Author: Alton Williams

  • Najarra Townsend: 10 Questions

    Najarra Townsend: 10 Questions

    Najarra Townsend: 10 Questions

    “I find that good genre films so often have the most intense complicated characters that are the most fun to take on” 

    Ahead of the UK premiere of Jill Gevarguzian’s THE STYLIST, lead actress Najarra Townsend talks about being drawn to dark characters, loving film festivals and swapping LA for the English countryside

    In THE STYLIST, you play Claire, a murderous hairstylist who doesnt just cut hair! Its a very restrained yet chillingly emotive performance.  What research did you do in order to understand the mind of someone who is, essentially, a serial killer?

    The majority of my research for Claire was actually building her backstory. I started with our Writer/Director Jill Gervargizian’s backstory notes on the character and then filled in all the blanks. I always approach a role by creating a life history for them. Memories are vital for me to have for every character. Jill also suggested I read “House of Psychotic Women” by Kier-La Janisse, which is about the exploration of female neurosis in horror and exploitation films. 

    I actually did only a small bit of research on real female serial killers. I looked a few up, read about them and their lives, including the psychology behind why people think they did what they did, but in the end I felt the most valuable research for me was creating a full life for Claire and understanding why she does what she does. 

    The film is based on director Jill Gevaragizians short feature, which played at FrightFest in 2016. How different was your approach to playing Claire then? 

    Originally I had given Claire a few select memories from her life as well as fleshing out her closest relationships (like with her mom). When it came to making the feature I was able to look back on my notes and take things I thought still applied whilst elaborating on the rest of her life, which really made her a much fuller character. It’s a dream come true as an actor to be able to take this person that I found so fascinating from the short and be able to really sink my teeth into her for the feature.

    You became first known to horror fans, and the FrightFest audience, for playing Samantha in the compelling zombie body horror CONTRACTED. The film garnered some notoriety for its sexual slant on the victimology of rape. What was it like playing such a demanding role?

    Contracted was an extremely fun experience. It was my first time working with such intense practical effects. I would be in the makeup chair for hours before our shoot day started, having veins painted on my whole body, prosthetics applied and contacts lenses put in. It was demanding emotionally but also physically and really helped me grow as an actor. I trusted myself and my choices a lot more after that role. 

    Another challenging character you took on was the title role in the dark road movie WOLF MOTHER (2016), which has been described as the bloodied non-horror film ever made. Would you say youre drawn to playing complex and dark characters?

    Absolutely, Ive always been attracted to characters that have a lot of emotional baggage and have gone through life events unlike my own. It’s always enjoyable researching things about a character’s life that makes you view things in new ways. The main goal with any character I play is to not judge their actions but try to understand and justify them – which can be tricky when playing a character that has done things that you would never do and think are wrong. 

    You first came to public attention playing sassy teenager Rebecca in the award-winning ME AND YOU AND EVERYONE YOU KNOW. The LA Weekly named your portrayal of Rebecca as one of the Top 10 Great Small Performances. Looking back, how do you think that film shaped your career?

    I will always be so grateful I got to be a part of that film as I really loved the movie. It opened up the indie world to me. I was really too young to understand the success the film had and what that could have meant for my career – I was just happy to be working! – but it definitely did open some doors for me. I also think it may have put me down more of an indie film road. “Me and You…” gave me my first taste of film festivals because I went to Sundance with the film. The electricity in the air and all the movie lovers in one place discussing films was fantastic to me. I was hooked. 

    You made your first appearance in a horror movie at 10 years old, co-starring in Amir Manns MENACE. Did this spark an interest in the genre? 

    It definitely did. Seeing special effects brought to life really changed how I viewed horror movies. I was a bit scared of them before that but after seeing behind the curtain and experiencing the intensity that comes with shooting a horror film, I had a new appreciation and fascination for them. 

    Can we look forward to seeing you in any genre movies in the future?

    Definitely! I have three feature films currently in post-production, all of which are in the horror genre. Its usually the characters Im drawn to which makes me choose the films I want to do. I find that good genre films so often have the most intense complicated characters that are the most fun to take on. Plus the horror community is so much fun to be a part of. I will always try to find roles in the genre. 

    You were born and raised in California but now reside in the UK. What drew you away from your roots? 

    Yes, Ive lived in Los Angeles most of my life but have always loved traveling. I shot a TV show in Qatar for five months in 2017 and met my now husband on the show! Hes British and after I fell in love with him I visited England and fell in love with the country as well. So it was an easy decision for me when we decided to get married and move to the UK. I now live in the English countryside and it feels like a fairytale all the time. I adore it here.

