiar estate agent takes them to look at a new development called Yonder, where nothing is quite what it seems. Here’s a look at the pros and cons of living in a place like VIVARIUM Yonder, and some of cinema’s other curious communities.

    From seemingly idyllic communes to purpose-built utopian towns – which one would you choose to settle down in?

    Yonder (Vivarium)

    What’s it like? Estate agent Martin encourages Tom and Jen to think about buying a place in  ‘Yonder’, made up of rows and rows of identical, neatly planned starter homes, as far as the eye can see. 

    Pros: VIVARIUM Yonder is just the ticket for a couple planning on starting a family. You don’t have to waste time choosing a house as they are all the same, and fully furnished. And it even comes with a baby for you to look after.

    Cons: Let’s say, for the sake of argument, you didn’t like Yonder. Say you found the estate agent, Martin, a little bit too odd, and the houses a bit too samey and clinical. You’d want to leave, wouldn’t you. Well go ahead, try. We dare you…

    Stepford (The Stepford Wives)

    What’s it like? Stepford is a very pleasant neighbourhood in Connecticut, USA, where Joanna Eberhart (Katharine Ross) moves with her husband and children, in the 1975 chiller based on the classic Ira Levin novel The Stepford Wives.

    Pros: What’s not to like about Stepford? All the people that live there are friendly, not to mention well off and well presented, and the town is safe and picturesque. A wife can lead a life of leisure here – playing tennis or enjoying a coffee morning with her neighbours. Just as long as she gets the grocery shopping done!

    Cons: Joanna gets an odd feeling about Stepford – why, for example do all the wives seem to act the same, and have nothing much to say beyond everyday pleasantries? And why does everything in Stepford have to be so damned perfect? She’s about to find out.

    Seahaven Island (The Truman Show)

    What’s it like? Seahaven Island is a delightful seaside town, where Truman Burbank (Jim Carrey) has lived his entire life, in the hit 1998 film, directed by Peter Weir. Seahaven Island is, in fact, a gigantic TV set, constructed for the purposes of a reality show. Burbank’s entire life has been watched across the globe.  

    Pros: The town is immaculate, colourful and smiley. You’d never want to leave – not that you can.

    Cons: If it’s privacy you’re after – or free will, or real friends, for that matter, Seahaven might not suit.

    Revolutionary Road (Revolutionary Road)

    What’s it like? In postwar America, upwardly mobile couple Frank and April Wheeler (Leonard DiCaprio and Kate Winslet) move to a suburb in Connecticut, in Sam Mendes’ 2008 adaptation of Richard Yates’ classic novel.

    Pros: Revolutionary Road is the perfect place for the perfect couple who are young and attractive, with healthy children and good careers.

    Cons: It’s not the best place to be when your career or relationship falters – you might start drinking too much to offset the tedium of the suburbs and the daily grind, and keeping up with the Joneses is such a chore!

    Pleasantville (Pleasantville)

    What’s it like? Pleasantville is the name of a 1950s sitcom about a thoroughly wholesome town that lives up to its name. Fans of the show, twins David and Jennifer (Tobey Maguire and Reece Witherspoon) are transported into the fictional town by a magical remote control, in this 1998 fantasy drama.

    Pros: Pleasantville is all white picket fences, soda fountains and carefree living. It’s as if the outside world and its problems don’t exist.

    Cons: Everything in the town is in black and white, and the residents don’t know about anything beyond the strict confines of the town. Newcomers and their new ways are treated with suspicion.

    Cuesta Verde (Poltergeist)

    What’s it like? In the 1982 Tobe Hooper horror, real estate agent Steve Freeling (Craig T Nelson) has the pick of houses at the new development Cuesta Verde in sunny California. However, strange things start happening at night, and the Freeling family begin to wonder if their dream house is in fact a bit of a nightmare.

    Pros: This is a lovely place, with all the mod cons, perfect for a young family who want fresh air and a sense of community.

