Author: BRWC

  • Who Knows? Where Is Star Wars Going This Time?

    Who Knows? Where Is Star Wars Going This Time?

    Perhaps more importantly, where has Star Wars BEEN this time around? Filming has been taking place in exotic locations around the globe and if you are in the mood there is no reason why you shouldn’t visit one of them yourself. If you are a real diehard fan, you might want to visit all of them.

    The plot of Star Wars: Rogue One centres around Jyn Erso, played by Felicity Jones as the daughter of Galen Erso, who, as a leader of the Rebels, is seeking to steal the plans for the Death Star. This ties in very neatly with the scene in the follow-up A New Dawn where Princess Leia hides the plans in the droid R2-D2 before she is captured by Darth Vader. We are not going to spoil the story here by giving you all of the details, but merely show you some of the real – and incredible – places on earth where filming took place, and which you might wish to see.

    Planet Scarif

    Scarif is a tropical planet which is the place selected by the Empire to build the Death Star. In addition, it is the scene of a bloody battle on the beach involving many storm troopers.

    In reality, Scarif is on Laamu Atoll in the Maldives, deep in the Indian Ocean. What a place for a holiday in the sun! Six Senses Laamu is a holiday resort consisting of wooden villas both on land, and in the lagoon on stilts. Here there is a spa, a fitness centre (just about every resort seems to have one these days), an on-site dive centre, restaurants serving Mediterranean style foods using organic ingredients, a pizza place, and a choice of various different Chinese foods. If you are in a sporting mood you can take a fishing trip, but if not you can just laze around on a sun lounger on the white sands of the beaches.

    Tikal, Guatemala, is thought to represent the green moon of Yavin lV which is the base of the Rebels in A New Hope. In Rogue One it is not specifically mentioned as being the same place, but it seems identical. Tikal is an ancient Mayan city dating from the 4th century BC and has a temple rising 150’ into the sky, deep in the jungle.

    Stay at neighbouring Flores where a minibus will pick you up from your hotel and take you on a guided tour. Tikal has a visitor centre, rest rooms, gift shops, and even a post office. But beware: there are no ATM’s, so make certain that you have sufficient cash for a day out.

    Jedha

    This small moon is now occupied by the Galactic Empire, but used to be a place where followers of The Force would make a pilgrimage in much the same way as present day worshippers do to Mecca.

    In reality, it is located in Jordan where you can float on the surface of the Dead Sea even if you cannot swim, so salty is it. Visit the city of Accra where you can see the citadel which is one of the longest continuously inhabited places on earth, and even today has sites which have not been excavated.

    You can go into the desert and spend a night under the stars with the Bedouin. Visit the ancient city of Petra where the buildings are half cut into the rock. Check out the well-preserved Roman ruins of Jerash. Jordan takes you way back in time, yet the locals are friendly, and the country is perhaps one of the safest in the Middle East.

    Eadu

    This is the planet where Jyn Erso spent time with her father when she was a child, and may be her home planet. It is also where, as an adult, she returns to try to find Galen and discover what he knows about the plans for the Death Star.

    It is actually in Iceland in the far south of the country at Myrdalssandur, near the village of Vik i Myrdal. Stay in the capital city or Reykjavik. Visit the geothermal area where you will see the hot spring and see Gullfoss, one of the country’s famous waterfalls.

    Take a trip out on to Faxafloi Bay where you are 98% guaranteed to see minke and humpback whales, and in the summer hordes of puffins. Take a Viking Horse Riding tour, or go to the Blue Lagoon and immerse yourself in the healing warm waters.

    The Death Star 

    Maybe you won’t want to visit the Death Star, especially if you are not a fan of the London tube system. The interior of the Death Star is actually the inside of Canary Wharf tube station, so unless you like crowds and escalators, stay away.

    Instead of Canary Wharf, how about visiting another place that features not in Rogue One, but in the previous film The Force Awakens? Part of this was filmed on Skellig Michael Rock off the South West coast of Ireland which you can visit on a Skellig Michael Rock tour here.

    Stay in the same hotel as Daisy Ridley, Mark Hamill, and other members of the cast and crew, which has also been visited by Michael Douglas and Catherine Zeta Jones, and Charlie Chaplin, among others. You can book a boat trip out to the rock where you can climb the ancient stone steps to the top and see the “beehives” where monks used to live over 600 years ago. If climbing steep heights is not your “thing” you can just book a boat trip around the island.

