Author: Megan Williams

  • Onward: Trailer Talk

    Onward: Trailer Talk

    Onward is in cinemas 6th March 2020.

    When Netflix released their original film ‘Bright’, I remember thinking the premise was unique and cool: it was set in the modern world where mythical creatures co-existed with humans.

    However, the execution of the film wasn’t good. The reason I bring this film up is because Pixar’s next original film sounds very similar in terms of its setting.

    ‘Onward’ stars Chris Pratt (Guardians of the Galaxy) and Tom Holland (Spiderman: Homecoming) as two elf brothers who go on a road trip to search for any remaining magic in the modern world.

    In short, this is what I wanted ‘Bright’ to be: a humorous, fun adventure set in a modern/fantasy world. While both lead actors have shared a film together (Avengers: Infinity War), I’m looking forward to seeing the pair act alongside each other in a different environment entirely.

    From the trailer, Chris Pratt’s voice acting sounds forced, and has not won me over yet. However, that could change when the film is released.

    ‘Onward’ is in cinemas 6th March 2020.

    Onward is an upcoming American 3D computer-animated fantasy film produced by Pixar Animation Studios for Walt Disney Pictures. It is directed by Dan Scanlon, produced by Kori Rae, and stars the voices of Tom HollandChris PrattJulia Louis-Dreyfus, and Octavia Spencer. The film is scheduled to be released on March 6, 2020.

    The film is set in a suburban magical world where humans do not exist, and is instead populated with elvestrollsmermaidscentaursfaunssatyrsgnomesspritesgoblins, and others, and where unicorns are raccoons and dragons are pets. Two teenage elf brothers, Ian and Barley, embark on a quest to discover if there is still magic in the world in order to spend one day with their father, who died when they were too young to remember him.

  • Terminator: Dark Fate – Trailer Talk

    Terminator: Dark Fate – Trailer Talk

    Terminator: Dark Fate

    Another year, another Terminator film…yes really.

    ‘Terminator: Dark Fate’ is directed by Tim Miller (Deadpool) and James Cameron returns to produce. It follows Sarah Connor, once again played by Linda Hamilton, as she protects two female characters from a T-1000. 

    I say ‘a’ T-1000, because the original T-1000 was destroyed in T2: Judgement Day. ‘Dark Fate’s narrative, while interesting, doesn’t make any sense because Judgement Day should’ve been avoided. Yet, this film seems to be set after Judgement Day, as if it still happened. The Murphy’s Law is strong with this one! 

    As well as this, the CGI looks ok, but the visual effects from T2 (which was released 27 years ago) looks better than this. ‘Dark Fate’ looks more comparable to the later ‘Transformers’ films than the original Terminator films. 

    ‘Terminator: Dark Fate’ looks entertaining and could be a fun popcorn film. However, the franchise overall has grown into a convoluted mess, which is a real shame considering ‘T2′ is so iconic. The phrase ‘beating a dead horse’ has a new example: the Terminator series. 

    ‘Terminator: Dark Fate’ is in cinemas 1st November 2019.

    The Terminator series is an American cyberpunkmedia franchise created by James Cameron and Gale Anne Hurd. The franchise encompasses a series of films, comics, novels, and additional media, concerning battles between Skynet‘s synthetic intelligent machine network and John Connor‘s Resistance forces with the rest of the human race. Skynet’s most well-known products in its genocidal goals are the various terminator models, such as the T-800 (Model 101), who was portrayed by Arnold Schwarzenegger from the original Terminator film in 1984, and similar units he also portrayed in the later films. By 2010, the franchise has generated $3 billion in revenue.