    How have you been dealing with life under COVID? 

    I have to say for me personally the first few months of lockdown I found very enjoyable and I know that makes me extremely lucky. I adore where I live and getting the chance to just enjoy my home every day and spend extra time with my husband was a dream. It also felt like a very creative time because I used a lot of my time to read and create music and relax. Of course, the longer it’s gone on the more antsy I am about getting back to work but overall I’ve been very thankful for my experience this year. 

    Finally, whats next?

    Times are still so uncertain. I’m attached to various projects but am not sure when or if they’ll still be happening. Plus due to the current travel restrictions I’ve been focusing more on things I can do from home, mainly dedicating my time to my band, ARCHWAY, and developing a few projects to produce. I’m enjoying this slower paced year but really looking forward to what next year brings. 

    THE STYLIST is showing online on Sunday 25 October, 11.45am in the Horror Channel screen, as part of the Arrow Video FrightFest October Digital event.

  • Ash Sarkar Edition: Bits & Pieces

    Ash Sarkar Edition: Bits & Pieces

    Ash Sarkar Edition: Bits & Pieces – Battle-hardened mercenary Samantha O’Hara (Megan Fox) leads an elite squad of soldiers on a daring mission to rescue a hostage from a group of violent terrorists in the plains of Africa. But when the mission goes wrong, the team is stranded, Samantha’s squad must face a bloody, brutal encounter with the ferocious gang of rebels, and a ravenous, enraged lioness that is baying for their blood after escaping from an illegal lion farm. 

    Saturday Night Live’s Andrew Diskmukes and Christina Parrish star in CALL ME BROTHER, a coming-of-age romantic comedy about a brother and sister in their late teens who are reunited after years of separation only to discover intimate feelings they struggle to confront. Between immature friends and dysfunctional parents, they find comfort in each other over a wistful and awkward summer weekend. From director David Howe, and written by Christina Parrish, CALL ME BROTHER opens in virtual theaters Nationwide November 6, 2020.

    Get fired up for the ultimate action-fest Skyfire, a thrilling new disaster moviefrom lauded director Simon West (Con AirExpendables 2Lara Croft:Tomb Raider, Gone in 60 Seconds).

    With the spookiest day of the year nearly upon us, a new report by thortful.com uncovers the top 10 scariest (and least scariest, if you’re a bit of a wimp, easily scared), films of all time…

    Charming and ambitious art critic, James Figueras (Claes Bang), has fallen from grace. He spends his days in Milan lecturing witless tourists about art history. His only glimmer of hope is a newfound love interest, the enigmatic American, Berenice Hollis (Elizabeth Debicki). An opportunity strikes when he is contacted by wealthy art dealer Joseph Cassidy (Mick Jagger) who summons James to his villa on Lake Como and asks him to steal a painting from the legendary reclusive artist, Jerome Debney (Donald Sutherland). Soon, James’ greed and ambition get the better of him, and he finds himself caught in a web of his own making.

    As the 1970s are drawing to a close, Queen Elizabeth (Olivia Colman) and her family find themselves preoccupied with safeguarding the line of succession by securing an appropriate bride for Prince Charles (Josh O’Connor), who is still unmarried at 30. 

    Exhibition on Screen are delighted to announce that their latest film, Frida Kahlo will be released in UK Cinemas from 20th October. Initially planned for release earlier in the year, Exhibition on Screen’s latest film Frida Kahlo will be one of the first Event Cinema films to be seen in cinemas as they reopen this Autumn, and the first Exhibition on Screen film based on the work of a female artist.

    Dystopian Films’ Las Vegas darkly-comic crime caper STEALING CHAPLIN is released this friday 16th October in cinemas across the UK. Inspired by a true story, STEALING CHAPLIN tells the story of two brothers who steal and hold to ransom the silent film stars body. 

    Behind our world, there is another: a world of dangerous and powerful monsters that rule their domain with deadly ferocity. When an unexpected sandstorm transports Captain Artemis (Milla Jovovich) and her unit (TI Harris, Meagan Good, Diego Boneta) to a new world, the soldiers are shocked to discover that this hostile and unknown environment is home to enormous and terrifying monsters immune to their firepower. In their desperate battle for survival, the unit encounters the mysterious Hunter (Tony Jaa), whose unique skills allow him to stay one step ahead of the powerful creatures. As Artemis and Hunter slowly build trust, she discovers that he is part of a team led by the Admiral (Ron Perlman). Facing a danger so great it could threaten to destroy their world, the brave warriors combine their unique abilities to band together for the ultimate showdown.

