Author: Alton Williams

  • The EE Rising Star Award Nominees Are Here!

    The EE Rising Star Award Nominees Are Here!

    The EE Rising Star Award Nominees Are Here! – The five nominees for the renowned EE Rising Star Award, now in its 16th year, were announced as part of a virtual event livestreamed from the elegant setting of The Savoy, London.

    Hosted by BAFTA Chief-Executive Amanda Berry OBE and film broadcaster Edith Bowman, 2014 EE Rising Star nominee George MacKay (1917) announced the highly anticipated nominee shortlist for 2021 via livestream for the first time in the Award’s sixteen-year history.

    The British line-up of five nominees have each demonstrated their phenomenal skills in film over the past year, allowing the public and film industry experts alike to escape the every day and explore the world of film. Public voting is now open at ee.co.uk/BAFTA and the winner will be revealed at the EE British Academy Film Awards on April 11th 2021.

    The EE Rising Star Award nominees for 2021 are:

    BUKKY BAKRAY is a multi-award-nominated actress who received critical acclaim for her debut lead performance in breakout hit Rocks, directed by Sarah Gavron. As well as her nomination for the EE Rising Star Award, she has received nominations from the British Independent Film Awards (BIFA) and London Critics Circle, and has been longlisted in BAFTA’s ‘Leading Actress’ category for 2021. She is part of this year’s BAFTA Breakthrough programme and has been named as a rising star to watch by Time Out and Dazed 100. Bukky’s passion for acting continues to grow having completed a year-long course as part of RADA Youth Company. She is currently enrolled on Theatre Peckham’s Originate Acting Course, where young performers receive specialist actor training with top-tier drama schools, Guildhall School and RADA, and industry professionals.

    Bukky Bakray commenting on her nomination, said: “I honestly feel so blessed to be recognised so early on in my career. I still can’t believe this, I’m not sure I ever will either. All the warmth and love from BAFTA and EE is beautiful and I’m grateful. Thank you.” 

    CONRAD KHAN is best known for his highly acclaimed role as Tyler, in Henry Blake’s 2020 feature film, County Lines. A performance that has earnt him a BIFA nomination for ‘Most Promising Newcomer’ as well as Screen International Star of Tomorrow. Conrad’s first role came in 2016 as a young Chris Hemsworth (Eric) in The Huntsman: Winter’s War, and he has most recently been cast as a lead in the final series of the BAFTA award-winning Peaky Blinders, opposite Cillian Murphy and Paul Anderson.  

    Conrad Khan, commenting on his nomination, said: “‘A huge thank you to BAFTA for this nomination! I am so excited and proud to be in such great company – the EE Rising Star Award is something I never would have even dreamt of at the start of my career. I am really looking forward to being part of this year’s awards. It is an honour.” 

    KINGSLEY BEN-ADIR is the breakout star of Regina’s King’s directorial debut film One Night in Miami and has been making headlines with his captivating portrayal of Malcolm X. The film has received three Golden Globe nominations, with Kingsley picking up the prestigious ‘Breakthrough Actor’ Award at the Gotham Independent Film Awards and the ‘Breakthrough Performer’ by the New York Film Critics (NYFCO). He has also been longlisted in BAFTA’s ‘Leading Actor’ category for 2021. Kingsley’s career started on the stage, in plays including Mark Rylance’s Much Ado About Nothing at The Old Vic. On screen, he most recently starred opposite Zoe Kravitz in the Hulu series High Fidelity; played a co-lead role in the third series of the Brit Marling Netflix series The OA; played Colonel Ben Younger in the BBC/Netflix drama Peaky Blinders; and starred in films The Commuter, King Arthur: Legend of the Sword and Trespass Against Us.

    Kingsley Ben-Adir, commenting on his nomination, said: “It’s an honour to be picked as a BAFTA EE Rising Star. I have always had great respect for this award and have admired the selection each year, so to be in this category, and to be recognised in this way, means a lot. Thank you.”

