Author: BRWC

  • No Laughing Matter

    No Laughing Matter

    By Finley Crebolder.

    Many dramatic actors have often said how much harder they find it to make people laugh than to make them cry. In fact, it wouldn’t be an exaggeration to say that being funny is often considered the greatest and most difficult skill to grasp in the industry. Bearing this in mind, it should come as no surprise that traditionally comedic actors have so often tried their hand at more serious roles and excelled, changing people’s views of them as well as the trajectory of their careers.

    Here are five actors who have done just this…

    Jim Carrey

    Jim Carrey burst onto the scene in 1994 with his comedic and slapstick roles in “Dumb and Dumber” and “Ace Ventura: Pet Detective”. Following further roles in “The Cable Guy” and the Ace Ventura sequel, he was on top of the comedy industry as well as being one of the highest paid actors in the world. However, this wasn’t enough for him, and in the final two years of the decade he pursued more serious and dramatic roles, taking pay cuts to do so. The first of these was in Peter’s Weir’s “The Truman Show”, where Carrey played Truman Burbank, a man who throughout the film discovers that his life has been a simulated TV show. The film as well as the Canadian’s performance was critically acclaimed, and he won the Golden Globe for “Best Performance in a Motion Picture Drama”, although he was somewhat controversially not even nominated for an Oscar.

    The following year Carrey yet again won a Golden Globe for his performance in the biographic film about the life of entertainer Andy Kaufman, “Man on the Moon”, yet again drawing huge critical praise. Following his double Golden Globe win, Carrey largely returned to comedy, but did put in another excellent dramatic performance in 2004 in the now cult classic “Eternal Sunshine of the Spotless Mind”, for which he received BAFTA and Golden Globe nominations. It would be an understatement to say that in recent times Carrey has distanced himself from the mainstream film industry, and we can only hope that someday he’ll return to at last gain the Oscar nomination he deserves.

    Steve Carell

    Steve Carell is known by most for his role as Michael Scott in the US Office as well as his performances in Frat Pack comedies such as “Anchorman”, “The 40-Year-Old Virgin” and “Evan Almighty”. Nevertheless, he showed his dramatic abilities as early as 2006 in the comedy drama “Little Miss Sunshine”. Whilst this was still at times a comedic role, he showed a more serious side not shown before in many scenes. The same can be said for his performance in another comedy drama six years later, “Seeking a Friend for the End of the World”. Following this, Carell began to move away from comedy to pursue a career in drama, and has impressed in biographical dramas in particular.

    In 2014 he gained both a Golden Globe and Oscar nomination for his stunning and sinister performance as millionaire murder John Du Pont. This was the first time Carell truly showed his acting chops and it was a sign of things to come, as two years later he would put in another excellent performance as businessman Mark Baum in “The Big Short”, for which he was once again nominated for a Golden Globe. He is also gaining praise for his role opposite Emma Stone as Bobby Riggs in the sports biographic “Battle of the Sexes” as well as his performance in Richard Linklater’s “Last Flag Flying”. He will most likely be a major player in the awards season this year and for many years to follow.

    Will Ferrell

    This one may come as a shock considering that Will Ferrell’s bigger, more well-known roles have come almost exclusively in comedies, but asides from his performances as Ron Burgundy, Brennan Huff and Buddy the Elf, he has also shown his dramatic abilities in more low key, indie films. One of these is the 2010 comedic drama “Everything Must Go”. In this film Ferrell plays a beaten and broken man who’s recently been sacked, divorced and is fighting Alcoholism, and he does it to a tee. Through his damaged and often heartfelt performance, he manages to make the audience sympathise and even care for a character who on paper should be hugely unlikeable, and gained a Golden Globe nomination in the process.

    However, Ferrell’s best “serious” role was three years earlier in the aptly named “Stranger Than Fiction”, for which he also got a nomination. In the film he plays a man who discovers he’s a fictional character inside a novel and the author is going to kill him off. Working with a cast that included Dustin Hoffman, Maggie Gyllenhaal and Emma Thompson, Ferrell quite simply steals the show, having the ability to make you cry tears of laughter and tears of sorrow. Whilst it didn’t turn out to be his “Truman show” like he may have hoped, it is a wonderful performance nonetheless.

