Author: Megan Williams

  • Saw X: Another Review

    Saw X: Another Review

    Saw X: Another Review

    While it may not be Halloween yet, Lionsgate and Twisted Pictures are sure to remind us that the time for spooks, scares and even blood is here with the new entry into the ‘Saw’ franchise. 

    Set between ‘Saw’ and ‘Saw 2’, ‘Saw X’ follows John Kramer, aka Jigsaw (Tobin Bell) as he travels to Mexico City after finding out about a miracle cure for his cancer. But, after discovering that the company responsible is a scam, he lays out a new game for those involved to play. 

    After 2021’s ‘Spiral: From The Book of Saw’, I was hoping the franchise would continue from there and was initially disappointed to find out that ‘Saw’ would be taking a U-turn and going back to the past. However, if the writers involved feel that there is a story to be told in the past then I am intrigued to know what that is. And, after seeing ‘Saw X’, it’s very clear that there was not only an interesting story to tell, but characters that could be explored more than in previous entries. And, in that, fans are treated to an enjoyable entry that is one of the best in the ‘Saw’ franchise. 

    What makes ‘Saw X’ stand out from the rest of the franchise is the way it’s executed (no pun intended!). The protagonist role has been reversed so that John Kramer is the main protagonist, not the victims who are forced into his creative games. This means that the film is not only a Saw film, with the iconic traps, but it’s also a character study on John Kramer as a person, which is one of the film’s strongest aspects. By now, Tobin Bell has become extremely familiar with his role as the killer and his acting here is a testament to that. While Tobin does steal the scene as John, it is in ‘Saw X’ that he truly shines, making this one of his best performances. But the writing is also fantastic; what has always made John Kramer interesting is the franchise’s way of reminding fans that he is human and was, at one point, a good person who was witness to some of life’s harshest obstacles. And, here, that is just as clear as the perspective is pushed onto him as he desperately tries to find a cure. At times, the film is surprisingly emotional because it treats him as a human instead of an evil villain, showing him at his most vulnerable due to his search. 

    His humanity is also shown through his friendship with Amanda Young (Shawnee Smith). With this being set in between the first two films, ‘Saw X’ is able to explore her character more especially given the change in perspective. And, while she may have seemed confident, and even sassy, in ‘Saw 3’, here, she is still new to being Jigsaw’s apprentice and so has doubts about how his work functions. She even starts to question whether the victims involved truly deserve a chance, a theme that is continued in the third instalment. With ‘Saw X’ being set in between the first two films, it has the challenge of staying consistent to a recurring character’s mindset and behaviour, but this entry carries this out brilliantly. While John’s broken morale compass stays intact throughout, Amanda’s questioning and uncertainty at times would perfectly carry over into ‘Saw 3’. It’s clear the writers Josh Stolberg and Pete Goldfinger (Piranha 3D, Spiral: From The Book of Saw) have looked at how the timeline would work and taken great care to make sure it’s consistent. 

    As the film goes on, it is discovered that John Kramer is ultimately scammed by the company he seeks out, which kickstarts a big aspect of the ‘Saw’ franchise: the traps and the game itself. Just like ‘Spiral’ and ‘Saw 6’, the traps are symbolic. They all carry the theme of a specific medical procedure, e.g.: the Brain Trap or Radiation Trap referencing the work that the company pretend to have expertise in. Not only are they visually interesting, but it’s refreshing to once again see a game that has a meaning as well as symbolism to the victims involved. But the traps are also, of course, very gruesome! As a huge fan of the ‘Saw’ franchise, I consider myself desensitised to the gore that’s on display but even I had to look away a couple of times. There’s definitely imagery in ‘Saw X’ that has never been seen before in the franchise. This breathes new life into the near 20-year-old series, but it also tests the limit on what a horror fan can handle to witness. But as gruesome and as gory as it is, it’s also impressive purely due to the practical effects on display. Most, if not all, of the traps, gore and prosthetics have always been practical and ‘Saw X’ is no exception. The effects and the way the films have been made are the main reasons why I got into the franchise and love it so much, and it’s incredible to see the new effects, locations and props on display. 

    Despite revisiting the past, ‘Saw X’ shows fans that there’s still an untold chapter left to tell in John Kramer’s story. The film gives Tobin Bell a chance to truly shine by making him the protagonist and it works beautifully. The traps are fantastically gruesome as well as being symbolic to the supposed doctors who have betrayed him, making those even more of a character than usual. And it was wonderful to see Shawnee Smith return as Amanda Young, giving the film a chance to delve more into her character. ‘Saw X’ is not only a gruesome wild ride but it’s also a character study into one of the most iconic horror villains and it works perfectly as both. ‘Saw X’ is refreshing, interesting and definitely one of the best entries in the franchise. 

  • Doctor Who 60th Anniversary Specials: Trailer Talk

    Doctor Who 60th Anniversary Specials: Trailer Talk

    Doctor Who 60th Anniversary Specials: Trailer Talk

    With anticipation growing for the 3-part ‘Doctor Who’ special, last week saw the latest trailer released.

    The 60th anniversary special for the iconic BBC show will see David Tennant return as The Doctor and Catherine Tate as companion Donna Noble as they face another deadly threat: The Celestial Toymaker (Neil Patrick Harris – How I Met Your Mother, A Series of Unfortunate Events).

    With the return of ‘Doctor Who’ comes a return of familiar faces: Russell T Davies, who rebooted the show back in 2005, will be returning as showrunner. Furthermore, David Tennant and Catherine Tate will be returning, who are a fan favourite.