    In Sylvie’s Love, the jazz is smooth and the air sultry in the hot New York summer of 1957. Robert (Nnamdi Asomugha), a saxophonist, spends late nights playing behind a less-talented but well-known bandleader, as member of a jazz quartet. Sylvie (Tessa Thompson), who dreams of a career in television, spends her summer days helping around her father’s record store, as she waits for her fiancé to return from war. When Robert takes a part-time job at the record store, the two begin a friendship that sparks a deep passion in each of them unlike anything they have felt before. As the summer winds down, life takes them in different directions, bringing their relationship to an end. Years pass, Sylvie’s career as a TV producer blossoms, while Robert has to come to terms with what the age of Motown is doing to the popularity of Jazz. In a chance meeting, Sylvie and Robert cross paths again, only to find that while their lives have changed, their feelings for each other remain the same. Writer/director Eugene Ashe combines romance and music into a sweeping story that brings together changing times, a changing culture, and the true price of love.

    In the 1840s, acclaimed self-taught paleontologist Mary Anning works alone on the wild and brutal Southern English coastline of Lyme Regis. The days of her famed discoveries behind her, she now hunts for common fossils to sell to rich tourists to support herself and her ailing widowed mother. When one such tourist, Roderick Murchison, arrives in Lyme on the first leg of a European tour, he entrusts Mary with the care of his young wife Charlotte, who is recuperating from a personal tragedy. Mary, whose life is a daily struggle on the poverty line, cannot afford to turn him down but, proud and relentlessly passionate about her work, she clashes with her unwanted guest. They are two women from utterly different worlds.

  • FIFA 21 Edition: Bits & Pieces

    FIFA 21 Edition: Bits & Pieces

    Starring Sophie Rundle (Peaky Blinders, Gentleman Jack) & Matt Stokoe (Cursed, Jamestown), Rose – A Love Story follows a young couple living alone in the woods, who must contend with a life-altering illness that manifests itself in a violent and terrifying way.

    Song Without a Name (Canción Sin Nombre) is set in Peru in 1988. The country is in the grip of a devastating political crisis. Georgina, a young woman from the Andes, has her newborn daughter stolen, after giving birth at a fake health clinic. The desperate search for her baby leads her to Pedro, a young and tenacious investigative journalist who will stop at nothing to get to the truth.

    In 2018, 34-year-old Shanann Watts and her two young daughters went missing in Frederick, Colorado. As heartbreaking details emerged, their story made headlines worldwide.  Told entirely through archival footage that includes social media posts, law enforcement recordings, text messages and never-before-seen home videos, director Jenny Popplewell pieces together an immersive and truthful examination of a police investigation and a disintegrating marriage. AMERICAN MURDER: THE FAMILY NEXT DOOR is the first film to give a voice to the victims.

    https://www.youtube.com/watch?v=9ONgWkJszWs&feature=youtu.be

    YELLOW ROSE is the timely story of a Filipina teen from a small Texas town who fights to pursue her dreams as a country music performer while having to decide between staying with her family or leaving the only home she has known.

    Five-time GRAMMY® Award winning Darkroom/Interscope Records artist Billie Eilish has today revealed the official music video for ‘No Time To Die,’ the original song written for the 25th James Bond motion picture, No Time To Die.

    Fifteen years in the making with archive material going back forty years, this feature length documentary looks at a totally unique aspect of British sub-culture – the first generation of skateboarders and BMX freestyle riders in the world’s most unique skatepark. Built in a suburb of east London in the late 1970’s, Rom is the only skatepark in the world to have official historic protection. The film looks at the users of the park and not only what it means to them but the influence it has had on their lives. Shot in full DCI 4K and Featuring over 30 interviews with architects, historians, entrepreneurs, street and graffiti artists, professional skaters and BMX riders as well as the old school locals who have been visiting the park since it opened; this is the first time a feature length documentary has taken an in-depth look at this scene, and its participants, from a uniquely British perspective. When the park suffers a major tragedy during the middle of filming, the story then shifts focus to how these skaters and riders rally together to try and save the park from closure for a new generation of Rom Boys AND Girls.

    https://www.youtube.com/watch?v=4Kk7I1Ioa7E&t=18s

    Seven of the most disappointing season finales in TV history have been revealed – and Game of Thrones, American Horror Story, and House of Cards are among of the worst offenders.   The data team from NetVoucherCodes.co.uk have crunched the numbers to see which season finales let loyal fans down the most.