    MORFYDD CLARK has been singled out by critics for her breath-taking performance in Rose Glass’s award-winning debut Saint Maud. Hailed as the ‘Star of Tomorrow’ by Screen International, Morfydd was identified by The Guardian as the ‘Breakout Star’ of the 2019 festival circuit and has gone on to win the London Critic’s Circle Award for ‘British/Irish Actress of the Year’, be nominated for a BIFA award in the category of ‘Best Actress’ and has also been longlisted in BAFTA’s ‘Leading Actress’ category for 2021. Morfydd appeared as both ‘Dora Spenlow’ and ‘Clara Copperfield’ in Armando Iannucci’s The Personal History of David Copperfield, and as ‘young Jane’ in Craig Robert’s Eternal Beauty opposite Sally Hawkins in 2020. She is currently in New Zealand filming a lead role in Amazon’s The Lord of the Rings. 

    Morfydd Clark, commenting on her nomination, said“I’m delighted and disbelieving that I have been nominated for such a prestigious award by BAFTA and the EE Rising Star jury, thank you to all who compiled the list of nominees. I am honoured to be recognised amongst this group of talented, British actors. It has been a difficult year for many people and I hope the next few months will bring hope and a brighter future for the arts.”

    ṢỌPẸ́ DÌRÍSÙ is quickly establishing himself as an internationally renowned actor, showcasing a range of disciplines across film, television and theatre. Dìrísù can currently be seen on Netflix in Remi Weekes’ horror/thriller, His House, which earned him ‘Critic’s Choice Super’ and BIFA award nominations for ‘Best Actor’, and in the SKY/AMC series, Gangs of London.  Previous film credits include war drama, Sand Castle, The Huntsman: Winter’s War, as well as Ariel Vromen’s sci-fi thriller, Criminal. On television, most notably, Dìrísù was seen in AMC’s Humans and in Netflix’s series, Black Mirror, for which he received the ‘Rising Star Award’ for the Screen Nation Film and Television Awards. He has been selected as a Screen International ‘Star of Tomorrow’ and in 2017 received a Commendation at the Ian Charleson Awards for his performance as Coriolanus at the Royal Shakespeare Company. Ṣọpẹ́ is currently in Ireland shooting a lead role in Mr Malcolm’s List. Upcoming releases include Mothering Sunday with Olivia Colman and Colin Firth, Tim Felhbaum’s Berlinale Special Tides and Silent Night with Kiera Knightley and Matthew Goode.  

    Ṣọpẹ́ Dìrísù commenting on his nomination, said: “The history of the EE Rising Star Award is full of such exceptional and inspirational talents and I’m so grateful to both EE and BAFTA for considering me amongst them. I’m properly delighted for all my fellow nominees for being recognised in what can only be described as a difficult and challenging year for everyone across the world.” This year, the EE Rising Star Award jury panel was tasked with selecting the five nominees from a comprehensive list of up-and-coming talented actors and actresses. For the first time in the Award’s history, this took place virtually, where the jury passionately discussed which five longlisted nominees would go head-to-head in the public vote, ahead of the EE BAFTA Film Awards for 2021. The jury was chaired by BAFTA Chair and award-winning television producer, Krishnendu Majumdar, producer and director Anand Tucker, actors Naomi Ackie, Jo Hartley and Alicia Vikander, casting directors Leo Davis, Nina Gold and Lucy Bevan, Creative Director Gaylene Gould and other leading industry specialists and entertainment journalists.

    Edith Bowman, EE Rising Star Award broadcaster, said: “It is an honour to once again announce the nominees for the EE Rising Star Award, this year feels more special than ever. I am always astonished by the calibre of talent which are presented every year, and the five shortlisted nominees for 2021 are no exception, with their breath-taking ability to tell stories and transform into a character who the audience trust and believe in. As always, this is the only award which the British public can have their say and vote for their winner. I for one can’t wait to find out who film fans across the country are most invested in and want to see take home this incredible accolade.” 

