Author: Alton Williams

  • Film Review with Robert Mann – The Blind Side


    The Blind Side ***

    Released in cinemas in time for Thanksgiving in America last year, The Blind Side is a film that, well, blind sided pretty much everyone. Expectations were considerably less than stellar for a film that was expect to to merely do average box office and pass by largely overlooked by moviegoers but when it opened far bigger than anyone expected it became apparent that this film is far more than initially appeared, something which has only become more apparent with the film turning its surprisingly big US opening weekend of $34 million into a truly awe inspiring $250 million and counting, not forgetting that the film is also an Oscar winner, with star Sandra Bullock having taken away the Best Actress award at this year’s Academy Awards. So, why has this film been so unexpectedly successful? Like so many inspirational films before it, the fact that it tells a undeniably true story (based on the book The Blind Side: Evolution of a Game by Michael Lewis) makes it something that is both relatable and all the more moving for its real life inspirations. But, does this success mean that the film itself is actually something special?

    Homeless and under-educated African-American teenager Michael Oher (Quinton Aaron) has precious little going for him. A gentle giant, he’s isolated at school and traumatized by the gangsters in his run-down neighbourhood. A shadow of the person he should be, it’s not until he befriends a young boy named SJ Tuohy (Jae Head) and gets taken under the wing of SJ’s mother Leigh Anne Tuohy (Sandra Bullock) that Michael gets the help he needs to reach his true potential. The gutsy matriarch of a well-off white family, Leigh Anne is determined to help Michael overcome the adversities he faces from his family – also including adopted sister Collins (Lily Collins) and father Sean (Tim McGraw) – teachers Miss Sue (Kathy Bates) and Coach Burt Cotton (Ray McKinnon) and peers. With his new home environment and adopted family, Michael makes steady progress, and ultimately sets off on the road towards becoming an All-American sporting hero.

    The Oscar that Sandra Bullock won for her performance in The Blind Side is very well deserved. Here she delivers the performance of her career, nailing the accent of her character perfectly and effectively combining heart, emotion and toughness to create a thoroughly believable and well developed character with whom we can really empathise and who really root for. She also has a very convincing and sincere motherly dynamic with co-star Quinton Aaron. In fact, pretty much the entire cast performs strongly. It should be noted, however, that only Bullock even won an Oscar here, the film as a whole not receiving any such recognition from the Academy Awards. You see, this is a film that will divide moviegoers. Some people will love it for its optimistic and positive portrayal of the world and events and lack of edge, grit and realism – these things make it a very ‘happy’ film where, aside from the last half hour, some of which seems like its from another film altogether, nothing bad happens at all, everything being completely sugar coated – while others will hate the film for the exact same reason. The sugar coated representation of reality shown here bares little in common with actual reality and such an absence of realism robs the film of genuine drama, the kind of which that could make events truly engrosssing (although people who want to forget about the real world will lap it up). Also, the focus of the film is primarily on the character of Leigh Anne – a well to do woman who almost views helping Michael like a project, even if it does grow to be much more rather than the potentially more interesting character of Michael himself. A major problem here is that Michael is too underdeveloped as a character with not enough insight being shown into his past. We only get very brief glimpses into his childhood in the form of flashbacks, the emphasis being on the flash as flashes are all we get, robbing of the crucial background that could make him so much more interesting as a character. This, in turn, makes it harder to really empathise with him, even though we can still feel happy as his life is turned around for the better. For British viewers, the American Football scenes will also hold the film back, with many viewers likely to be alienated by all the references, which will only be truly understood and appreciated by Americans and the Football scenes themselves which may be too hard to follow for those lacking an understanding of the sport, i.e. most British people. Things such as this mean that, while this film has lots of potential, it doesn’t fully deliver on it, the film never being as engaging as it could be. Nonetheless, though, the story is inspirational, that much is undeniable, and it will be hard not to be moved by it. Just remember that The Blind Side is pretty much carried by Sandra Bullock and without her it is most unlikely that it would be receiving much attention at all.

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    Review by Robert Mann BA (Hons)

    © BRWC 2010.

  • Film Review with Robert Mann – How to Train Your Dragon


    How to Train Your Dragon 3D ****½
    How to Train Your Dragon 2D ****

    Following a quiet 2009 for DreamWorks Animation, with only Monsters Vs Aliens being released in cinemas, 2010 is set to be a mega year for the animation studio with three new CG animated features being unleashed onto cinema screens in both two and three dimensions in the form of July’s Shrek Forever After, November’s Megamind and this week’s How to Train Your Dragon. Unlike many DreamWorks Animation creations, however, their latest effort is not an original idea for once but rather based on pre-existing source material in the form of the book of the same name by Cressida Cowell, which is part of a series following the adventures of young Viking character Hiccup. Speculation is that the film isn’t an entirely faithful adaptation of the source material but on its own terms does it at least live up to the standards of other DreamWorks movies, particularly their fantastic first foray into the 3D format from last year?