    Bill Murray

    Bill Murray took on his first dramatic role in the 1984 film “Razor’s Edge”. However, the film flopped so badly that Murray took four years off from acting to study instead. Upon his return to the industry, he went back to his more comedic roles such as the “Ghostbusters” sequel and the Christmas film “Scrooged”. He continued to so with comedy box office hits like “Groundhog Day” until 1998 when he decided to return to more dramatic acting in the Wes Anderson film “Rushmore”. Murray received huge critical praise playing rich businessman Howard Blume, and won many awards for his performance, also being nominated for a Golden Globe.

    This marked a “second coming” of his career as he took on more and more serious roles, and five years later he would return to win the award, win a BAFTA and narrowly miss out on an Academy Award for his career best performance in Sofia Copolla’s “Lost in Translation”. In the film he plays a washed-up movie star who’s in Tokyo to shoot a whisky advert and befriends a young woman played by Scarlett Johansson. It’s a warm, touching and moving performance, and one he deserved the Oscar for, but like Carrey and Carrel, was snubbed. Can you see a pattern emerging? The Academy generally do not like comedy actors.

    Robin Williams

    Okay, apart from this guy. Yep, Robin Williams’s performance in “Good Will Hunting” was just too good for the Academy not to give him an Oscar for. Upon his tragic death, most looked back fondly on the comedic performances of his career such as those in “Mrs Doubtfire” and “Good Morning Vietnam”, but Williams put in some truly stunning dramatic turns, and is arguably the best actor on this list. He is of course most known for his Oscar winning performance in “Good Will Hunting”, and rightly so. Playing the grieving widowed therapist to Matt Damon’s genius janitor, Williams puts in one of the best performances seen in film in a long long time, with his monologue on the park bench becoming truly iconic.

    https://www.youtube.com/watch?v=lvPxRyIWWX8

    His other truly great performance came in “Dead Poets Society”, where he played an inspirational teacher at a harsh soulless boarding school who taught his students to seize the day (“Carpe Diem”). In these films he plays two of the most inspirational and moving characters film has seen, and whilst these are his two best performances, he also performed incredibly in “The Fisher King”, “One Hour Photo”, “Insomnia” and many more. Williams was undoubtedly one of the true greats, both comedically and dramatically, and we are all hugely lucky to have witnessed his greatness. Thank you, O’ Captain My Captain.

  • Trance: Short Film Review

    Trance: Short Film Review

    By Marti Dols Roca.

    Seven years after the war in Sri Lanka, thousands of people are still missing. Most of them presumably dead. The mostly Tamil* families of the missing have held demonstrations to support their cause. Some of them have complained that they have been abducted or arrested by the police while staging their protests.

    As many as 100,000 people are thought to have died in the conflict.

    Trance
    Trance

    Trance (Gnanadas Kasinathar, 2017) is a short film that addresses the “missing people” issue in post-war Sri Lanka. Inspired by stories told by victims of the war and shot entirely in Sri Lanka by a native cast and crew, Trance follows a mother whose son is missing and seeks courage and answers by taking part in a religious ceremony in honor to the Goddess Kali. The woman is told that good news are about to arrive and she identifies those with the visit of two young men (a Tamil and a Sinhalese) who claim to be friends of her missing son. As usual in these kind of tragic stories, the woman ends up giving money and selling her goods in order to help her boy through the two unsettling youngsters.

    Eventually, she will uncover the scheme (as, ironically enough, it has nothing to do with ethnic communities; it’s just pure theft) ran by the two latecomers who will end up assaulted by a furious Tamil mob.

    Trance
    Trance

    Trance has won the prestigious Award of Recognition from The Best Short Film Competition (California) and will be screened in the London Eye Film Festival in UK as well as in Cape Town International Film Festival in South Africa amongst others.