    TIME, directed by Garrett Bradley and featuring FoxandRob Rich, won the prestigious Golden Eye Documentary Film Award this weekend at the 16th Zurich Film Festival. This prize is one of the three competition awards of the festival. TIME will next be seen at the BFI London Film Festival this Friday 9 October, where it is one of the 12 live galas, before its global release on 16 October.

    With the spookiest day of the year nearly upon us, a new report by thortful.com uncovers the top 10 scariest (and least scariest, if you’re a bit of a wimp, easily scared), films of all time…

    https://www.youtube.com/watch?v=Uyk0NfxiGVk&feature=youtu.be
    https://www.youtube.com/watch?v=–APUoocIJI

    Directed by Francois Ozon and adapted from the novel Dance on my Grave by English author Aidan Chambers, Summer of 85’ is a story of friendship and love between two teenage boys at a seaside resort in Normandy in the mid-1980s. When 16-year-old Alexis capsizes off the coast of Le Tréport, 18-year-old David heroically saves him. Alexis thinks he’s just met the friend of his dreams. But will the dream last more than one summer?

    The acclaimed, Peabody Award-winning Apple Original comedy series “Dickinson” will officially return for its second season on Friday, January 8, 2021, exclusively on Apple TV+. Apple today released a first look at season two, and announced that the series has scored an early renewal for a third season.

    OLEANDER, 17, is the star and sole creator of her own provocative, sex-positive YouTube channel. She is also an unwilling student at a Christian abstinence program, led by the poised and charismatic ALISSA, 50s. When Alissa demands that Oleander issue an on-camera apology for mocking her abstinence program online, a fierce battle of wills ensues. Alissa is aided by KIM, 30s, a filmmaker-for-hire who has no allegiance other than to serve her client. Oleander fights desperately for her voice and her beliefs, but will her anti slut-shaming message be able to stand up against the manipulative power of the two adults who seek to suppress her?

    Jurassic World: Camp Cretaceous follows a group of six teenagers chosen for a once-in-a-lifetime experience at a new adventure camp on the opposite side of Isla Nublar. But when dinosaurs wreak havoc across the island, the campers are stranded. Unable to reach the outside world, they’ll need to go from strangers to friends to family if they’re going to survive. Scott Kreamer (Pinky Malinky) and Aaron Hammersley (Kung Fu Panda: Legends of Awesomeness) serve as showrunners and executive producers.

    Vertical Entertainment is proud to present the trailer and poster for Alice Winocour’s intimate drama, PROXIMA. The film stars a “career best” Eva Green as an astronaut preparing to leave both her seven-year-old daughter and her planet behind. PROXIMA premiered at the 2019 Toronto International Film Festival and proceeded to run the festival circuit where it won the Special Jury Prize at San Sebastian Film Festival. Vertical Entertainment will release the film on digital and VOD platforms on Friday, November 6.

  • Official Film Chart Celebrates 100 Shows

    Official Film Chart Celebrates 100 Shows

    This week, as the Official Film Chart celebrates its 100th show, it’s been announced that the chart can now also be found onFindAnyFilm.com – the ultimate site for Film and TV fans to discover all the legal ways to buy the entertainment they want on disc and digital formats.

    In further news, The Official Charts Company has also announced the launch of the world’s first monthly digital rental chart, showcasing the films audiences are renting from video on demand services alongside the Official Film Chart’s view of what audiences are buying to keep.

    Monthly Digital Film Rental Chart

    The Official Charts Company has announced the launch of a brand new digital rental chart and data service for the British video sector. The new service will provide the first Video-On-Demand (VOD) chart service in the world, based on data from digital retailers including AmazonAppleRakutenSky Store and Talk Talk TV, with the service supported by the Entertainment Retailers Association (ERA) in tandem with UK video trade body the British Association for Screen Entertainment (BASE). 

    The launch of the inaugural chart follows a period of accelerated growth in rental activity during the COVID-19 lockdown, with data for the first half of 2020 showing an average of 600,000 rentals per week before lockdown, rising to more than 1m rentals a week after lockdown was implemented. During the two weeks leading up to lockdown, pandemic-themed thriller Contagion (2011) was the most rented title in the UK.

    More than 21 million rental transactions were made in the first six months of 2020. Joker starring Joaquin Phoenix was the most popular title with over 600,000 rental transactions up to June 30, leading its closest competition Jumanji: The Next Level by 150,000 rentals. Rian Johnson’s Knives Out lands at Number 3 in the half-year chart.

    The monthly Official Film Rental Chart will be published in the middle of each month, beginning in October.