    Hiccup (voiced by Jay Baruchel) is a Viking teenager who lives on the island of Berk, where strength and prowess in battle are everything and fighting dragons is a way of life. But hapless Hiccup doesn’t exactly fit in with his tribe’s longstanding traditions. He pines for the affections of Astrid (voiced by America Ferrerra) and longs to join his fellow Vikings in their war against the dragons but his wimpiness and clumsiness only ever get him into trouble, so he is set aside working as an apprentice to Gobber (voiced by Craig Ferguson). The time of initiation is coming, and this is Hiccup’s one chance to prove his worthiness to his tribe and father Stoick (voiced by Gerard Butler). But when he encounters and befriends an injured dragon, whom he names Toothless, Hiccup’s world is turned upside down. His unexpected friendship with a dragon challenges him – and his fellow Vikings – to see the world from an entirely different point of view.

    Anyone who goes into this film expecting a how to guide on training dragons will be disappointed but anyone who wants to see a fun, action packed family animated adventure will find that How to Train Your Dragon is a film that has much to offer. For starters, the animation is up there with the best work that DreamWorks has done, combining breathtakingly beautiful, and pretty realistic looking, animated landscapes with well realized dragons that come in varieties both scary and cute – the dragon at the centre of the story being particularly adorable. The film also boasts plenty of exciting dragon filled action sequences, spectacular flying scenes and, if seen in 3D, some extremely stunning 3D effects work. Made to be shown in 3D from the start, not converted to 3D in post production like some films, you really can tell that this is the case, in the excellent application of three dimensions, with everything from simple shots – one underwater shot really pops out – to the action sequences gaining massively from the extra dimension, providing you with a first hand experience of events that really do seem like they are happening right in front of you. If you don’t get to see it in 3D, though, don’t fret as the animation is still pretty spectacular even in 2D and the other aspects of the film are not influenced in any way by the added dimension. The story is pretty heartwarming either way and carries a nice message, the dialogue and humour are pretty sharp and quite funny, if not the best that DreamWorks has done and the vocal performances are, as you would expect, excellent with everyone doing a good job at giving their characters distinct personalities. Obviously, the accents are not authentic but who cares? Other vocal performers include Jonah Hill, Christopher Mintz-Plasse, T.J. Miller, Kristen Wiig, Robin Atkin Downes, Philip McGrade, Kieron Elliott and Ashley Jensen. Overall, How to Train Your Dragon isn’t quite DreamWorks Animation’s best film, falling behind last year’s superior effort, but it definitely falls amongst their finest films with this tale of dragons turning from being pests into pets proving to be a rollercoaster ride of a movie that will be enjoyed by both kids and adults alike.

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    Review by Robert Mann BA (Hons)

    © BRWC 2010.

  • Film Review with Robert Mann – Nanny McPhee & The Big Bang


    Nanny McPhee & The Big Bang ****

    It’s the Easter holidays again and, as usual, the film studios have several choices lined up for family viewing, although only two really worth mentioning – firstly the latest DreamWorks Animation effort How to Train Your Dragon, which will no doubt be the dominating movie at the box office, and the number two film for this school holiday, Nanny McPhee & The Big Bang, the sequel to the very popular 2005 family film Nanny McPhee. Given the dominance of the American film industry in the realm of family entertainment (and blockbusters in general come to think of it) it is quite refreshing to see a completely British made family movie grace our screens again but, following underwhelming returns for British made features in recent years, a lot is resting on this film to not only deliver quality family entertainment, the kind of which only the British can really provide, but also to restore British cinema to a position of popularity with British cinemagoers.

    The magical Nanny McPhee (Emma Thompson) appears at the door of Mrs Isabel Green (Maggie Gyllenhaal), a harried young mother who is trying to run the family farm while her husband is away fighting in the Second World War and is also having to contend with her brother-in-law Uncle Phil (Rhys Ifans) who is determined to convince her to sell the farm. But once she’s arrived, Nanny McPhee discovers that Mrs Green’s children Norman (Asa Butterfield), Megsie (Lil Woods) and Vincent (Oscar Steer) are fighting a war of their own against their spoiled city cousins Cyril (Eros Vlahos) and Celia (Rosie Taylor-Ritson) who have just moved in and have wasted no time in causing havoc. Relying on everything from a flying motorcycle and a statue that comes to life to a tree-climbing piglet and a baby elephant who turns up in the oddest places, Nanny McPhee uses her magic to teach her mischievous charges five new lessons.