    According to the director “We learn cinema by doing it and making mistakes. This award gives confidence not only me and our team, but the whole Sri Lankan Tamils”. Trance is one of those little movies that are able to deliver a simple but very strong social message in a very stylistic manner. The limitations in shape of narrative or resources are also obvious, but on the whole the short film succeeds in its purpose and underlines an ongoing conflict that seems to be forgotten by the international media.

    * Alongside Sinhalese, the two main ethnic groups living in Sri Lanka.

  • Marko Mäkilaakso Chats About It Came From The Desert

    Marko Mäkilaakso Chats About It Came From The Desert

    Ahead of the UK premiere of his latest film IT CAME FROM THE DESERT at the Horror Channel Frightfest Halloween event, director Marko Mäkilaakso shares his admiration for Roger Corman, love of B-Movies, spoofing and overcoming homeland obstacles.

    IT CAME FROM THE DESERT is inspired by Cinemaware’s cult 1980s video game, which in turn was motivated by the giant creature feature craze infesting 1950s Hollywood. What was the main inspiration for you?

    MARKO: There’s so many movies and makers which inspired ICFTD, but the main inspiration was exactly that; creature feature infested 1950s Hollywood films, and the legendary Cinemaware Desert games and creature features and action comedies I grew up with in the 1980s. I love B-movies and mainstream filmmakers who give homages to those in their works, like Joe Dante, John Landis, Tim Burton, Steven Spielberg etc. There’s something so pure and honest about B-movies and even though done with tight budgets you can see and feel that the makers put their hearts and souls into making the movie. That’s really inspiring!

    I’ve always loved Cannon Films action movies like American Ninja and Delta Force, and comedies like Bill & Ted’s Excellent Adventure, Ed Wood, The Burbs’ as well as creature features like Piranha and Gremlins. 1980’s TV shows like V, Knight Rider, Street Hawk, Amazing Stories and I am sure there’s a little bit something from all of those in my movie.

    The modern creature feature craze are the Syfy channel movies. Some of them are fun, but most of them are too lazy and poorly done. I don’t mind low budgets, but when companies just want to cash in without any passion to the project then it’s doomed from the very beginning. Roger Corman did it correctly! He hired passionate filmmakers to give their everything and in the end the movies had something extra, something special. Like the It Came from the Desert game was spoofing those and other 1950s monster movies, my movie is also spoofing the modern creature feature craze of Syfy movies.

    It Came From The Desert
    It Came From The Desert

    It’s smartly scripted, extremely funny, with an OTT deadpan delivery. How did you go about developing and writing the script to achieve that style?

    MARKO: Nice to hear, thank you! The tone of the movie was very clear to me from the very beginning. I couldn’t see the movie done in any other way. This was my love letter to movies I grew up with. I wanted to bring back this kind of old school ”Bill & Ted’s excellent adventure” style of characters and the silly and fun moments that brings.

    I wrote the first draft which was still much leaner and meaner in scope but had the story, main characters, tone and comedy already set and once Cinemaware gave their blessing to ”adapt” the game we expanded the scope. Talented writer Hank Woon came on board and wrote the next drafts expanding the tale. And then I wrote a few drafts mainly to keep the humor and action the way I imagined it.

    Then UK based AMP joined the party to co-produce and co-finance the movie and they suggested that talented filmmaker Trent Haaga polish the script. Trent got the tone right away. He did a wonderful job and made the script even better!

    Also one crucial element was the casting. I went thru many, many actors to find the right cast who got the tone and could deliver the humour I was aiming for. The cast was just perfect for their roles and I had the luxury to allow them to improvise while shooting. I think the movie got funnier and funnier while shooting and that’s only because we did the casting right!

    The giant ant special effects are terrific. Is it true they are a homage to Ray Harryhausen?

    MARKO: Ray Harryhausen was AMAZING! I love his work and there’s definitely some Harryhausen spirit in the ant effects. Production designer / co-ant designer / practical ant effect creator Kari kankaanpää and I are both big fans of Harryhausen’s work, stop motion and miniatures. We even thought about using some miniatures in the movie, but the budget disagreed with that crazy idea. I actually have a movie treatment ready which is homage to Harryhausen and Toho. I even sent it to Julie & Roger Corman. It’s awesome and hope it will get made someday.