    The Official Film Rental Chart – January-June 2020

    TitleLabel
    1JOKERWARNER HOME VIDEO
    2JUMANJI – THE NEXT LEVELSONY PICTURES HE
    3KNIVES OUTLIONSGATE
    41917ENTERTAINMENT ONE
    5FROZEN 2WALT DISNEY
    6CONTAGIONWARNER HOME VIDEO
    7ANGEL HAS FALLENLIONSGATE
    8ONCE UPON A TIME IN HOLLYWOODSONY PICTURES HE
    9LE MANS ’6620TH CENTURY FOX HE
    10GEMINI MANPARAMOUNT

    © Official Charts Company 2020 

    Official Film Chart Rundown

    Following its release on DVD & Blu-ray, Scoob! lands a third week at Number 1 on the Official Film Chart. Outselling the rest of the Top 5 combined, the film finishes the week with 72% of its sales made up of physical copies.

    At Number 2, Trolls World Tour rebounds one place to land just ahead of this week’s highest new entry at Number 3, animated romantic fantasy film Weathering With You. The film is set in Japan during an exceptionally rainy period, and tells the story of a young boy who runs away to Tokyo and meets a girl who appears to be able to control the weather.

    Bad Boys for Life holds on at Number 4 as 1917 flies six places to Number 5. At Number six, The Secret: Dare To Dream enters on digital downloads only. Starring Katie Holmes, the film is based on the bestselling book by Rhonda Byrne. Miranda (Holmes), a young widow and mother of three trying to make ends meet, meets a mysterious man who reignites the family’s spirit – but he holds a secret that will change everything for Miranda’s young family.

    Onward rises six places to Number 7, A Star Is Born rebounds up seven places to land at 8, and Sonic The Hedgehog drops two to Number 9. Finally, Spider-Man: Far From Home drops five places to Number 10.

    On this week’s online show, take a look at Amanda Seyfried & Kevin Bacon in psychological horror You Should Have Left, which is available to buy across disc and digital from October 12 – view all retailers and pre-order on FindAnyFilm.com.

    The Official Film Chart Top 10 – 7th October 2020

    LWPosTitleLabel
    11SCOOBWARNER HOME VIDEO
    32TROLLS WORLD TOURDREAMWORKS ANIMATION
    NEW3WEATHERING WITH YOUANIME
    44BAD BOYS FOR LIFESONY PICTURES HE
    1151917ENTERTAINMENT ONE
    NEW6THE SECRET – DARE TO DREAMLIONSGATE
    137ONWARDWALT DISNEY
    158A STAR IS BORNWARNER HOME VIDEO
    79SONIC THE HEDGEHOGPARAMOUNT
    510SPIDER-MAN – FAR FROM HOMESONY PICTURES HE

    © Official Charts Company 2020

    VIEW THE FULL TOP 40 – https://www.officialcharts.com/charts/film-chart/

  • Let’s Have A Look At The Optoma LH200 Projector

    Let’s Have A Look At The Optoma LH200 Projector

    Optoma LH200! What a little treat! This Optoma LH200 projector is a compact LED-powered 2,000 lumens model with decent features designed to help with usability and flexibility.

    It has an integrated battery for mains-free operation, so a great way or movie nights while camping, etc. I checked out a few clips and trailers via YouTube and it gives great images! Other great extras like Bluetooth and WiFi connectivity are helpful. For around £875 the LH200 is decent value

    Measuring 280 x 192 x 57mm and hitting just 2.2kg, it is compact and portable and comes complete with a carry case. Although it’s pretty small it packs a big punch.

    Optoma claims 200,000:1 contrast and 30,000 hours of lamp operation. It also has a 3.5mm output jack, which is handy for FireSticks and Chromecasts. Nice to see the two HDMIs too.

    It didn’t take very long to set-up and get it up and running. The LED projector is running at full brightness in just a few seconds. It takes you directly to the home menu, where you can switch to your source.

    I pushed my Sony Bluray player, MacBook Pro and Nintendo Switch through it. All looked sweet.

    The contrast performance is pretty good to be fair. Some darker tones in video playback can look a little washed out and there’s an overall lack of colour saturation and vividness. The fan isn’t too noisy.

    The built in speakers are pretty loud, if a little thin. With the battery operation, fast start up times and relative robustness of the LED light, it’s a projector with which you can use almost anywhere, anyplace, anytime.

    As a compact and flexible unit that gives a decent DLP experience on the move, the LH200 has a lot going for it.

    Thanks to Carina Neighbour.