    Cons: Unfortunately, Cuesta Verde is built on a Native American burial ground – and the greedy developer didn’t relocate the bodies before construction begun. The spirits of the dead are not happy – and the unlucky homeowners will suffer the consequences.

    Spahn Ranch (Once Upon A Time In Hollywood)

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    What’s it like? In Quentin Tarantino’s magnificent 2019 film, film stuntman Cliff Booth (Brad Pitt) gives a hitchhiker a lift to Spahn Ranch, a deserted film set, which has been taken over by  hippies. 

    Pros: The 55-acre ranch, which contains various buildings used in western films, is set among rolling hills, a perfect spot for horse riding and hiking.

    Cons: The ranch was taken over by Charles Manson and his ‘family’. To be part of this group you have to drop out, pitch in, and maybe get involved with murder.

    The commune (Midsommar)

    What’s it like? This remote Swedish commune (location unknown) is the destination for a group of American students, including Florence Pugh, to witness a unique summer festival, in Ari Aster’s cruel and creepy horror film from 2019.

    Pros: Beautiful scenery, a back to nature vibe, welcoming locals, organic food, fascinating ancient rituals, a real sense of tradition and respect. 

    Cons: Some of the commune’s rituals might strike newcomers as odd – i.e – the treatment of the village elders is quite hard to stomach. If you want to leave, transport to the train station is limited. Also, poor mobile phone coverage in the area.

    VIVARIUM will be released in UK and Irish cinemas and on digital March 27th 2020 courtesy of Vertigo Releasing.

  • Official Film Chart: Guess Who’s Back On Top?

    Official Film Chart: Guess Who’s Back On Top?

    Joker returns to the top of the Official Film Chart, knocking last week’s Number 1 Maleficent: Mistress of Evil to Number 2 by just 900 sales. It’s Joker’s third total week at Number 1.

    Zombieland: Double Tap jumps four places to Number 3 following its release on DVD, Blu-ray and 4K UHD; Terminator: Dark Fate lands at Number 4 and is the week’s biggest digital download; Downton Abbey holds its place at 5.

    Doctor Sleep, the long-awaited sequel to 1980 Stephen King adaptation The Shining, is this week’s highest new entry, at Number 6 on digital downloads only. Set several decades after the original, a grown-up Daniel Torrance works to protect a young girl – with similar powers to his own – from a cult known for preying on children with supernatural powers.

    Further down, Gemini Man drops three to 7, A Shaun The Sheep Movie: Armageddon grazes at Number 8, Judy returns to the Top 10 at 9, and DreamWorks’ magical adventure Abominable closes off the chart at Number 10.

    This week’s Official Film Chart online show features a sneak peek at Last Christmas starring Emilia Clarke and based on the music of George Michael and Wham!, available to Download & Keep from March 8.

    The Official Film Chart Top 10 – 4th March 2020

    LWPosTitleLabel
    21JOKERWARNER HOME VIDEO
    12MALEFICENT – MISTRESS OF EVILWALT DISNEY
    73ZOMBIELAND – DOUBLE TAPSONY PICTURES HE
    34TERMINATOR – DARK FATE20TH CENTURY FOX HE
    55DOWNTON ABBEY – THE MOVIEUNIVERSAL PICTURES
    NEW6DOCTOR SLEEPWARNER HOME VIDEO
    47GEMINI MANPARAMOUNT
    68A SHAUN THE SHEEP MOVIE – FARMAGEDDONSTUDIOCANAL
    129JUDYPATHE
    810ABOMINABLEDREAMWORKS ANIMATION

    © Official Charts Comp

    VIEW THE FULL TOP 40 – https://www.officialcharts.com/charts/film-chart/

  • Corona Edition: Bits & Pieces

    Corona Edition: Bits & Pieces

    Brittany, France 1760. Portrait painter Marianne (Noémie Merlant) is commissioned to paint the wedding portrait of Héloïse (Adèle Haenel), a reluctant bride to be who has just left the convent. The painting must be done in secret, and so Marianne observes her by day and paints by night. Intimacy and attraction grow between the two women but their freedom is short-lived. Portrait of a Lady on Fire is the winner of the both the Queer Palm and Best Screenplay at Cannes 2019.