    It’s been described as a ‘pulp action horror mutant monster movie’. Is that what you set out to make?

    MARKO: I set out to make a fun, entertaining, nostalgic, pulpy action-adventure-comedy-creature feature with a touch of horror, so yes.. that sounds about right!

    You’re known internationally for your strong visual style. How much does being a successful music video director influence your movie career?

    MARKO: I think that has a lot to do with who I am as a director and also how I work. Music videos have been a great learning ground for filmmaking. You need to shoot fast and make cool looking images and tell a story (if the video has any) in a visual way.  So, yes, I owe a lot to that. But of course making a movie is completely its own beast.

    You come from Finland. How important a part would you say your native roots play when writing and directing? 

    MARKO: You know, that’s tricky thing for me. I always felt that I was born in the wrong country because of the kind of movies I wanted to make. I was never taken seriously or supported much by the Finnish film industry, except by the great filmmaker Antti J. Jokinen who gave my start.

    People look down on these kind of genre movies and that’s sad I think and that’s why I packed my bags eight years ago and moved away from Finland. Don’t get me wrong, I do love my country, but it also pushed me away. I was the outsider in the industry with weird ideas and thoughts of making action horror movies. I was literally laughed at! So I went elsewhere and made my two first movies with countries and people who did get it. Even now, I am not considered as a ”serious filmmaker” because of the movies I make, but I am happy that Desert is a Finnish co-production.

    We also shot one week in Finland which was a wild contrast coming from hot Spain to cold wintery Finland. I give all the respect in the world to Finnish Film Foundation who bravely supported and gave financing to the movie. Trust me; it’s a really brave thing to do in Finland!  So maybe after this movie the Finns we’ll see that’s I am not giving up and I’m still making these genre movies which I LOVE from the bottom of my heart!

    Your debut film was the well-received action / horror WAR OF THE DEAD, which you also wrote and co-produced. Have you always been drawn to the horror genre?

    MARKO: I love horror! I love action! I love comedy! I love drama! Dammit! I love movies no matter what the genre is! But horror has a special place in my heart. It’s so honest and visual genre. We all have nightmares and fears and it’s very easy to identify with those no matter how fantastical it is. It’s the primal fear in all of us and it is so damn fun to watch knowing that no matter what happens you’ll be safe! Shooting horror is also lots of fun and horror is also a genre where you can mix action and comedy without rules. Just pure damn FUN!

    After DEADLY DESCENT, your savage, war-like abominable snowman movie for Syfy and Universal, you turned your hand to a home-grown family comedy film, ELLA AND FRIENDS 2. Why?

    MARKO: Well, that’s good question. I have kids, three of them, and they are dying to see movies I’ve directed, but I can’t really show them, so out of the blue I was offered to direct ELLA 2 and I was shocked! Me? A Kid’s movie? Maybe the producer liked my more family friendly music videos and stuff. No matter what this was a wonderful opportunity to make something for my kids and also to direct my first Finnish movie and my first comedy! So I took the job with open arms. My oldest daughter, my dad and my brother are in it and I’m acting in it too!. It’s a real family affair! And I was working with one of my childhood heroes, Pirkka-Pekka Petelius, a comic genius!

    It Came From The Desert
    It Came From The Desert

    You’ve also appeared as an actor in two of your films. Will we see more of you in front of the camera in future?

    MARKO: Ha! Funny thing was that I had a real character in War of the Dead. I played Corporal Peter Jackson and I had few dialogue scenes with Andrew Tiernan who played the lead, but I needed to move along faster with the story and I cut out those scenes. I am still in the movie, but not talking. Maybe better so! Ella 2 was an opportunity to act a small role, so I did it. It was lots of fun! I am also in ICFTD, but briefly in the background. So more acting in the future? Well, maybe more cameos!

    Finally, what’s next? Will you stick with action horror?

    MARKO: Not sure yet. There’s many projects in development, but let’s see which one gets first financed. There’s definitely more action horror coming!