    Pete Jeavons, Marketing Communications Director at BT & EE, added: “Despite the changes the film industry has faced over the past 12 months, we are delighted to still be able to celebrate the talented actors and actresses who have graced our screens – who make up the shortlist for 2021. It’s a real honour for us to play a part in recognising emerging talent each year in partnership with BAFTA, and this year’s nominees are amongst those who have gripped the nation with their performances. I urge everyone to watch their films this year and can’t wait to discover who the public decides will win this incredible award for 2021.” 

    Emma Baehr, Executive Director of Awards & Content at BAFTA, said: “Recognising and supporting creatives is at the heart of everything we do at BAFTA and it is particularly exciting to see talent shortlisted today who have been previously supported by our BAFTA Breakthrough programme, part of our year-round work to showcase emerging and under-represented talent. We’re so delighted to be working with EE once-again to present this fantastic shortlist of performers and proud to see new British talent flourishing across the industry.” Hosted from The Savoy, London, The EE Rising Star Award announcement continues the venue’s rich connections with the world of performing arts, and underlines its commitment to supporting film, theatre and television in the UK. 

    EE has been a long-standing partner of BAFTA’s Film Awards, working with BAFTA to bring film fans closer to the awards through the magic of technology. Since the partnership began, EE has not only worked with BAFTA to introduce the EE Rising Star Award but also used its award-winning network to create new and exciting opportunities for film fans to be part of the action.

    Voting is now open at ee.co.uk/BAFTA and the winner will be announced at the EE BAFTA Film Awards on Sunday 11th April 2021 on BBC One.

  • Vivienne Westwood Edition: Bits & Pieces

    Vivienne Westwood Edition: Bits & Pieces

    Vivienne Westwood Edition: Bits & Pieces – “Billie Eilish: The World’s A Little Blurry” tells the true coming-of-age story of the singer-songwriter and her rise to global superstardom. From award-winning filmmaker R.J. Cutler, the film offers a deeply intimate look at this extraordinary teenager’s journey, at just seventeen years old, navigating life on the road, on stage, and at home with her family, while writing, recording and releasing her debut album “WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?”

    Set in Brighton, JUSTINE examines the search to find love and a sense of belonging in a chaotic world.  It is a collaboration between Jamie Patterson, director of the award-winning Tucked, and BAFTA Cymru-winning writer Jeff Murphy (Hinterland, One Way To Denmark). The was been nominated for this year’s BIFA Raindance Discovery Award.

    Samuel Van Grinsven’s stylish debut feature is an uncompromising exploration of sex and social media.  Powerfully intense and visually stunning, this bold and energetic coming-of-age tale features a breakout performance from Conor Leach, who plays the teenager Sequin.

    The film won the Audience Award for Best Feature at the Sydney Film Festival and has played to wide acclaim around the world, including Outfest and Toronto International Film Festival. 

    1840s England. Acclaimed but overlooked fossil hunter Mary Anning and a young woman sent to convalesce by the sea develop an intense relationship, altering both of their lives forever.

    Bulldog Film Distribution announces the release of MOUTHPIECE directed by Patricia Rozema (Mansfield Park, Into The Forest),available in virtual cinemas and on demand from 12 March.  MOUTHPIECE is a powerful, funny and highly original look into the conflicted psyche of a fiercely independent millennial woman, played by two actresses simultaneously – Norah Sadava and Amy Nostbakken.  Emmy-winning Canadian writer, director, producer Patricia Rozema wrote the screenplay with Amy Nostbakken and Norah Sadava which was loosely adapted from the acclaimed play by Nostbakken and Sadava.

    A streetwise young man becomes a bodyguard to score quick cash. He soon befriends a once disillusioned mercenary determined to make a fresh start with his new wife. Although the two men find themselves working together to foil an assassination attempt, their partnership is short-lived. Through uncontrollable circumstances, they will unknowingly be propelled toward the opposite sides of a deadly confrontation. 

    Director Doug Roland’s FEELING THROUGH has been shortlisted for a 2021 Academy Award for Best Live Action Short Film, the first film to star a DeafBlind actor. This groundbreaking film is Executive Produced by Golden Globe and Academy Award Winner Marlee Matlin and longtime interpreter/producer Jack Jason and Andrew Carlberg (SKIN, 2019 Academy Award winner for Live Action Short Film). Roland partnered with Helen Keller Services through the making of the film. Feeling Through can be seen on Omeleto and already has over a million views. 