    Star Wars: Rogue One is due for release in the UK on December 15th.

  • The History Of Striptease

    The History Of Striptease

    Gypsy is loosely based on the 1957 memoirs of the famous American burlesque striptease artist, Gypsy Rose Lee and focuses Rose, the ultimate show business mother. To celebrate the filmed production of the stage show coming to DVD and Digital Download on 28th November, we take a look at the history of striptease and its surprising origins.

    ANCIENT STRIPTEASE

    In ancient Greece, the lawgiver Solon established several classes of prostitutes in the late 6th century BC. One class, known as the auletrides were made up of female dancers, acrobats, and musicians, noted for dancing naked in an alluring fashion in front of audiences of men.

    In ancient Rome, a dance featuring stripping was also a common part of the entertainments at the Floralia, a festival in April honouring the goddess Flora.

    Empress Theodora a 6th century Byzantine Queen is reported by sources to have started life as a courtesan and actress who disrobed as part of her act; a little like Gypsy Rose Lee.

    RESTORATION ENGLAND

    Though stripping was incorporated in ancient entertainment, an early version of striptease as we know it now, became popular in England at the time of the Restoration. A striptease featured in the famous play, The Rover, written by Aphra Behn in 1677. Though the stripper is a man in this instance, he sensually undresses and goes to bed in a love scene. The concept of striptease was also documented in other works at the time, such as Thomas Otway‘s comedy play, The Soldier’s Fortune in 1681, in which a character declares, “Be sure they be lewd, drunken, stripping whores” suggesting stripping was a common known practice.

    AFRICAN AND MIDDLE EASTERN INFLUENCES

    The dances of the Ghawazee in North Africa and Egypt consisted of the erotic dance of the bee performed by a woman known as Kuchuk Hanem. In this dance, Kuchuk Hanem, disrobes as she searches for an imaginary bee trapped within her garments. The French colonists at the time observed this tradition and took it back to form the stripteases seen in France. Middle Eastern belly dance was also seen as a form of striptease in that it is dancing in barely-there clothing to entice the opposite sex.

    18th – 19th CENTURY STRIPPING

    Striptease became increasingly common in the brothels of 18th century London, where the women, called ‘posture girls’, would strip naked on tables for popular entertainment.

    Across Europe, striptease was now also combined with music, as we often see today. In Germany in 1720, one particular act saw dancers, to please their lovers, drop their clothes and dance completely naked.

    Some claim the origin of the modern striptease lies in Oscar Wilde‘s 1893 play Salome. In the Dance of the Seven Veils the female protagonist, Salome, dances for King Herod and slowly removes her veils until she lies naked. After Wilde’s play, the erotic ‘Dance of the Seven Veils’, became a standard routine for dancers in opera, vaudeville, film and and the popular striptease style of burlesque.

    In the 1880s and 1890s, Parisian shows such as the Moulin Rouge  were featuring attractive scantily clad women dancing on stage. An act in the 1890s featured a woman who slowly removed her clothes in a vain search for a flea crawling on her body, inspired by the Kuchuk Hanem of North Africa.

    20th CENTURY STRIPPING

    Gypsy was born Rose Louise Hovick but was commonly referred to as Louise. She started on the Vaudeville scene with her younger sister, baby June. However, when her sister left, it was clear that Louise’s talents could not sustain a lucrative career. She soon discovered that there was far more money to be made in striptease and took on the stage name Gypsy Rose Lee.

    Lee viewed herself as a “high-class” stripper, and so she maintained class and dignity throughout her routines, her stripping act was only initiated when a shoulder strap on one of her gowns gave way, causing her dress to fall to her feet despite her efforts to cover herself. Encouraged by the audience’s response, she went on to make the trick the focus of her performance.

    She has since been immortalised in a film starring Natalie Wood and most recently on London’s West End stage starring Imelda Staunton as Mamma Rose and Lara Pulver as Gypsy Rose Lee herself.

    GYPSY IS AVAILABLE ON DIGITAL DOWNLOAD AND DVD FROM 28th NOVEMBER, COURTESY OF UNIVERSAL PICTURES (UK)

  • Review: TRI

    Review: TRI

    By Toby Howell.

