Author: Alton Williams

  • Green Lantern Update And Other Bits

    It has been reported from some apparently legitimate sources that the new Captain James T. Kirk is the favourite to take the role of Hal Jordan.

    Chris Pine seems to have a good presence about him in the Star Trek trailers and would probably make a good Green Lantern. I’m still hoping that Nathan Fillion, Serenity‘s Captain Malcolm Reynolds, will still get the role.
    All casting aside Martin Campbell, it seems, is going start shooting in September in Australia.

    POSTERS: Awesome new Terminator Salvation poster has cropped up on IGN. Looks like Marcus who is holding the head, but to be honest anything with an endoskeleton gets the adrenaline rushing with this movie. Fingers crossed it will be ace!

    Whilst thinking of Terminator Salvation, Sam Worthington’s other film Avatar, directed by James Cameron, is reported by Time Magazine to be the most expensive film ever with costs in excess of $300 million. Even though few people have seen footage, Spielberg predicts it will be the biggest 3D live action film ever. Sounds good, 3D cinema could become much more mainstream after this.


    © BRWC 2010.

  • Who Watches The Audience ?

    I went to see Watchmen on opening night, fresh from re-reading the comic and was predictably displeased with what I saw. I thought it missed the point of the comic, was almost pornographic with its 300-style slow motion kung-fu action and certainly with its insistence on granting Dr Manhattan’s pendulous appendage more arresting screentime than most of it’s female leads. It came across as pompous, self-important and most distressingly, rather dull.

    This fact I’m sure of because not only was my girlfriend fidget-arsing around throughout, but people in the audience were audibly voicing their dissent. I assumed that the late opening night screening would be full of similar geeky fanboys, but quite the opposite was true. People were fairly quiet for the first few minutes but then the noise level started to grow. Half-hearted shhhhhh’s were flung but to no avail; the audience was revolting. Yes, in both ways. People were having audible conversations about totally irrelevant shit and calling out after lines like we were in some kind of Rocky Horror show. Some fellow kept on wolf whistling when Little Manhattan popped up and people were just laughing throughout. It was just ridiculous and undoubtedly tainted mine and other non-ignorant audience members enjoyment of the slow motion fest.

    The question is what can one do to negate such a situation. The whole cinema was against me on this occasion so I kept my mouth shut and waved an imaginary fist at the culprits. An individual anarchist is a far different proposition- often one of them granny shhh’s is usually sufficient, but who does those anyway? I always hope someone else does so I don’t have to step outside my grumpy little bubble and deal with some bandit who may decide to respond to my scolding with a bop on the nose. It’s when it turns personal that you really have to take action. Say, for example, some bozo is kicking the back of your chair during the film, what then? You could turn round and give them a damn good glaring, but sitting in front makes you extremely vulnerable to popcorn attack, gum in the hair or possibly even a boot to the head. If you go tittle tattle to a cinema-attendant I bet most of them wouldn’t give a shit, either. So you either put up with it and fidget a bit to communicate your annoyance, move (if possible) or leave. Which is no fun at all.

    To me, cinemas are hallowed ground that suffer from a medieval lawlessness. It’s every man for himself, baby. Choice of venue is paramount to a satisfying experience, obviously, as is seating choice. I tend to position myself around old folk as they seem to enjoy films in quiet appreciation or silent bemusement. Couples are a good shout mostly, unless they look a bit frisky. Which may or may not be detrimental to the show, depending on how perverted you are. People sitting on their own are perfect to sit near, though I did have one weird experience when a guy shifted up next to me and started chatting idly during the film. I could have sworn he had his hand down his trousers as well. I didn’t know what to do so went as if to go to the loo and stealthily pounced on another seat. I didn’t hang around for the end credits that time.

    Of course, being part of an audience is part of the whole experience and I wouldn’t want to individualize the whole process. I must have annoyed people myself on reflection, having released an involuntarily loud guffaw with a chum during Trinity’s death scene in Matrix Revolutions. Probably throughout the whole thing, if I’m being honest-talk about believing your own hype. Maybe I’ll have to “man-up” or wait in view for some kind of entrance examination to weed out those rotten troublemakers. Some films are made for reactions and that’s just dandy, but for those other films you really do have to rely on human decency. There’s no easy solution for a rogue goon in the audience I’m afraid and it’s not wise to pick a fight in the arena; in doing so you spoil your own enjoyment as well as making it worse for everyone around you. ‘Battle not with monsters, lest ye become a monster’, or so the quote goes. Quite.

    © BRWC 2010.

  • What’s In The Box ?



    www.whatsinthebox.nl

    EDIT – Found these bits to connect to the film.

    Mystery of Mysteries
    Every medium, as its ancestors
    Every pro, has his anti's, now you think about that

    EDIT – And now this from an anonymous commenter –

    follow whatsinthebox live! because this is NOT a game

    © BRWC 2010.

  • Quite Beautiful Where The Things Are Poster

    I bought the Maurice Sendak book a while to relive my childhood memories. It wasn’t as good as I remembered, aside from the unique character designs. I am really looking forward to this Spike Jonze adapt.

    Above is the first poster, sent to BRWC by Kate. The poster looks simple and eloquent and I love the framing of the monster. Wonder why we don’t see it’s face ? And is Max screaming with fear or having fun…?

    Time will tell. Thank you Kate.

    EDIT – Here’s a test clip. You may have seen it already, but I thought I’ll stick it up here as it looks stunning, even for a test.

    © BRWC 2010.

  • Gaspar Noe To Release Enter The Void In 2009

    Gaspar Noe To Release Enter The Void In 2009

    By White.

    “Movies are really a kind of dream-state, or like taking dope.” ~ Martin Scorsese

    Who here knows about French-Argentinian director Gaspar Noe ? He already has two features to his credit, Seul Contre Tous (known in English as I Stand Alone (1998)) and the highly controversial Irréversible (2002) as well as other shorts, music videos and commercials to his credit.

    It has just been announced that his third film, Enter The Void will be released this August, at least in his native France. An eight minute promo reel was recently screened at the Berlin Film Festival to good reviews, but whether Noe’s film will be shown in Cannes is still uncertain. The special effects, which have taken several years to complete, are what may tip the scales.

    The plot is as follows, according to the film’s press kit:

    Oscar, (20), and his sister Linda (18), are recent arrivals in Tokyo. Oscar sells drugs for a living, and Linda works as a nightclub stripper. One night, Oscar goes to a bar to make a deal. But the cops are waiting, and in the panic that ensues he is accidentally shot.

    As Oscar lies dying, his perception grows distorted. Swept along a limitless tunnel of memories, he witnesses again the death of his parents in a car crash when he was five years old, and the promise he made to his little sister – that he would never abandon her. A dazzling light tears him from these memories but Oscar cannot abandon the world of the living. Like a disembodied spirit, his vision flies through the city and around those close to him. But despite all his efforts, he cannot communicate with them. Not even with Linda. Magnificent coloured lights appear again, and try to pull him away from the world, but he rejects them, true to his promise and a prisoner to his desires and his fears. Oscar’s perceptions grow evermore distorted, his visions evermore chaotic and nightmarish. Past, present and future merge in a hallucinatory maelstrom.

    Shot from start to finish from the subjective point of view or mental perspective of its leading character, ENTER THE VOID is a hallucinatory film, a melodrama of altered states of consciousness.

    Personally I am looking forward to this film. I am sure the visuals are going to be mindbending and as whole it will be a hallucinatory experience. As more information and visuals are being released it’s apparent that Noe won’t let us down.

    Special thanks to Le Temps Detruit Tout, Noe’s unofficial fansite. For more information I would recommend you make a visit there.