    Orlando Bloom plays Malky, a demolition worker whose latest assignment is to tear down the church where he was molested by a priest as a young boy. His desire to eradicate the past is made abundantly clear by the physical ferocity with which he handles the assignment. Unfortunately, that past rears its ugly head when Malky meets the now elderly priest at a local pub. This encounter sends the already fragile Malky into an emotional tailspin and has to decide whether to seek revenge against this priest or find another path.  

    An elite Navy SEAL uncovers an international conspiracy while seeking justice for the murder of his pregnant wife in Tom Clancy’s Without Remorse, the explosive origin story of action hero John Clark – one of the most popular characters in author Tom Clancy’s Jack Ryan universe. When a squad of Russian soldiers kills his family in retaliation for his role in a top-secret op, Sr. Chief John Kelly (Michael B. Jordan) pursues the assassins at all costs. Joining forces with a fellow SEAL (Jodie Turner-Smith) and a shadowy CIA agent (Jamie Bell), Kelly’s mission unwittingly exposes a covert plot that threatens to engulf the U.S. and Russia in an all-out war. Torn between personal honor and loyalty to his country, Kelly must fight his enemies without remorse if he hopes to avert disaster and reveal the powerful figures behind the conspiracy.

  • The Secret Garden Takes Root With A Second Week

    The Secret Garden Takes Root With A Second Week

    The Secret Garden holds on to its position at Number 1 with the biggest physical sales tally of the week.

    The star-studded adaption makes it two weeks at the top as it leads on DVD and Blu-ray sales – with it being almost too close to call, with only a few hundred sales between The Secret Garden and its closest competition.

    Following the title announcement of Spider-Man: No Way Home, its predecessor Spider-Man: Far From Home shoots up to Number 2. Former Number 1 Sing – and the biggest digital download of the week – holds on at Number 3 while Roald Dahl’s The Witches drops to Number 4.

    Elton John biopic Rocketman flies seen places to Number 5, landing just ahead of this week’s highest new entry at Number 6, a limited-edition re-release of 1980’s cult horror Demons 1 & 2. Sci-fi action, and the last film in the Skyline trilogy – Skylines debuts at Number 7. 

    Despicable Me 3 drops to Number 8, The Greatest Showman rebounds to Number 9 and Jumanji: The Next Level tumbles four places to round off this week’s countdown at Number 10.

    This week’s Official Film Chart online show features a preview of Gal Gadot in massive super-hero sequel Wonder Woman 1984, which is available to Download & Keep from Monday, March 8 having previously been only available at a premium rental price.

    Now, as well as OfficialCharts.com, the Official Film Chart can also be found on FindAnyFilm.com – the ultimate site for Film and TV fans to discover all the legal ways to buy the entertainment they want on disc and digital formats.

    The Official Film Chart Top 10 – 3rd March 2021

    LWPosTitleLabel
    11THE SECRET GARDENUNIVERSAL PICTURES
    42SPIDER-MAN – FAR FROM HOMESONY PICTURES HE
    33SINGUNIVERSAL PICTURES
    24ROALD DAHL’S THE WITCHESWARNER HOME VIDEO
    125ROCKETMANPARAMOUNT
    NEW6DEMONS – COLLECTION 1 & 2ARROW FILMS
    NEW7SKYLINESVERTICAL ENTERTAINMENT
    58DESPICABLE ME 3UNIVERSAL PICTURES
    109THE GREATEST SHOWMAN20TH CENTURY FOX HE
    610JUMANJI – THE NEXT LEVELSONY PICTURES HE

    © Official Charts Company 2021

    VIEW THE FULL TOP 40 – https://www.officialcharts.com/charts/film-chart/

  • THE HEIRESS: Candis Nergaard Interview

    THE HEIRESS: Candis Nergaard Interview

    Candis Nergaard Interview – Ahead of the UK Digital release of THE HEIRESS on March 15, 2021, actress Candis Nergaard talks about the harrowing research for her lead role, causing a stir on Newsnight, her Romany roots and coping with lockdown.