    Tri is one of this year’s biggest surprises. You know when you watch a film that unknowingly packs a punch and you get that feeling of astonishment and glee? Well say hello to Tri. From the outside it looks like one of those straight to DVD releases, which lacks any kind of originality. This, is only partly true. What Tri lacks in creativity, it makes up for in characterisation. The film focuses on Natalie, played by the addictively watchable Jensen Jacobs, who decides along with her friend to sign up and train for a triathlon. What makes Tri so likeable is the ease to feel at home and relate to the characters. Each character has a flaw, each character uses the triathlon as a way to defeat their flaw, to overcome adversity. The movie confidently brandishes out music that truly complaints the flow and arch of the film, not only this, but the cinematography is mouth-watering with the characters displayed in immaculate backdrops with stunning slow-mo sequences which really capture your attention.

    One of the biggest achievements of the project is the acting, even though there are no big names on the cast list, they earn your respect on screen. The film deals with dark themes and its actors hold their ground superbly well with some of the most emotional monologues I’ve seen all year. There were times where I had to sit back and question whether my eyes were going to water, it may be wise to have a tissue nearby.

    To date with 49 reviews, Tri sits with an incredible 9.5 rating on IDMB, a score that really shouldn’t be overlooked. This film really does pack a motivational punch, even if you think you’ve seen it all before. The genuine nature and the personality of the characters blind you from your doubts and enable you to enjoy what is unfolding before your eyes. Due to a limited release, catch it now – you won’t regret it – Tri it.

  • God Of Vampires & Wolf Town: A BRWC Double-Bill Review

    God Of Vampires & Wolf Town: A BRWC Double-Bill Review

    By Last Caress.

    Today, I am reviewing a pair of budget titles distributed here in the UK by Brighton-based budget title specialists Safecracker Pictures. With a back catalogue of pictures such as Nazi Zombie Death Tales (2012), Easy Rider: The Ride Back (2012) and Venom (2011), you do at least get a fairly good idea of what you’re getting into from the off: If the titles of those movies appeal, the movies themselves likely will too. Shall we crack on?

    God of Vampires (Fitz, 2010)

    Made over six years-worth of free weekends and days off, God of Vampires tells of a contract killer, Frank Ng (Dharma Lim), who lands the contract of his life when he’s asked to off a triad mob boss for a million dollars. Alas, it turns out that the mob boss he’s supposed to off happens to be Kiang Shi, the “God of Vampires”, who not only refuses to be a good boy and die, but also curses Frank causing everyone close to Frank to die.

    Safecracker

    This is a terribly frustrating one, this. The concept of God of Vampires is both interesting and original, two adjectives so rarely attached to vampire pictures anymore. The opening scene is intended to paint Frank Ng as a Leon-level hitman, and setting this protagonist against rarely-seen-on-screen Chinese vampires (much more zombie/vampire hybrids, subservient to a master vampire with a vastly different set of “rules” under which they exist than that of their more familiar European counterparts) is, I think, a terrific idea. On top of this, God of Vampires wants to set its stall out as being as gory as fuck to boot. And it is, it’s all of these things, except… ah, it’s just not. It can’t escape it’s micro-budget, and at every level its cheap production values let it down. Scenes of dramatic dialogue get lost behind the score. Actors seem uncertain as to whether they should play it straight or ham it up; either way, they’re rarely up to the task. The tone veers ‘twixt that of a Hellraiser movie and that of a Robert Rodriguez Shoot ’em Up. And it has to be said that Safecracker’s blocky, non-anamorphic presentation doesn’t help the picture in any way, shape or form. It’s like watching a pre-broadband YouTube clip in a big black box.

    Look: If you’re a fan of vampire pics I’m going to recommend you give God of Vampires at least a look, despite my misgivings. It is a freshly original piece of writing, that’s for sure. For my money, this is exactly the sort of film Hollywood should be remaking instead of the classics which didn’t need a remake in the first place. Because of the woeful production values, I’d also say that those of you looking for a treat on a “Bad Movie” night might find something here as well. Anyone else can swerve this one with confidence.

     

    Wolf Town (Reiné, 2011)

    College student Kyle (Levi Fiehler) wants to date Jess (Alicia Ziegler) but is too timid to ask her. She’s a history and anthropology major though, so he concocts a trip with her to the deserted former gold mining town of Paradise as a school research project. He takes his friend Ben (Max Adler) with him to act as a wing-man but, oh noes! Jess has brought her boyfriend Rob (Josh Kelly)! Who foresaw that happening? Anyway, what the audience knows thanks to a cold opening set a hundred years or so earlier but the quartet of students don’t know is that Paradise was overrun by a pack of killer wolves who appear to have held the town right up until the present day, however chronically unlikely that may sound. And I guess the pack haven’t enjoyed a good meal since the 1890s either since they’re plenty keen on wolfing down these four (“Wolfing” down, brilliant).