    Trafalgar Releasing have unveiled the official trailer for the upcoming re-release of Elvis: That’s The Way It Is, coming to cinemas in selected territories around the world* for a one-night only event on 22 April 2020. In addition, tickets are now on sale. Find your local screening at ElvisThatsTheWayItIs.com.

    Netflix have debuted the first teaser for upcoming limited series The Eddy, which will debut on Netflix globally on 8th May 2020.  The teaser launched today to coincide with the world premiere screening of the series at Berlinale Series. The official soundtrack for the series will also be released on May 8th, 2020 via Arista Records and will feature original music from the show.

    This film follows two teens with different genetic conditions who are forced to form a friendship. Ella wrote, directed and produced the film aged only 18.
    She wanted to make a film on depression in teens and to raise awareness for mental health problems.

    Eric (Anthony Bewlz, Tooth Fairy) and Reese (Dennis Andres, Workin’ Moms) invest in a property in the little town of Wakefield. Chloe (Lindsay Seim, Insidious: Chapter 2) a medium, who used to live in Wakefield returns to her roots to enlighten the new entrepreneurs on the history of the town. The property was originally owned by Nathan Cross (Rob Archer, Lost Girl), who’s post mortem crimes stain the entire town. On a day when unprecedented solar flares target North America, Wakefield becomes the centre of a temporary shift in atmospheric energies. The living are seeing the dead walk among them. As they find themselves in the heart of this nightmare until dawn, they need to face history in the flesh, and survive.

    In THE WOMAN IN THE WINDOW, a psychological suspense thriller directed by Joe Wright, an agoraphobic child psychologist befriends a neighbour across the street from her New York City brownstone, only to see her own life turned upside down when the woman disappears and she suspects foul play.

    Winner of 24 awards, including Best Film at the New York Cinematography Awards and Best Original Screenplay at the Indie X Film Festival, Wives of The Skies is a romantic dramedy, set in 1965, starring two stewardesses, Fran and Marcy from Fine Air, a well-appointed airline. One evening after work, at their stewardess’ hotel, they befriend Derrick, a British photojournalist who wants to interview them as “subjects” for his “documentary film”. 

    There is a new clip for the much anticipated Realm of Shadows starring horror legend Tony Todd (Candyman and Final Destination franchises), Jimmy Drain (Fate Upside Down, The Initiation opposite Emmy nominee Naomi Grossman) and Vida Ghaffari (The Mindy Project, Eternal Code opposite Scout Taylor-Compton). This much anticipated film is a world of mystery, possession and shadows in an anthology of short horror themed tales woven into a full length feature presentation. Even the most shocking stories are based on true events.

  • Candyman, Mangold, Moranis: Weekly Round Up

    Candyman, Mangold, Moranis: Weekly Round Up

    Candyman, Mangold, Moranis: Weekly Round Up. When the news first dropped about their being an Indiana Jones 5 I was very much in the “well, I guess if they have to” camp. Truth be told, Crystal Skull had left such a sour taste in its wake that any future instalment of the franchise was always going to be somewhat marred by its existence. There are moments in Crystal Skull that I genuinely like (the 50s setting is smart and interesting, and even the move to B-Movie style aliens in a fascinating concept) but for the most part the film is a dud, and there’s very little else I can really say about it without being mean.

    Paramount have been trying to get their fifth outing finished for years now. In fact, it’s been in the pipeline since before Crystal Skull hit theatres. But, as time has worn on, and Spielberg has been busy with other projects, it was looking less and less likely that it would ever actually happen.

    Or so we thought.

    Turns out that Spielberg is out, he’s still busy focusing on his West Side Story remake, and I’m sure he’s got countless other movies ready to go as well. His replacement, as it currently stands, looks likely to be director James Mangold, perhaps best known for the pretty great Logan, but who also has last year’s Ford V Ferrari and the super dumb but lots of fun Identity under his belt.