    After a mixed reception of the show since Steven Moffat became the show’s writer, it’s a relief to see Davies return; hopefully the quality in writing will increase once again. And the specials look fantastic; the budget looks like it has increased and resembles the quality of a movie than a BBC show; the visuals are the best ‘Doctor Who’ has ever been. 

    With the return of familiar faces, as well as the Celestial Toymaker’s return to the show since 1966, there’s a lot to be excited for. The specials look fantastic, and it’ll be amazing to see Donna and the Doctor interact once again.

    Plus, the specials will end with the reveal of the new Doctor, played by Ncuti Gatwa (Sex Education, Barbie), which I am really excited about. And, if that wasn’t enough, the specials will be released next month!

  • The Boy And The Heron: Trailer Talk

    The Boy And The Heron: Trailer Talk

    Studio Ghibli’s The Boy And The Heron: Trailer Talk 

    Studio Ghibli’s next film, titled ‘The Boy and the Heron’ follows a teenage boy as he discovers a magical world and a talking grey Heron via the abandoned tower in his new town.

    It looks like, despite announcing his retirement back in 2013, iconic filmmaker Hayao Miyazaki is returning to filmmaking, writing and co-directing the studio’s next feature film. And, after nearly eight years in development, what fans are treated to in just one minute is a visually beautiful work of art. 

    Studio Ghibli have always been known for their incredible storytelling and gorgeous animation, but the animation on display here looks even better than before, if such a feat was possible. And, with keeping in line with previous themes of their filmography, the film contains scenes of magic, spells and unique creatures.

    This is very much akin to the studio’s previous work like ‘Spirited Away’ and ‘Princess Mononoke’ and, yet the execution of these images will make it stand out from the other classics. Plus, after the release of the CGI animated ‘Earwig and the Witch’, it’s nice to see the familiar animation style return. 

    As a huge fan of Studio Ghibli, I am very excited for this, and it looks incredible. Studio Ghibli put a lot of care and respect into their films, making them all unique and ‘The Boy and the Heron’ looks to be no exception, especially considering the production time. It’s great to see Studio Ghibli return with its continuing high quality in films. 

  • Monarch: Legacy Of Monsters – Trailer Talk

    Monarch: Legacy Of Monsters – Trailer Talk

    Monarch: Legacy Of Monsters – Trailer Talk

    The same week that Japanese film company Toho released the trailer for their next Godzilla film, the American remake series is continuing. After 2021’s ‘Godzilla vs Kong’, the next entry will be an Apple TV+ series. 

    ‘Monarch: Legacy of Monsters’ follows two siblings as they try to uncover what their family’s connection is to the secret organization Monarch.

    Following on from the Godzilla trilogy and ‘Kong: Skull Island’, the series looks like it will finally give fans more information on the secret organization, something that I’ve been interested in since 2019’s ‘Godzilla: King of the Monsters’. But the execution of this could be really interesting as flashbacks are also shown from Bill Randa’s (John Goodman – Kong: Skull Island, 10 Cloverfield Lane) perspective when he explored Skull Island. And, with this being a series, there’s room to actually incorporate flashbacks as well as scenes from modern day to give fans background on the workings of Monarch. 

    But the world building is the part that intrigues me the most: this is set after ‘Godzilla vs Kong’, so the world is very aware of the existence of monsters and has adapted to it. A small detail, but great example of this is a sign that’s shown expressing that there’s a ‘Godzilla Evacuation Path’. The series has a great opportunity to take its time and show fans how the modern world has truly adapted to these horrific events that seem to occur very often.

    ‘Monarch: Legacy of Monsters’ is looking like a fantastic and exciting follow-up to ‘Godzilla vs Kong’. The story and world building are really intriguing and the next entry being in the form of a show means that the background and workings of Monarch can truly be revealed. 

  • Godzilla Minus One: Trailer Talk

    Godzilla Minus One: Trailer Talk

    While Toho were involved with the American Godzilla films, the last cinematic portrayal of the King of Monsters that Toho released was in 2016 with ‘Shin Godzilla’. It was a fantastic reboot of the 1954 original and now Toho finally return with a new live action film!

    It takes place in Japan post-World War 2 where the country’s economic state has been reduced to zero. But the return of Godzilla will see the country go down to minus one.

    There are a few aspects to this film that will make it stand out from Toho’s previous entries: the film being set in this specific era is unique to the franchise but will further emphasis it’s threatening manner. This is something that was missing from the American films where the monster was painted as humanity’s saviour. Plus, the film will be mostly set from the ground and from the perspective of the civilians, something that the Toho films haven’t done in decades. Not only will this be a refreshing take on the franchise for Toho, but the perspective means the monster’s terror will be fully realized.

    After a 7-year absence, it’s great to see Toho return to fully creating Godzilla films again, after being involved in the American films. The film looks fantastic and offers a new perspective on the iconic creature. Plus, Godzilla itself looks amazing: the CGI looks fantastic, and Toho have done a great job at keeping its original design. And being a huge Godzilla fan myself, I’m looking forward to this.

    This is an upcoming Japanese kaiju film directed, written, and with visual effects by Takashi Yamazaki. Produced by Toho Studios and Robot and distributed by Toho Co., Ltd., it is the 37th film in the Godzilla franchise, Toho’s 33rd Godzilla film, and the fifth film in the franchise’s Reiwa era.