    Safecracker

    Wolf Town is almost the opposite of God of Vampires: Where God of Vampires was an intriguing idea executed poorly, Wolf Town is a competently-made piece – the wolf-centric sequences notwithstanding – featuring four likeable protagonists, but with a dull and badly-scripted central conceit. What sort of “school project” is this supposed to be? What was Kyle’s further plan upon conning Jess to go out into the middle of nowhere with him and his mate (they didn’t know the boyfriend would tag along)? How was Kyle close enough to Jess for long enough that he could both foster an obsession with her and talk her into taking a research trip with him, but didn’t know she was dating anyone? How has this historical resource of Paradise been discovered and publicized as such whilst all this time being populated by man-eating wolves for literally over a century? I guess none of this matters once we’re into the main thrust of the picture – vicious wolves lay siege to these poor buggers – but then the picture is beset by its other big problem: The aforementioned wolf-centric sequences, which involve lots of close-ups and jump cuts to imply that “stuff” is happening when, really, all that does is disorient the viewer and pull us out of the moment. At least Wolf Town fares better than God of Vampires in its treatment by Safecracker, presented in proper widescreen with a slightly better standard-definition encoding.

    If you were to catch Wolf Town late at night on SyFy or Movies4Men or The Horror Channel or somewhere you may find a mild enough distraction for eighty minutes or so but I can’t imagine that too many people who actively sought it out could have been anything other than disappointed.

    Safecracker

    God of Vampires and Wolf Town are out now. Check out Safecracker Pictures’ site here.

  • Are Republicans Beginning To Even The Odds Against Democrat Challengers?

    Are Republicans Beginning To Even The Odds Against Democrat Challengers?

    A newly released poll, courtesy of bet making experts Oddshark, shows Republican Presidential nominee Donald J. Trump running neck and neck with his primary opponent, Hillary Rodham Clinton. This is excellent news for odds makers, as it seems to flatly contradict previous polls that showed Clinton well ahead of Trump. As such, it may mean an intensified race to the finish for bet makers and political pundits alike, with plenty of jockeying and second guessing all the way to the proverbial photo finish. While such polls are highly subjective and nowhere near scientific, they are always controversial.

    The Race for The White House Mirrors The Race For The Senate

    As the race for the White House grows ever more heated, the simultaneous race for the Senate has also grown more intense. Senatorial candidates, such as Mike Crapo, are hoping for positive results, while their Democratic opponents hope to oust them from their dominant position in the Congress. While Crapo and other Republican candidates seem well poised to retain their seats, many of their Democratic challengers are equally confident that this may be the year of their triumph. While polling has remained inconclusive, the general feeling seems to be that another round of neck and neck finishes is in store.

    Campaign Polls Show the Likelihood Of An Extremely Tight National Race

    There are now less than two weeks left to go before the Presidential campaign of 2016 is placed securely in the history books. However, these two weeks will likely be the source of much contention and controversy, with results that may last well beyond the season. As of a week ago, the recent Bovada poll claimed that Hillary Clinton was a -550 favorite. Meanwhile, Donald Trump drew the short straw with a respectable listing at +350 odds. However, these odds were released just as the latest round of Clinton email news was disclosed to the media. As of now, Clinton stands at -300, and Trump at +200.

    What Exactly Do the Bovada Poll Numbers Imply for the Candidates?

    The Bovada poll numbers are calculated to imply the probability of either candidate realizing their goal of attaining to the highest office in the country. By scoring at her current level of -300, Hillary Clinton is shown by the polls to have a 75 percent chance of becoming our next President. However, this figure shows an approximate decline of 10 percent from her previous polling figure of -550. Meanwhile, Donald Trump has registered an intriguing increase, gaining 9.5 percent to reach his present total of +200. As such, he now has a 33 percent chance of becoming the next President of the United States.

    Can Odds Making Polls Be Trusted as A True Indication of Sentiment?

    Of course, the average voter can hardly take these unscientific odds maker polls at full face value. They do serve some purpose as a reliable indicator of a certain segment of the voting population, but are hardly trustworthy on a literal level. The stated goal of the Republican candidates in the present race will be to retain control over Congress, regardless of how the Presidential race may turn out. This goal calls for the use of strong strategic initiatives that have little to do with odds making polls.