    It Came From the Desert receives its UK premiere at Horror Channel FrightFest Halloween 2017 on Saturday 28 Oct, Empire Haymarket, 4.10pm.

    Tickets: http://frightfest.nutickets.com/

  • LFF 2017 Review Round-Up #6

    LFF 2017 Review Round-Up #6

    By Orla Smith.

    RUSH TO SEE…

    Lady Bird

    //www.youtube.com/watch?v=cNi_HC839Wo

    Greta Gerwig’s coming-of-age dramedy is not the runaway hit you might expect. That’s not a slight on its quality: Lady Bird is a wonderful, perfectly realised depiction of a teenage girl (Saoirse Ronan) in her last year of high school. However, it would be misleading to go in expecting to be immediately blown away. While its small pleasures are gratifying in the moment, it wasn’t until after the film was over that it started growing on me as something larger than the sum of its parts. Through episodic storytelling Gerwig has crafted a remarkably comprehensive portrait of growing up: trying on new identities, having new experiences, testing the boundaries of new and old relationships, and longing for something more than the small town you grew up in ― while coming to terms with how much you’ll miss it when you’re gone. In its detailed specificity, Lady Bird articulates emotions that are recognisable, and will be applicable to many of our memories of youth. It’s destined to be loved for many, for many years to come.

    TRY TO SEE..

    Angels Wear White

    LFF 2017 Review Round-Up #6
    Angels Wear White

    Vivian Qu’s Angels Wear White was the only film in this year’s Venice Film Festival competition that was directed by a woman. Fitting then that Qu’s film is so unapologetically female gaze. Many films about rape come off sickeningly misjudged, but Angels Wear White prioritises the emotions of the victims and the other women surrounding the case, rather than sensationalising the act itself (which is not shown). It is a horrifying exposé of rape culture that crucially ends on a note that is not happy, but defiant

    The Breadwinner

    //www.youtube.com/watch?v=dqC0CtCzav8

    Following a young girl in Afghanistan who dresses as a boy in order to provide for her family, Irish animation studio Cartoon Saloon’s latest is a gorgeous piece of hand crafted art. Unfortunately, the film falters when it gets too caught up in the visual wonder of its storytelling. Rather than making the body of the story feel substantial, a large chunk of the film is devoted to animating bedtime stories that protagonist Parvana (Saara Chaudry) tells to her younger brother. It’s a shame that this should distract from a narrative that is, in itself, compelling

    Three Billboards Outside Ebbing, Missouri

    //www.youtube.com/watch?v=Jit3YhGx5pU

    Martin McDonagh’s Three Billboards Outside Ebbing, Missouri will be a hit with audiences. It unexpectedly won the audience award at the Toronto International Film Festival this year. Three Billboards may look like a black comedy with dramatic elements, but it’s really a drama with elements of black comedy. McDonagh’s signature wit in no way dims the huge emotional impact of the story of a mother (Frances McDormand) seeking revenge on the man who raped and murdered her daughter. The film is episodic, with scenes that work in a vacuum but struggle to connect as a cohesive whole. Still, it is both entertaining and moving

    AVOID…

    The Boy Downstairs

    LFF 2017 Review Round-Up #6
    The Boy Downstairs

    Sophie Brooks’ rom-com The Boy Downstairs is not even for fans of the genre ― of which I am one. To her credit, she captures natural speech patterns realistically, but there’s absolutely nothing more to the film than that. It is uninvolving and uninteresting in every way, making no effort to separate itself from the standard formula. Being conventional isn’t so bad though, as long as your film has warmth. This doesn’t.

  • Zaff Malik On Diversity In The Film Industry

    Zaff Malik On Diversity In The Film Industry

    Zaff Malik, an astonishing TV/Film actor known for Hollywood’s biblical adaptation of David and Goliath, ITV’s Saturday Night Takeaway and BBC comedies, explains what the TV and film industry can do to reverse the trend and include a more diverse cast and possibly crew.