    The central theme of the franchise is the battle for survival between the nearly-extinct human race and the world-spanning synthetic intelligence that is Skynet. Skynet is positioned in the first film as a U.S. strategic “Global Digital Defense Network” computer system by Cyberdyne Systems which becomes self-aware. Upon activation, it immediately perceives all humans as a “security threat”, and formulates a plan to systematically wipe out humanity itself. The system initiates a nuclear first strikeagainst Russia, thereby ensuring a devastating second strike and a nuclear holocaust which it anticipates will instantly wipe out much of humanity. Indeed, it does, with approximately 3 billion casualties – more than half of the total human population at the time – in the resulting nuclear war. In the post-apocalyptic aftermath, Skynet later builds up its own autonomous machine-based military capability which includes the Terminators used against individual human targets and, therefore, proceeds to wage a persistent total war against the surviving elements of humanity, some of whom have militarily organized themselves into a Resistance. At some point in this future, Skynet develops the ability of time travel, and both it and the Resistance seek to use this technology in order to win the war; either by altering or accelerating past events in Skynet’s favour, or by preventing or forestalling the (present) apocalyptic timeline.

  • Another Look At Pokemon: Detective Pikachu

    Another Look At Pokemon: Detective Pikachu

    By Megan Williams.

    I’ve been a Pokemon fan since I was six years old. I collected the cards and played the games, and have followed the franchise ever since its creation in 1997. However, the release of the Nintendo 3DS game ‘Detective Pikachu’ baffled me. The game is unique to the Pokemon franchise in that it is a mystery solving experience.

    As well as this, the main character, Tim Goodman, interacts with a talking Pikachu that sounds extremely similar to Danny Devito. Out of all of the games in the franchise, this is the one that was least expected to be adapted for the big screen. And yet, ‘Pokemon: Detective Pikachu’ was released in cinemas on the 10th May 2019.

    ‘Pokemon: Detective Pikachu’ is a live-action/CGI adaptation starring Justice Smith and Ryan Reynolds. After a car accident causes Detective Harry Goodman’s supposed death, his son Tim Goodman (Justice Smith) travels to Rhyme City, a place where humans and Pokemon work together in peace. Once there, he discovers that his father might actually be alive, so decides to uncover the truth, with the help of Harry’s Pokemon partner Pikachu (voiced by Ryan Reynolds). 

    I am pleased to announce that the curse of bad video game-film adaptations has been lifted. While Ryan Reynolds carries the film as a witty but charming talking Pikachu, Justice Smith is also fantastic as a lead character, and they work off each other extremely well. I look forward to seeing Justice Smith in more films, and I hope he gains more lead roles from this point onwards. Ryan Reynolds should also pursue more voice acting roles; while it’s a strange casting choice, it’s a choice that works due to the narrative, and the craziness of the whole film. 

    As a child, I never thought Pokemon would be brought to the ‘real world’, or at least a recreation of the real world. However, the incredible CGI and visual effects have brought them to life in a way fans have never seen before. The film has chosen to keep their iconic appearances from the animated show, and placed them in the real world, rather than giving them a more realistic look.

    The former is a much better, and obvious, decision. The world-building is amazing; even if Pokemon weren’t featured, this would still be an enjoyable experience. The Pokemon aren’t always put in the limelight; they just happen to inhabit the same space as humans. ‘Detective Pikachu’ opens up the possibility of more Pokemon films like this, which is an extremely exciting thought for fans of the franchise. 

    The musical score, by Henry Jackman (Kingsman: The Secret Service, Ant-Man, X-Men: First Class), is also fantastic and helps bring this new world to life. The mixture of orchestral and 8-bit style sounds demonstrates that, while the franchise has grown and evolved, it hasn’t forgotten its Gameboy Colour origins. And, if moviegoers weren’t convinced by that, then ‘Detective Pikachu’ also features the original TV show theme tune, and the main menu music from the original games. While ‘Detective Pikachu’ shows us new Pokemon, it hasn’t left fans of the original Pokemon media behind.

    Overall, ‘Detective Pikachu’ is charming, funny and a lot of fun. The two lead actors work extremely well together, and the visuals are incredible. This will appeal to both long-time fans of the franchise, as well as those who are just starting to show an interest in the world-wide phenomenon. After seeing this film, I am really looking forward to the future of Pokemon films.