    You star in a new British supernatural horror film, THE HEIRESS. Tell us how you got the part and what is was about the script that appealed to you.

    I was contacted early on the process by the director Chris Bell who’d had me in mind as an option for Claire. I read an early draft of the script and absolutely loved the part, it’s rare for me to be scared by horror but the script alone conjured such vivid imagery that I was haunted by it, I knew it would work. When The Heiress was ready to go, I was offered the role of Claire, I couldn’t wait to get my teeth into it. I’ve played the lead role in TV, Radio and Theatre but this was my first for feature film.  

    What did you find most demanding about playing Clare?

    It was the research I did for the role, it was harrowing. Claire is epileptic. That element, was the single most important thing to me to try to get right about her, especially the ‘grand mal seizure, and so I researched a lot. The director Chris’s dad is severely epileptic, and so Chris was able to guide me through. There are videos available made by people with epilepsy, who wish to bring more awareness to the public about how the fits can affect them. I would gear up to watch one of the videos and then have to put a lot of distance between watching it, as it affected me so much. 

    Candis Nergaard as Clare in THE HEIRESS
    Candis Nergaard as Clare in THE HEIRESS

    You’re known to genre fans for playing Anya in WHITE CHAMBER which premiered at FrightFest. Does the horror genre appeal you to?

    I love the horror genre, it’s just so fun from an acting point of view. White Chamber was a dream in that regard, and so was working with amazing cult scream queen legend Shauna Macdonald. Beforehand, I’d never really given much thought to acting in horror films, I’d done a lot of kitchen sink realism, and my idols were directors like Ken Loach, Andrea Arnold and Gary Oldman. The unique thing about The Heiress is that it seems to fuse a very realistic Loach-esq landscape with some really artful proper scares. 

    Horror expanded my mind with potential possibilities; I love to escape into the shadowlands exploring the supernatural or a parallel universe.  

    You’ve said you were introduced to horror films at a small child by your dad. What was the first film you remember watching?

    I think it was Alien….. it was so long ago. I remember sitting on my dad’s lap, and vague memories of eating tinned ravioli… probably not ideal food considering…

    Although you don’t have a family background in the arts, you decided to do an acting course at The Miskin Theatre College, where you were taught by actors such as Neil Maskell and Dominic Power.  That must have been a great experience…

    It changed the trajectory of my life. I feel incredibly lucky to have being taught by two exceptionally talented actors. Neil and Dom were very passionate about teaching, and because they had such conviction we really listened. It helped me develop an iron discipline for the craft. 

    It was super intense method acting training though. It was all a bit of a shock at age 16 and coming from my background. I went from being naughty in class to paying attention, reading the news, listening to radio drama. It expanded my world view.

    https://www.youtube.com/watch?v=6TryvoSEMXw

    You first came to prominence playing opposite Tom Hardy in the gritty drama STUART, A LIFE BACKWARDS. Your role involved controversial scenes of nudity and violence, which ended being discussed on Newsnight. Was it a difficult choice to accept the role?

    Well, the script was incredible and based on a true story, so I was so pleased to audition. When I was offered the role, it dawned on me shortly afterwards that I’d have to be naked. I was so body conscious that I’d never even wear a bikini at the time…. However, I’d been working with a great acting coach, Giles Foremen, and the integrity of the work had become way more important than my fears, so I went for it. Tom was also lovely, and allayed my fears a bit by telling me about his nude scenes. I won’t forget Germaine Greer’s face on Newsnight. 

    You starred in the BBC radio drama series ATCHIN TAN and went on to write several episodes of the series. What was it about the show that appealed to you and Is writing something you want to continue doing?

    It was great to have authentic Gypsy voices and the Romany language on BBC radio. A lot of the Travellers had never acted before so it was exciting. I remember, one day we got stopped on location by police… We were recording in a caravan in a remote field in Cambridgeshire, and a squad car turned up, so we got our BBC passes out and showed them to the guy. He said “Oh that’s fine then, I thought you were Gypsies!” We laughed our asses off afterwards.

