EIFF2017 Review: Paris Can Wait
By Orla Smith. Particularly in this golden age of television, when it would be unfair to assume a TV show may have less cinematic value… EIFF2017 Review: Paris Can Wait
By Orla Smith. Particularly in this golden age of television, when it would be unfair to assume a TV show may have less cinematic value… EIFF2017 Review: Paris Can Wait
By Orla Smith. Not to be dramatic, but Modern Life is Rubbish is one of the worst films I’ve ever seen. Not that I seek… EIFF2017 Review: Modern Life Is Rubbish
By Orla Smith. The 71st Edinburgh Film Festival started with a simmer rather than a bang. Yorkshire set drama God’s Own Country opened this year’s… EIFF2017 Review: God’s Own Country
By Jess Devonport. For years, Joss Whedon’s uncommissioned Wonder Woman script was a parable of the internet, proof that Hollywood was trying marginalise female superheroes.… How Wonder Woman Stepped Away From The Male Gaze
By Last Caress. A Good Day to Die: Hoka Hey, the documentary by Harold Monfils chronicling the work of war photographer Jason P. Howe begins… A Good Day To Die: Hoka Hey – Review