    The obvious reaction to this news would be for a collective groan of disappointment from fans the world over. How can we have an Indy movie without Spielberg at the helm? After all, it was Spielberg’s unique style and skill as a storyteller that made Indiana Jones what it was in the first place. But I actually, surprisingly even to myself, am kind of okay with this turn of events.

    If Crystal Skull proved anything, it was that even Spielberg himself can’t save Indy from badness, and it could be that new blood is exactly what the Doctor (Doctor Jones, that is) ordered.

    Mangold may not have been on the top of anyone’s list as a Spielberg replacement – and, let’s be honest, it’s not like we’re suffering a shortage of Spielberg inspired filmmakers ready to take on one of his most iconic and beloved properties (as Colin Trevorrow’s Jurassic World movies would prove, the third of which, we learned this week, will be titled Jurassic World: Dominion) – but he might just bring a unique outlook to the character that will inject the franchise with some much needed freshness. I mean, look, if they have to make this thing, then a new take isn’t the worst option.

    At least it can’t be as bad as Crystal Skull? Am I right?

    And now; a clunky connective paragraph.

    It would take you sometime to work through the Indiana Jones franchise (even discounting Crystal Skull, if you’re so inclined), but, even with the admittedly pretty rubbish Young Adventures series of TV movies (yeah, remember those things?), Daniel Craig’s Bond looks to be giving runtimes the world over a, erm… run for their money.

    Ever since Quantum of Solace – the shorted Bond film by a long way – I’m pretty sure each Craig Bond movie has been set to be the longest.

    Following that trend comes No Time To Die. Turns out there’s plenty of time, since the runtime has been revealed as 163 minutes (which is just shy of 3 hours). Now, look, I love Bond as much as the next guy. Maybe even more. In fact, I’m actually quite a big Bond fan when it comes down to it, and I’ve enjoyed Craig’s run, even if Spectre was awful. But this feels just too damn long.

    Not to get all nostalgic on you or anything, but does anyone else miss 90-minute movies?

    I’ll be there in the cinema, enjoying every moment of Bond-ian goodness the film throws out, but my arse isn’t going to think me for it. It’s not like it’s Lord of the Rings, guys! What story are you telling us in a Bond film that requires close to 3 hours? Actually, I’m kind of curious.

    And while we’re talking about strange curiosities (another poor connection. I’m tired, leave me alone), this week saw some casting news for the upcoming Little Shop of Horrors reboot, directed by Greg Berlanti, who directed last year’s Love, Simon.

    In the excellent Frank Oz original, the voice of Audrey II (the person eating plant who forced Rick Moranis’ hapless florist into being its own person food fetcher) was performed memorably by singer Levi Stubbs. But Berlanti seems to be eyeing Scarlett Johansson for the role. It’s an interesting choice, although one I’m struggling to see in my mind. This could be a far more original take on the material than one was expecting.

    And, as if that hadn’t already grabbed your attention, it seems that a couple more intriguing casting announcements have come our way.

    Firstly, Taron Egerton is in talks to play the film’s lead, Seymour, meaning he will be taking over the Moranis role. Meanwhile, Chris Evens has been tapped to play sadistic dentist Orin Scrivello. For those of you living in a cave or something, Scrivello was famously played by Steve Martin in the 1986 version (and he is easy the best thing about that film), so Evans has some pretty big boots to fill.

    Still, picture him in Scott Pilgrim and you might just get a sense of why that particular casting could work.

    Finally, it was a big week for horror fans, since we got both a poster and a trailer for the new Candyman.

    Now, Candyman is one of my favorite horror films, and that is, in no small part, down to the brilliant performance by Tony Todd. Whether or not Tony Todd is going to be reprising his role has remained a mystery, even after this week’s trailer drop. But it does seem, to me at least, that the film will act as a sort of sequel/reboot for the franchise.