    I’m writing a lot at the moment. I wrote and performed a one woman play for the Gorki Theatre in Berlin a couple of years ago, I’ve just finished writing my first feature film, and I’m co-writing another film with an award winning Irish director called Keith Farrell. It keeps my mind busy between acting jobs, and in lockdown! 

    You’ve also worked on PEAKY BLINDERS as their Romani language and cultural advisor since series 3. That must be an interesting role. Tell us more!

    Tommy Shelby has got to be one of the coolest characters ever, constantly outwitting everyone. So, translating and recording lines in the Romany language for Cillian Murphy was so much fun. It’s amazing to hear him nail it. Script security is super tight so I’m normally dealing with isolated lines or sometimes scenes that are selected.  

    How have you coped with lockdown?

    It’s been a mixed bag. I’m well aware of what I’m grateful for and it brings everything into focus. Being estranged from my family is really hard, especially in times of grief and bereavement, and continues to be so. I like a lot of alone time, pre-covid I’d normally flit between being really sociable and then really quiet, so lockdown has given me a lot of time to regroup. 

    I also badly miss the gym and my Krav Maga training, it keeps my mind sane especially under stress, but I’ve created a routine which helps. I keep up my strength training five times a week, walks in nature, cold water immersion, reading/ films, and meditation. 

    Finally, what’s next for you?

    I have just finished filming a female led grit flick with a unique take on the criminal underworld called Gone to Ground, so I’m really looking forward to seeing that. I’m also hoping to get my own film made, and continue with the other writing projects that I’ve got on the go. 

    Acting-wise, I’m slightly superstitious about talking about things that haven’t happened yet. One thing that the pandemic has done is take the pressure off myself to keep achieving, if I feel strong and healthy, I’m onto a winner. 

    THE HEIRESS will be available to download from all major platforms including iTunes, Amazon & SKY Box Office, from Monday 15th March, 2021.

    THE HEIRESS: Candis Nergaard Interview

  • Kyle Rankin: RUN HIDE FIGHT Interview

    Kyle Rankin: RUN HIDE FIGHT Interview

    Kyle Rankin: RUN HIDE FIGHT InterviewAhead of FrightFest’s UK premiere of RUN HIDE FIGHT at the Glasgow Film Festival, director Kyle Rankin talks about the personal tragedy that inspired the film, the influence of 70s cinema and the huge importance of film festivals.

    RUN HIDE FIGHT was inspired by a tragic incident in your own past so did that make it a harder script to write?

    In 1999, my best friend and fellow filmmaker, Shayne Worcester, was gunned down during a mugging in San Francisco. It came to light years later that the event was a gang initiation — meaning guys who wanted to be part of a gang were tasked with going out and killing a random civilian that night. He was only 29. 

    I think about him all the time, so I wouldn’t say that writing RUN HIDE FIGHT was harder…it was instead maybe cathartic. 

    Add to that the fact that my producer, Dallas Sonnier, lost both of his parents to separate gun incidents. You’d think these events would make us shy away from violent films, and I think we both would if they were empty and pointless… but RUN HIDE FIGHT was made with thoughtfulness and sincerity, so it honours those memories.

    At the core of the story are the truly scary, primal aspects of human nature – that mankind is still the most dangerous predator of all?

    We’re certainly the most flawed, and we’re the one animal we have true insight into: since we’re all human. I packed RUN HIDE FIGHT with a lot of things I believe in, like bravery in the face of evil… and selflessness, but I was also aware nobody would want to see the thing unless it was entertaining, too. Filmmaking can’t just be ‘here, eat your broccoli.’ Movies should be fun AND have a reason to exist.   

    Isabel May is terrific as heroine Zoe. FrightFest saw her in LET’S SCARE JULIE at our August event last year. Did you audition many actors, why was she the best choice?