    5/5

  • Trailer Talk: Downton Abbey

    Trailer Talk: Downton Abbey

    Out of all of the TV shows that air in the UK, ‘Downton Abbey’ is the one I least expected to get the big screen treatment. Pre-production started in 2015, after the show’s finale, and has gone through delays and a change in director. But, on the 19th May, fans were finally given a first-look at the ‘Downton Abbey’ movie adaptation.

    ‘Downton Abbey’ is the big screen adaptation of the British period drama set in the early 20th Century. In 1927, a year after the show’s finale, the owners of Downton Abbey, the Crawley family, receive news that royalty will be visiting them: King George V and Queen Mary.

    This looks charming and visually beautiful and, even though I’ve never seen the show, it has peaked my interest. Because of my interest, it might be a good idea for me to watch the show , especially since this is a continuation as such.

    ‘Downton Abbey’ is in cinemas 12th September 2019.

    On 26 March 2015, Carnival Films and ITV announced that the sixth series would be the last. It aired on ITV between 20 September 2015 and 8 November 2015. The final episode, serving as the annual Christmas special, was broadcast on 25 December 2015. A film adaptation, serving as a continuation of the series, was confirmed on 13 July 2018.

    This historical drama follows the lives of the Crawley family and their servants in the family’s Edwardian country house. The programme begins with the 1912 sinking of the Titanic, which leaves Downton Abbey’s future in jeopardy, as Lord Grantham’s presumptive heir — his cousin James — and his son, Patrick, die aboard the ship, leaving him without a male offspring to take over the throne upon his death. As a result, Lord Grantham must search for a new heir. As the programme progresses through the decade, other historical events happen leading up to Lord Grantham declaring in 1914 that Britain is at war with Germany, marking the beginning of World War I, which becomes a major plot on the programme.

  • Snare: Tribeca Review

    Snare: Tribeca Review

    By Megan Williams.

    Snare was one of the short films that was shown at this year’s Tribeca Film Festival.

    Set in a Chinese restaurant in 1997, a young son and his dad meet up to reconnect and realize that they desperately need something from each other in order to pursue their dreams.

    This film uses its short running time to give its audience an important message: no matter how old you are, you are allowed to have talents and dreams; settling down in life is not the ‘be all, end all’. 

    The two lead actors (Steve Rodgers as Steve; James Fraser as Jobe) are perfectly cast, and their interaction with each other is believable. The juxtaposition between Jobe, the son, and Steve, the Dad, is also brilliantly told: Jobe is in a mildly successful band, and is about to embark on a tour around Japan, with financial help from his parents. Meanwhile Steve has quit his job to follow his dream of becoming a drummer. Once the latter is revealed, the control of the situation shifts from Jobe to Steve, as he uses blackmail to achieve his dream. 

    This makes for a very tense atmosphere, and the tension is done extremely well. While there isn’t a musical score running throughout the whole film, it does occasionally feature to either heighten the tension, or to prove a point in the narrative. An example of the latter is during the final scene, where Jobe decides to listen to his Dad’s mixtape that he had previously written off. Upon hearing the drumming, Jobe’s surroundings appear to fade away as he only hears and sees his parent’s talent and potential. James Fraser’s reaction to this is fantastic and tragic, as he realizes his mistake of shunning his father, essentially throwing away his chance of touring. It’s a very powerful ending. 

    While the small amount of score is featured to serve a purpose, it would’ve been nice to have more drumming featured, especially during a silent moment after the pair have had an argument. The film does demonstrate at the beginning that drumming is on Steve’s mind, but this should’ve been shown more, as well as being explained to the audience.

    ‘Snare’ is a very moving film, with an important and relevant message: people are allowed to have dreams and new-found talents no matter how old they are. Just because someone has settled down and had a family, or has a career, does not mean that that is it. You can pick up a new hobby or discover a new talent at any age. And, while life may throw obstacles in your way, this should not discourage you. Because of this, ‘Snare’ would appeal to people of all ages, and I would definitely recommend this short film to anyone.