    Zaff wants to be an agent of change in the rigid landscape, to one that is more representative of today’s society. He has a huge influence and stands out in the industry with the film and TV work he’s racked up to date.

    Equity – Actors Union

    Equity the actor’s union have involved him in their debates on the issue.  He had been personally invited by Equity to participate in their ‘Play Fair’ panel discussions on diversity. Play Fair was a program they created to tackle lack of diversity in all forms from Theatre to Film and TV, to tackle this right from the top, starting with casting directors. When Equity then asked him to discuss this issue with an assembled panel of industry stakeholders including the BBC he had to accept. During the closed event, he realised some progress was being made but there was a whole lot more that needed to be done. He was disappointed that the other competitor channels couldn’t even be bothered to make it to the discussion. He wanted them there to discuss what they were doing to tackle this issue. He fed back his concerns to Equity and aired them vocally on social media.

    Zaff Malik.  Photo by Summer Bao.
    Zaff Malik. Photo by Summer Bao.

    On air

    He was then invited to talk on BBC Radio on the subject of diversity after his fellow actor in the business, Kal Penn released to the press how he was cast in stereotypical Asian roles. Zaff went live on air to explain about his experience in the film/TV industry and listeners were soon to realise that his wasn’t too dissimilar to Penn’s experience. In fact, many of his ethnically diverse actor friends told Zaff of similar experiences.

    He mentioned, “I realise we are lacking women, LGBT and less abled people in the industry, especially in leading roles but I need to highlight the lack of Asians as that is my heritage and I can speak from experience from what’s happened to me”

    Tea Break Film Festival

    At the Tea Break Film Festival in Hull, September 2017, he was asked to be head judge and decide on a winning film to finalise the festival. At the end, he stood up and talked about his film/TV background. A number of people came to speak to him afterward, but one woman, in particular, Sue, said the City needed someone like him to give youngsters a hope for the future. She told him her teenage son was a bit lost in life and needed direction so he offered her to personally guide her son. Even the festival director Mal Wiliamson and the other film judge came to him on the wrap up and were so enthralled by his story and success in the business that he said it gave him a new reason to pick arts projects up he was putting off, back up again and approach them with a fresh mind, telling himself that they were worth pursuing and that he could make a difference to the local filmmakers and the community in general.

    https://www.youtube.com/watch?v=Ku9wgqoPxXY

    The Nottingham Micro Film Festival 2018

    He is planning to talk at well-known venues and events to inspire others especially young Asian men. He has already been invited to attend one of the biggest film festival events in the UK, the Nottingham Micro Film Festival in 2018, an international platform, as one of the hosts, a panel speaker and also chair debates.  A superb opportunity to spread the word and what the film and TV stakeholders can be doing on a worldwide basis to improve the situation.

    Zaff detailed, “it begins with the writers, they need to cast their net a bit wider in terms of the characters they conjure up in their stories, in terms of not always going for the default Caucasian, male choice.  A simple analogy could be to think of Idris Elba in the role of Bond, the fact we are opening up a can of worms with die hard Bond fans is a separate discussion”, he sniggers under his breath.

    Zaff Malik.  Photo by Summer Bao.
    Zaff Malik. Photo by Summer Bao.

    He then went on to mention, “across the whole industry from writers, cast to crew we have a lack of diversity.  This isn’t necessarily all the industry’s fault.  Maybe for example it’s a cultural thing specifically with Asians, the fact that the industry isn’t something that’s really seen as a future to aspire to.  Maybe we need to educate the up and coming generations as to the reward, the self esteem they can gain by being in it.  We also need role models which we are severely lacking.  But things are moving in the right direction slowly, we just need more to champion the cause.

    Zaff ended on “right now Asian role models in film/TV are virtually non-existent, I mean Riz Ahmed and Penn are rising up the ranks slowly. In ten years time, we may be in a better position, where we can look back and say that it was only an issue in the previous decades”.

    But only if people like Zaff stand up and highlight the cause and use whatever platforms and opportunity they can to generate interest and understanding.  To join forces and work together to represent our society fully in theatres and on screen.

    Photos by Summer Bao.