    Produced by Jordan Peele and directed by Nia DaCosta, on the basis of the trailer this new take on Candyman appears to be the perfect blend of old and new. There’s lots of creepy moments and some genuinely decent looking gory set pieces waiting to be unpicked when it finally gets released. I was already sold on the concept, but now I’m… well, sold on it twice? I dunno. Let’s all go see it, and maybe it can spawn a whole new iteration of the franchise!

  • Toast Edition: Bits & Pieces

    Toast Edition: Bits & Pieces

    From director Eric Etebari, John Thomas ventures on a desert excursion orchestrated by his questionably righteous father in law. Though reluctant at first, the exacerbating toll of his daughter’s medical condition forces John to seek recompense across the border. Throughout his journey, John encounters various characters that raise new conflicts, both internally and externally, allowing him to reflect on his relationships with those he left back home and find inspiration in the one long gone.

    A young man with a troubled past seeks out his biological mother. His world is turned upside down upon discovering that she is evelopmentally disabled. Unable to work through this new discovery on his own, the man’s wife takes matters into her own hands forcing her husband to face the truth and heal the past. A crew of 70% individuals with developmental disabilities recently produced Carol of the Bells through Travolta’s Inclusion Films.

    The life of a professional hockey player was not always a glamorous one. For legendary goaltender Terry Sawchuk, each save means one more gash to his unmasked face and one more drink to numb the pain. Even with a wife and seven children at home, he is haunted by the void left from his childhood which he tried to fill with cheering crowds. Sawchuk traveled across the country racking up 103 shutouts and 400 stitches to his face, proving that this is a man who lives, breathes, and dies a goalie.

    No Time To Die director Cary Joji Fukunaga discusses the making of the 25th film in the Bond legacy, including his work with Daniel Craig, and introducing Rami Malek as the latest villain.

    Levan Akin’s beautiful and gripping love-story AND THEN WE DANCED launched in Directors Fortnight at Cannes and recently played at the Sundance Film Festival. Set against the backdrop of Georgia’s traditional dance scene, the film follows an obsessive young dancer Merab (Levan Gelbakhiani), who has been training at the National Georgian Ensemble with his partner, Mary (Ana Javakishvili), since he was a child. Merab’s world is turned upside down, when the carefree and charismatic Irakli (Bachi Valishvili) arrives, rivalry soon turns to longing as the two draw closer together. 

    An elusive serial killer, “Trick,” returns each Halloween to kill innocent victims. Detective Mike Denver (Omar Epps) faced Trick once before, shooting him off a five-storey building. When Trick’s body disappears into the town river, everyone thinks he’s dead. Only Denver believes he’s still alive. But now, as strange occurrences disrupt the peace of the town, nobody can deny that Trick has returned. Obsessed with catching the murderer, Denver will do whatever it takes to stop Trick claiming their next victim.

    https://www.youtube.com/watch?v=Cz9C0efpyVc&%21%21IHJ3XrWN4X8%21fumt3sWoFejHXwqsorphujCfyoxM20R5E9fmP5Xing72TgRTjz2RZRrCgeLaBNhzeueGM3PoBJIVYB9v%24=

    Mecca Film Developments are delighted to announce that Eaten By Lionshas been shortlisted for a National Film Award for ‘Best Comedy‘ & you can vote for the winner

    Netflix unveiled the main trailer from the upcoming series THE LETTER FOR THE KING, starring Amir Wilson & Ruby Serkis. The series is set to launch on 20th March. A young boy holds the fate of the kingdom in his hands when he embarks on a quest to deliver a secret message in this sweeping fantasy series. The story is based on the best-selling novel of the same name and also stars Ruby Serkis, Thaddea Graham and Gijs Blom. The Letter for the King is written by Will Davies (How To Train Your Dragon, Johnny English, Puss in Boots) who also serves as an executive producer alongside Paul Trijbits (Saving Mr. Banks, Sing Street, The Casual Vacancy).

    From Jason Blum, the producer of Get Out and The Purge series, and Damon Lindelof, creator of the HBO series Watchmen and co-creator of the TV series Lost, comes a timely and provocative new satirical thriller that has already ignited a national conversation. Now, it’s time to decide for yourself.