    She’s fantastic. I saw many actresses, some incredibly good… but for me, casting has a spiritual element to it. Firstly, I should clarify that I had a very talented casting director named David Gugliemo, who brought in top notch people. But there’s this saying I like: ‘good friends aren’t made, they’re recognized’… and I feel that way about casting, too. When Isabel walked into the room I recognized her as Zoe, and the same thing happened with Cyrus Arnold as Kip, and Eli Brown as Tristan… right on down the line. I go with the people who give me a certain spiritual shiver, if that makes any sense. 

    The other casting choices are standout too – Thomas Jane, Radha Mitchell, Treat Williams, Barbara Crampton. Did you worry you wouldn’t attract such a top calibre cast because of the controversial nature of the material?

    I worried about everything! That’s an unfortunate aspect of a director’s job. In the end, however, I was SO excited about the cast. The people you mention here all have one thing in common: a lack of fear. They weren’t worried about being ‘cancelled,’ and, in the end, that’s what saves fortifies you.  

    You filmed in secret at an abandoned school in Red Oak, Texas, why was that?

    My producers Dallas Sonnier and Amanda Presmyk were based in Dallas at the time, and all the crew they’d been hiring on their previous movies lived there, too, so… staying in the area made financial sense. Red Oak was a 30 minute drive for me every morning and night (I’d always travel with my fabulous DP, Darin Moran, so we could talk about the day’s work). I spoke of the spiritual/fated element when casting, and I gotta say that certain aspects of this deserted school gave me shivers, too. EVERY structural element I had written into my script — some very specific — was present at this location that Amanda had found. It was meant to be.  

    Which description of the film do you feel nails the social issue/action content? ‘DIE HARD in a High School’ or ‘ELEPHANT meets THE HUNGER GAMES’. Or do you prefer another?

    I don’t think that’s for me to say. I know DOG DAY AFTERNOON was a big influence on me this time around. I tend to always get an idea and then watch a bunch of movies from the 1970s — it’s my favourite era of filmmaking for its courage and style and themes. 

    https://www.youtube.com/watch?v=iM-Q34ZJhCQ

    Some of the reviews from the Venice Film Festival – where it played ‘Out of Competition’ – seemed to have their own politically correct agenda. Did that surprise you because FrightFest chose RUN HIDE FIGHT for their Glasgow strand because it was at heart a cracking thriller, full of super twists and seat-edged suspense?

    Yeah, I thought that was pretty lame… but what can I do?! Actually, the one thing I can do is stay away, meaning: I haven’t read a single thing that’s been written about my movie, and I’m much happier! From what I’ve heard: it sounds like reviewers were reviewing the very IDEA of the movie, rather than the movie itself… so I’m so pleased that FrightFest can see RHF for what it truly is. 

    FrightFest has always had great faith in your unique work. We showcased both INFESTATION and NIGHT OF THE LIVING DEB and released the latter on our FrightFest Presents label. It is definitely your best directed film, do you agree?

    Yes, without a doubt. RUN HIDE FIGHT is my best directed film – and best written too. It’s weird, but this time around I felt as though the scales fell from my eyes — in a good way. I finally can clearly see what good direction actually IS. I think a lot of that is being a husband and father now — having kids has made me a better filmmaker. 

    How important are festivals like FrightFest in platforming your and other fantasy filmmakers movies? Do you think they will be more so in the post-Coved-19 future? 

    Film Festivals like FrightFest are EVERYTHING to independent filmmakers. Your gang gave me the confidence to keep going and keep trying stuff when nobody else did. I think you do that for more people than you even realize. Post Covid-19, especially if traditional cinemas go away (which I pray they don’t), your role will become even MORE important. Please keep it up! 

    What are you working on next? Any exclusive details?

    I’m halfway through a new script that I’m very excited about. I wish I could tell you more, but I’ve already sold the idea so… I have other people’s interests to protect, too. I can say that it’s gonna be another action-packed thriller with a strong social element. And I can’t wait to share it with you. 

    RUN HIDE FIGHT is showing on demand between Friday 5th & Monday 8th of March, as part of the Arrow Video FrightFest Glasgow 2021 Digital event.

    The film is geo-locked to the UK and limited to 500 tickets, Tickets are priced £9.99. For more information: www.glasgowfilm.org/festival