    Nanny McPhee is not exactly a film in need of a sequel yet Nanny McPhee & The Big Bang nonetheless proves to be a very worthy follow up. More a new adventure featuring the titular character than a direct sequel (the film takes place in a different time period to the original film although there is one loose link to the first film), The Big Bang does not have that much of a plot, the narrative mostly going from one of Nanny McPhee’s lessons to the next, but it makes up for this in other areas. The messages at the heart of the story are good and honest and today’s children could certainly learn a lot from them. The humour is clean, simple and old fashiones, completely avoiding anything that is crude, aside from a few (tastefully done) poo jokes. The film has moments of ingenuity, particularly the ‘Scratch-O-Matic’ invention which resides on the farm. The visual effects are extremely charming, with the animals being brought to adorable life, especially the piglets that are so adorable, especially when they are doing acrobatics, flying or performing a synchronised swimming number (yes, you read that right). Visually, the film is nice to look at in virtually every respect, with beautiful countryside locations and a a period authentic recreation of World War Two London providing backdrops and set design being both colourful and vibrant. Such vibrancy is also present in the extremely colourful characters that inhabit the story, everyone brought to life superbly thanks to a series of great performances from the film’s cast. Reprising the titular role of Nanny McPhee, Emma Thompson (who also wrote the script and acted as executive producer) is completely perfect, American actress Maggie Gyllenhaal shows a different side with a lively performance and delivering a very convincing British accent and the child performers are all superb too, with special mention going to Rosie Taylor-Ritson. The intruding cousins are suitably stuck up and horrid while the other children are perfectly full of energy as their characters fight back against them. The all star British cast also includes Maggie Smith, Bill Bailey, Ralph Fiennes, Ewan McGregor, Sam Kelly, Katy Brand and Sinead Matthews. The only weak link in the cast is Rhys Ifans who is strangely underwhelming in his role. Overall, Nanny McPhee & The Big Bang is perfect family entertainment for this Easter holiday. It may not be the best family film of the year but it is certainly one of the most magical and you after seeing it you will believe that pigs can fly.

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    Review by Robert Mann BA (Hons)

    © BRWC 2010.

  • Hot Gossip


    "I have worked out to that song Bonkers" - Brad Pitt
    -----------------------------------------------------

    >> Cuntgate <<

    Ken Russell rules
    Hugh Grant supposedly called Matthew Freud a Berkshire Hunt at a party last week,
    to which the publicist responded by smearing chocolate cake on the actor.
    Hugh must be delighted that the cunt is on the other foot for once.
    Back when he was just starting out Grant appeared in Ken Russell's Lair of the
    White Worm. On his first day on set Ken was trying to direct a scene, but Hugh said
    "I've been thinking about my character and I thought I should play the scene sitting
    down". Ken looked at him and said "Who gives a fuck what you think you cunt?"
    And that was the end of that discussion. God bless Ken Russell

    © BRWC 2010.

  • SHIFTY Event

    CHECK THIS OUT

    Script To Screen, Shifty with writer and director Eran Creevy

    Date:   Sunday March 28th.
    Time: 12.00pm
    Place: Odeon Panton Street, London. (Seating is limited)

    Sign up here...

    So the movie is the BAFTA nominated Shifty, directed by one of Britain’s newest talents (you can see a
    short excerpt from an interview with him.)

    As soon as you sign up, you get the shooting script – this gives you the chance to read the actual pages
    they took to set and see how the story evolved through a very tight shooting schedule and almost no budget.

    On Sunday, you see the film on 35mm, after which an extended film makers Q and A with Eran himself.

    Finally, everyone retires to the pub across the road for a networking event.

    So new to this mix (and just confirmed now with the producers) is the short proposal that the film makers
    used to secure their deal with Film London (due to confidentiality, some parts have been omitted).
    It was this deal that enabled Shifty to be both produced and very successfully marketed.

    You will get this PDF when you sign up.

    There is also a Shifty poster which Eran will sign and we will raffle in the room on the day.
    Don’t leave it too late - the last two events (Dead Wood and Exam) both sold out and they had to turn
    people away!

    Tickets £19 (plus booking fee and inc VAT)

    More details here...

    © BRWC 2010.